King Anne by Ethel Turner was published in 1921 and my great aunt gifted this novel to her sister, my paternal grandmother, at Christmastime in 1922 after she had first read it. Many years passed by and when Grandma thought the time was right she passed King Anne on to me.
Unfortunately at that time I was not the least bit interested.
British-born Australian author Ethel Turner (1870-1958) was a novelist and children’s literature writer. She wrote over 30 books and collections of short stories and verse, mostly centred around girls and for girls. King Anne was Turner’s thirty-sixth published work.
Perhaps because I didn’t quite get into her first novel, the epic family saga Seven Little Australians (1894) of which NSW State Library holds the original hand-written manuscript, I therefore gave pseudo-royal King Anne’s weighty tome (as it seemed to me at the time) a wide detour.
Cazneaux’s portrait of Ethel Turner in the window of her study at her Mosman home Avenel NSW 1928 Original hardback bookcover
The bookcover faded and King Anne languished for many, many years on the family bookshelves, sandwiched between ancient copies of Kidnapped, Pilgrims Progress and Wind in the Willows, and enduring several moves until by some quirk of fate I reached for it today February 2022 when my great aunt and grandmother would have read it one hundred years ago. (Shivers)
I have no memory of the storyline. Now I WILL have to read it!
First I shall create a pictorial and some background information—
I doubt it had a dustjacketShowing its age and handlingHere you can see the author’s married nameI do love a book with chapter titles
The book has foxing and is not in good condition but you can see the etiquette of the time. Written in brackets underneath ETHEL TURNER is the abbreviation Mrs coupled with her husband’s name thus Mrs H. R. Curlewis. Herbert Raine Curlewis was a judge.
(Left) The ordeal of formal dining
The frontispiece and three illustration plates are beautifully rendered, showing family life at the time. They are miniature works of art in their own right, sometimes removed and framed by the book owner. The far right image was adapted and embossed on the front cover of King Anne.
The artist has not been acknowledged and from online booksellers information you can take your pick. Possibly Harold Copping, and it seems A.J. Johnson‘s small-format illustrations were later replaced by full page works from J. Macfarlane. Each had illustrated books for Ethel Turner.
Books written prior to King AnneIsabel’s reviews in Ethel’s book
Inside the back leaves of King Anne (you leaf through a book because the pages are called leaves) under the heading Charming Stories by Isabel M Peacocke – another author of similar genre – there is a rather ambiguous book review of My Friend Phil (1915) from a Queensland Times reviewer which reads “… without doubt the best since Ethel Turner took the reading world by storm with her ‘Seven Little Australians’…” poor Isabel M Peacocke.
Size difference 1921-2021King Anne 500g The Kingdoms 700g
The difference between the size and weight of these two books was misleading until held in my hands. Natasha Pulley’s The Kingdoms is a slimmer volume with a lighter bookcover and thinner pages compared to Ethel Turner’s bulky King Anne with its fabric-over-cardboard bookcover, cotton stitching and stiff parchment-like pages. The modern publication is 200g heavier.
Australian author Ethel Turner booklist:
Seven Little Australians (1894) The Family at Misrule (1895) Story of a Baby (1895) Little Larrikin (1896) Miss Bobbie (1897) Camp at Wandining (1898) Gum Leaves (1900) Three Little Maids (1900) Wonder Child (1901) Little Mother Meg (1902) Raft in the Bush (1902) Betty & Co (1903) Mothers Little Girl (1904) White Roofed Tree (1905) In the Mist of the Mountains (1906) Walking to School (1907) Stolen Voyage (1907) Happy Hearts (1908) That Girl (1908) Birthday Book (1909) Fugitives from Fortune (1909) Fair Ines (1910)
An Orge up to Date (1911) Apple of Happiness (1911) Fifteen & Fair (1911) Ports & Happy Havens (1911) Tiny House (1911) Secret of the Sea (1913) Flower O’ the Pine (1914) The Cub (1915) John of Daunt (1916) Captain Cub (1917) St Tom & The Dragon (1918) Brigid & the Cub (1919) Laughing Water (1920) **King Anne (1921) Jennifer, J. (1922) Sunshine Family (1923) (with Jean Curlewis her daughter) Nicola Silva (1924) Ungardeners (1925) Funny (1926) Judy & Punch (1928)
**King Anne is Number 36 on this list and according to the list in my book (photo above) this was her 21st novel.
Ethel Turner’s literary works have been largely forgotten but she, and a handful of other women writers, paved the way for Australian books for Australian children. My grandparents were educated with, and read, British books, so I admire Ethel Turner’s achievements. The following websites make interesting reading – GBW.
Tea With Ethel Turner by author blogger Rowena (link below) is exceptionally well written and researched. On my own research, so far I have found scant reference to King Anne.
Important Addendum: Australian Women Writers Challenge The Early Years is concentrating on past Australian women writers of all genres who were published then faded away. AWW have restructured their blog to highlight the writing of earlier Australian women; works published 50+ years ago. If you happen to find and read a forgotten gem, AWW would be interested in your book review.
