Supposedly on a short holiday to check out the healing benefits of mineral water for returned soldiers, while staying at Mooltan Guesthouse in the health spa town of Hepburn Springs near Daylesford, Phryne Fisher and Dot Williams bump into nice and not so nice individuals. A cunning murderer gets to work killing men in broad daylight, while throughout the novel the Temperance Hotel and knitting entwine with a strong sisterhood bond.
In the adventurous 1920s, fabulous Phryne Fisher is a wealthy, upper-class, down-to-earth lady detective who lives in bayside Melbourne, Australia. She solves all kinds of crimes with the assistance of her dour maid Dot (also sleuthing companion) and is occasionally helped by the mighty Bert and Cec who are wharfies and stirrers, plus two stalwart policeman, Inspector Jack Robinson and Dot’s suitor Constable Hugh Collins.
The Honourable Miss Fisher features in this long-running series of novels, and on TV and cinema screens, whilst recently author Kerry Greenwood has included keen young Tinker and adopted daughters Ruth and Jane who get their fair share of investigative work in “Death in Daylesford” although not in the company of Phryne. A suspected murder arises for them back in Melbourne while Phryne and Dot roam the countryside.
Kerry Greenwood has nailed the era. Apart from a doubtful reference to broccoli (was it available then?) and later a toilet roll (in an outside dunny on a country farm no less) she writes with vigour and a lust for life, and has the knack of enhancing a scene with extra intrigue. Chapters are populated with a variety of characters like luscious barmaid Annie, copper Mick Kelly, handsome Captain Spencer and gun-toting suffragette Miss McKenzie.
My favourite quote “Alice glowed like a hurricane lamp. ‘I am so pleased! Do you think that Violette…’ She left the sentence hanging in the air, like a house brick under the influence of anti-gravity.” Gems of this type are used sparingly yet with great effect, especially when I knew hanky-panky was afoot. Miss Phryne Fisher is more risqué than her on-screen counterpart.
Real locations are used in this story and I don’t remember but apparently I visited the mineral springs as a child. “Death in Daylesford” is the 21st book in the series. I have read Kerry Greenwood’s contemporary series featuring baker/private eye Corinna Chapman but self-assured Phryne keeps luring me back with her fast driving, rule-flouting and cheeky disregard for social conventions. Always with her brain ticking over and a winning smile.
Martin Scarsden is the central character but in “Trust” he shared the limelight. His girlfriend Mandalay Blonde’s story was just as valid as Martin’s but I found events lacked drama when it came to poor-girl-makes-good-gets-stuck. She did get her act together when a group discussion propelled her into action. Unbeknown to Mandy she would soon face major problems from an old-boy network, creepy co-worker, money laundering and large scale corruption. Two major questions swirled around Mandy regarding her former fiancé and her place of employment, viz, “What was Tarquin Molloy playing at?” and “Where are Mollisons missing millions?”
Backstory is not the story and I started to lose interest in author Chris Hammer’s exposé on Mandalay and her stressful life. She arrived in Sydney and quote “She wants to flee, to get back to her son, to protect him. And yet the past is coming, it’s here, she can’t carry it back to Port Silver; she can’t risk it getting a trace of her boy…” The ship had sailed on that one. In previous books, she and Martin were in the media, the talk of the town, easily found by adversary Zelda Forshaw.
Halfway in, I wanted to shake up the action and indirectly Mandy obliged even though she was on an emotional rollercoaster. She met a dodgy cop in a dingy café in a tunnel under Central Railway station without a companion, without telling anyone where she was going. I said “Organised crime, Mandy, people were being murdered!” Thus the script-writing elements showed with Chris Hammer’s talking heads and scene-setting rather than people who moved through their surroundings. Ancillary characters were great, from the homeless to corporate high-flyers, a computer geek to a retro assassin and, of course, ruthless newspaper men.
Anomalies were Australian judge Elizabeth Torbett with Tory politics; Martin, a seasoned journo who relied on technology and a laptop but made novice mistakes; Mandy did not regularly check on son Liam in Port Silver; Martin had coffee with Montifore in Chapter 33 but “Goffing returns with the drinks…” Oops.
