Jane Austen’s unfinished heroine, Charlotte Heywood, is invited to Sanditon, a small coastal village undergoing modern changes to become a fashionable seaside resort (with revolutionary sea bathing) and she soon finds herself navigating the high ambitions of its architect Tom Parker, the family affairs of wealthy benefactor Lady Denham, and the secrets of village life. There are, of course, two handsome suitors. But a very important question hangs in the air—will Sanditon be a successful venture?
Sanditon, an eight-part drama from Jane Austen’s last and unfinished novel adapted by Andrew Davies, left fans of the TV series divided by the uncharacteristic ending and the knowledge that there would not be another installment.
Production company Red Planet Pictures is a leading independent UK producer of high-end drama founded by multi-award winning British television writer Tony Jordan in 2006, and run with Belinda Campbell and Alex Jones whose recent productions include Sanditon, a dramatisation which caused much disarray in the Jane Austen fandom.
However, I read these recent quotes—
“A second and third series were commissioned as part of a collaboration between PBS and BritBox in May 2021″
“Masterpiece PBS: After fans were left hanging in suspense by the first season’s finale and clamouring for more, the drama will continue to follow the high-spirited and independent heroine, Charlotte Heywood (Rose Williams) as she returns to the picturesque coastal resort of Sanditon. Charlotte’s journey is one thread of an intricate tapestry of compelling stories full of intrigue, excitement, and romance. Against the backdrop of beautiful vistas, familiar faces return and new inhabitants are introduced—all of whom will be having adventures as joyous and surprising as the seaside town itself.”https://www.townandcountrymag.com/leisure/arts-and-culture/a30272999/sanditon-season-2/
So, the stars over Sanditon will continue to shine.
In Australia, the first series is free-to-air on ABCTV iView. I found the story very enjoyable and loved the characters. It has been a long time since I was irate about a surprise ending although I did appreciated the way the two actors handled The Moment. Generally, I felt some liberties were taken with etiquette, the background scenery was sometimes questionable but the costumes were suitably detailed and quite lavish when the need arose.
Love it or loathe it, this is another story which will join the long list of adaptations of Jane Austen’s enduring works.
♥ Gretchen Bernet-Ward
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