I will be posting my King Anne review in due course. In the meantime, perhaps YOU might find another first edition little-known Ethel Turner on your bookshelf?
Classics deserve to be read again!
♥ Gretchen Bernet-Ward
Ethel Turner’s first home ‘Woodlands’ NSW as it was in 1892. Ethel is pictured on the right side of the verandah, her older sister and fellow author Lillian is on the left. The gentleman on the horse is unnamed, possibly Herbert Curlewis. The residence has been added to and greatly altered over many years. Picture: Mrs Phillipa Poole
‘Woodlands’ (circa 1884) information and photographs compiled by Alison Cheung, writer and real estate reporter.
‘Avenel’ (circa 1906) compiled and posted by David CarmentLost Mosman from various sources with his photographs and others courtesy of Mosman Library.
What can you see? What can you surmise from this scene? Is it in suburbia or the mountains or maybe near the sea?
Can you name the trees? Or guess the potted plants? What time of day, or time of year, do you think the photograph was taken?
And who might live there? Who owns those gumboots?
You could write a short story about someone who walks out onto this balcony. Perhaps it’s the home of the Capulet family? There is a good reason why Juliet walks out onto a balcony.
Valentine’s Day is nearly here! Imagine an alternate ending. A happy, sad, good, bad or exciting scene… Writers, write about it in your own hand! Put it in an envelope and present it to your loved one.
❤️ Gretchen Bernet-Ward
Postscript: I will write my own version on traditionally the most romantic day of the year 14th February 2022.
Summer January 2022 and Queensland has been blessed by La Niña (or buffeted by her) experiencing high winds, thunder, lightning, pelting tropical rain, flooding rivers, and vigorous plant and wildlife growth.
Plus an unexpected visit of tsunami waves from Tonga’s cataclysmic volcanic eruption. I actually heard the deep eerie rumbles. The sound crossed the Pacific Ocean to arrive thousands of kilometres away in Brisbane. Next morning the sunrise had a golden orange hue, created by volcanic ash fallout. My thoughts and prayers go out to the Kingdom of Tonga and Pacific island nations, and to aid, search and rescue teams during the difficult and heart-breaking times ahead.
For now, I sit on the verandah in the humidity watching the raindrops fall on damp leaves and recall James Whilt’s imaginative poem ❤️ Gretchen Bernet-Ward
The Rainstorm
by
James W. Whilt
*
Here in the deep tangled forest All is quiet and still, While far to the west the thunder, Re-echoes from hill to hill.
And the lightning’s flash, ever vivid, In great gashes knives the air; The rain comes down in torrents, A deluge everywhere!
Bathing the heat-sick flowers That they may bloom once more; Painting the grass a greener hue, That grows by our cabin door;
Making the pastures fresher, For the cows and shepherd’s herds, Making the pools by the road-side — Bath tubs for the birds.
Then the thunder peals louder and louder, Firing its shrapnel of rain. The clouds charge after each other, And the drouth is defeated again.
Then through a rent in the clouds The sun’s searchlight casts its ray, And the Rain-God looks over the valley And sees the result of the fray.
And as He sees his conquest, His victory’s flag is unfurled, In a beautiful coloured rainbow — He is telling all of the world.
What a victory was his, what a triumph! It’s flashed down the Milky Way, Then the sentinel stars dot the heavens, And the dew-drops sound taps for the day.
Cat quote modelled by JoJo @ Gretchen Bernet-Ward 2022
Read the card…
There are 24 quotes in The Cat’s Whiskers box (little affirmations to encourage a pawsitive life) and the next card purrs “The primary business of a cat is comfort” which surely comes under the same banner as relaxing, catnapping and sleeping.
All of which cats probably invented and certainly claim superior mastery.
Charles Dickens is reputed to have said “What greater gift than the love of a cat?” because cat-lovers around the world know that feline love is sometimes hard-won but worth it.
Machu Picchu Citadel, Aguas Calientes, Peru + Photographed for Bartel Calendars The Last Diary Company, Mascot NSW Australia – www.bartelpublications.com.au
It’s usually five or six new wall calendars every year. Or more if they are a seasonal gift. They hang in various rooms in our home, sometimes two at a time and used constantly. Some are intensely written on, e.g. appointments, special events, new recipe, etc, while others are purely decoration.
As the new month is flipped over, there is always much comment on artistic merit. Some are better than others. Purchased early in December is better; the mundane scenery ones (even beach scenes can wear thin) are the last on the newsagent’s display rack.
“Hey, what is the meaning of the Andes Mountains Machu Picchu Citadel photograph?” you ask.
Well, as the year draws to a close, I looked at this final entry and thought “Wow, that camera is very good!” I looked closely and saw what every single tourist is doing, frozen in time! I could even see two people on top of a nearby mountain, perhaps the ones who photographed this shot using an aerial drone?
Young backpackers, trip-of-a-lifetimers, honeymoon couples, students and many nationalities. Guides and guards seem to be at various points. Did they know where their image would end up?