“Trust” the perfect title, and Chapter 28 and Chapter 29 alone were worth the price of the book. Martin visited Justice Clarence O’Toole of the New South Wales Land and Environment Court and asked him a few questions. The old judge was very ill but talked at length about his membership with The Mess, a private club, and the sudden death of Martin’s mentor and friend. Afterwards Martin thought about his journalistic career and the slow agonising demise of print newspapers. I went straight out and bought an edition of The Courier Mail.
Chris Hammer future-proofed his crime novel with coronavirus, and mentioned the pandemic several times, but it flopped for me. Covid-19 was not over when I read the book. At this point in time, Sydney still has coronavirus outbreaks and restrictions. “Wash your hands, wear a mask, keep your distance”.
Martin and Mandy’s ordeal took place over seven days and I would not have enjoyed being in their shoes, but I enjoyed the Australian setting and frontispiece map of Sydney. There was a wonderful iffy, dicey feel to the plot which at times stretched tropes and credibility, like the ASIO meet-up, or the dance of death, however a clever twist enhanced the story and the ending was unexpected. On the whole, I liked this third instalment, quote “some huge story, some grand conspiracy” so cheers to more books and great reading in 2021 New Year.
Sammi Willis is a police officer, written by a genuine police officer, so I figured the action would be authentic and the plot would be an absorbing and gripping read. It is all that and more! Told in real time, I counted the logbook minutes and followed police procedure to find out where Sammi had gone. She left a suburban pub alone at night and accepted a lift back to her girlfriend’s house but never arrived. The tension is controlled until gradually the stress levels rise and events ramp up: Sammi hasn’t contacted her partner or family and misses her work shift. It doesn’t take much to realise that something is very wrong.
Meanwhile, the reader has access to the other side of the story––Sammi’s ordeal. It is hard to describe what she goes through without taking some of the element of fear away for potential readers. Sammi is made powerless in the hands of a brutal man who has killed before. She knows she must fight cleverly to save her life, but without proper clothing, food or knowledge of her bushland location, she faces an uphill battle to survive. Every painful step Sammi takes, every thought and emotion is totally believable. She goes through bouts of logic and hallucination while the armed madman follows her progress on his trail bike.
Waiting back at Angel’s Crossing, Sammi’s partner Gavin and her friend Candy are distraught and not coping well, but Criminal Investigation Branch reinforcements arrive in the form of go-getter Janine Postlewaite. That’s all I am going to say, except read this book and appreciate excellent Australian crime writing. There are two books which follow this one, I have read “The Twisted Knot” and will soon read “An Unwatched Minute”. J. M. Peace highlights just how good, and how different, Aussie writers are at setting the scene with strong characters and electrifying content. I was hooked from beginning to end.
Book 2—Review ‘The Twisted Knot’ by J M Peace
Written by a real police officer, gritty and unashamedly Australian, this story has twists and turns I did not see coming. The big question is ‘Who committed what crime?” and at first I thought I knew, but the plot had a surprise in store. A police procedural with no gimmicks, no generic dialogue but plenty of believable characters and a nasty bundle of suspects. Constable Samantha (Sammi) Willis of Angel’s Crossing police station is in the thick of the action, handling vengeful townsfolk when paedophile rumours surface, while privately juggling her shaky marriage.
Sammi is also recovering from a near death experience with a maniac who killed for fun (see “A Time to Run” the first Sammi book by J. M. Peace) but she is ably supported by her colleagues, particularly by-the-book Bob. Gradually she gets back into routine and Sammi leaves the front desk to attend a call-out. It turns into a gruesome find in a farmhouse shed. The identity and cause of death is in doubt and Terry Cousens, a Plain Clothes Constable, takes the lead rein, eager for a quick promotion.
Fortunately Sammi knows the rural town and handles proceedings well, but Terry does not. He also has an interesting run-in with Jeremy from Forensics. The police detective work is substantial, and the daily routine of a police station is well portrayed. Nothing hit-and-miss, everything is methodical and eventually the clues and forensic samples compile a clear picture of what happened. Or do they? The reader gets snippets, sometimes from wives and mothers, and sometimes from an unknown narrator but I found it hard to pick a culprit.