I hope you can see what each tourist is doing. My reproduction resolution may not be clear enough so let me explain a few:
Posing for photos, taking photos, taking off jackets, chatting, fixing hair, climbing with apparent degrees of speed up the ancient stone steps, the rocky terraces, the top platform. A young woman presses into a wall niche. At the pinnacle there is a man with his arms and legs spread as though shouting “Here I am, I made it.”
This mysterious, ancient citadel seems to be well treated and well preserved and hopefully will still be standing into another millennium or two.
Just to bore you, listed below are calendars hanging around here waiting to be removed from their wall-hooks to make way for the 2022 intake. No movies, no sport, no cars, but I am willing to bet you have had at least one of these in your home at some time or another:
Remember Snoopy, Garfield and Gary Larson’s “The Far Side”? And what about Australia’s own Red Tractor Designs. I love their country calendars!
I like the ritual of changing a calendar over every month. It’s not a chore, it’s not a device, it’s not generated automatically, it doesn’t need recharging, it doesn’t make a noise. Except the lovely sound of rustling paper.
Real calendars give me back some masterly (mistressly?) control over my daily routine. No programming or click-tap-swiping, just me and a pen. In fact, that pen often doodles. Seeing as Christmas is coming, I have sketched a couple of jolly holly sprigs on my calendar entries. No doubt I will do a spray of fireworks for New Year’s Eve.
Wishing you safe, interesting and happy times ahead.
I was absorbed and entertained all the way through this book. Pared down storytelling, laced with moral ambiguity, shouting Australian crime noir. Does author Bryan Brown know these blokes, hear good stories down the pub, or possess a very robust imagination?
Love his unabashed style ‘Clinton buys himself a pepper pie and a chocolate milk’.
Australians need no introduction to Bryan Brown, an actor of many characters in many movies around the world yet he remains true to his homeland (see ABC1 TV series ‘Old School’) and this new book of short stories highlight his considerable talent as an author.
It is refreshing to read a book of short stories which speaks to my generation of Australians: relationships, morals, turn-of-phrase, scenery, all genuine and if you can’t keep up that’s your problem – work on it.
Even if short stories are not your thing, be surprised at how well these work in such a compact way.
Professor Leong asks why Frank missed his last counselling appointment. ‘It gets in the way of my revenge,’ says straight-forward Frank. My favourite!
These men love their families yet, like Frank, they show questionable behaviour to avenge them.
The bookcover image, a Phalaenopsis orchid, ties-in with a story where both sides of the law are involved.
Alert – Sexist comment ahead…
From a woman’s perspective I thought Typical Males but I think from a male’s point of view the characters could be genuine mates in a bad place. Not their fault, they scheme, they seek revenge. They plot their way through sad, unjust or criminal situations which end with a tenebrous finale.
Also, there is one story I consider to be a Stephen King homage.
This compilation encapsulates the essence of crime fiction. Reminiscent of Peter Corris’ Cliff Hardy series, Bryan Brown plays it low-key but maybe one of his laconic blokes will soon score their own book.
This alluring information comes from The Black Stump, a Stringybark Stories newsletter, with reference to their Stringybark flagship open-themed short story award which commenced 15 November 2021 and closes 13 February 2022. Plenty of time? Maybe polish that special draft…
StringybarkShort Stories are open to Australian and international authors of all skill levels.
While the Stringybark Short Story Award2022 is open-themed, your submission does require some reference to Australia.
The size of this reference doesn’t matter says Stringybark Stories. It could be a mention of a Vegemite sandwich, or the fact that Australia is the world’s largest coal exporter. The story could be set in Australia or have an Australian in it. Stringybark doesn’t mind. Even a discussion on the habits of ‘drop bears’ is okay with them.
Head over to the StringybarkBookshop and get inspired by some great short stories from their past anthologies. Please note Stringybark Short Story Award isnot accepting poetry or illustrated tales.
Stringybark Stories have over AU$1000 in cash and books to award the winners, as well as publication in a paperback and ebook. The entry fee is the same as last year — AU$14 with discounts for multiple entries.
INFORMATIONBELOWplease check Stringybark Stories website thoroughly for details:
Subscribe to The Black StumpStringybark Stories newsletterhere.
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Stringybark Stories Hints and Tips on Entering their Awards…
“Don’t let potential problems affected the likely success of your entry. The comments provided here are relevant for all short story competitions — not just Stringybark ones.”
1. Never put your name on your story. Put it on the entry form (a Stringybark requirement) or on a separate page. 2. Follow the formatting requirements. All competitions describe how they want your entry to look. We explain our requirements here. 3. Try and ensure that your entry and your payment are made as close together as possible. That is, don’t pay your entry and then submit your story a month later. It makes administration very tricky. It’s always best to do both together. 4. Related to number 3 above, if you are paying by Direct Deposit (and we love entrants who do) please remember to put your surname in the reference field so we can marry your entry and your payment. 5. Ensure that your story meets the theme of the competition!
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Tempting isn’t it?! I’ve a story in mind and this is just the incentive I need.
♥ Gretchen Bernet-Ward
— Footnote —
“Any entry in any short story writing award must meet the specified wordcount.