Naturally, in this type of crime novel there are disturbing scenes, paedophilia and swearing. However, I think that J. M. Peace has hit the right note. It would be great to see her get more international recognition. I think she has the potential to grow a following like Garry Disher. With Hirsch in rural South Australia, there could be someone like Sammi in rural Queensland with the bonus of Peace’s insider knowledge. I’ve read “A Time to Run” and I’m keen to read “An Unwatched Minute” a recent book.
Book 3—‘An Unwatched Minute’ by J M Peace
My review is yet to come, but here are excerpts taken from the J. M. Peace author website:
‘An Unwatched Minute’ goes behind the scenes of a small police station in the picturesque town of Tannin Bay.
When Constable Krista Danaher is transferred to the picturesque town of Tannin Bay she hopes it may help her gain much needed confidence in her new profession. She’s pleased when Senior Constable Malachi ‘Mort’ Morten takes her under his wing, both professionally and personally. But within days, a man has died in the watch house whilst in her care, triggering an intensive police investigation. It becomes apparent that not everyone is telling the truth and the gap between what happened and what the investigation can prove widens. The family of the dead man do whatever they can to make sure someone is held accountable. The police response will have far-reaching consequences on the small police station and the people who work there.
‘An Unwatched Minute’ is a gripping and realistic thriller, which shines a light on the grey spot where truth and justice meet.
An avid reader and writer from an early age, J. M. Peace wanted to be a writer. So she studied journalism figuring this would be a way of turning a passion into a job. Her career as a print journalist failed after a single year… so she took a complete change of direction and became a police officer. Over the past twenty years, she has served throughout south-east Queensland in a variety of different capacities, including Intelligence and CIB.
An award-winning author, Jay lives on the Sunshine Coast (Queensland) with her partner, wrangling her two cheeky children, a badly behaved dog and an anti-social cockatiel… You can connect with Jay on Facebook at JM Peace Author, Twitter at @jmpeaceauthor, Goodreads at JM Peace, and her blog ‘Cops and Novels’.
NOTE: ‘A Time To Run’ was published by Pan Macmillan Australia on July 2015. The sequel ‘The Twisted Knot’was released on July 2016. ‘A Time To Run’ was translated into German as ‘Die Hatz’ and Spanish as ‘La Cacería’. Standalone novel ‘An Unwatched Minute’ was released on Amazon/Kindle on May 2019.
I wasn’t ready for this book. I wanted to enjoy it as much as I enjoyed Catherine Jinks other books but it didn’t work for me right from the start. The setting was vivid but the raw, brutish behaviour and sheer masculinity of the story overwhelmed me. Does that make me a sexist, a bigot, a wimp when it comes to macho bravado? I don’t know. I turned the pages with trepidation, not interest. Maybe the colonial frontier loneliness affected me and I didn’t want to go on.
On my second reading
the story felt less crushing. I concentrated on young English convict Tom Clay, a former poacher transported in chains to Australia, and now a shepherd. I willed him to be okay, to learn and survive intact. His country assignment in New South Wales works well, he didn’t steal from landowner Mr Barrett so he was never flogged and he works hard. Through his eyes, I saw the strangeness of a harsh new land, the vast differences, and the cruel pitiless men he is forced to live and work with guarding sheep against theft and wild dogs.
Tom has a jaundiced eye
when it comes to things like Australian native wildlife and his comment on first seeing kangaroos is less than flattering. I was disappointed with the header on the bookcover which reads “The wolf is not the only hunter”. There are no wolves in Australia, there are dingoes (wild dogs) and that should have been apparent.
The conditions are harsh
and Tom’s fight for life against his arch nemesis Dan Carver is harsher still. These chapters are tightly written. The knock down drag ‘em out battles are horrific, the ghastly metal trap, the shootings, the human and animal deaths… but Tom dearly loves his sheep dogs.
I am not a fan
of an undefined location nor overused nonlinear narrative. Tom’s past comes out in this way. Flashback to eight year old Tom at his mother’s funeral, his former life almost as bad as his current one. He learns “No matter what a convict’s situation might be, he’ll never persuade a trooper that he’s telling the truth.” Flashback to when Tom first met convict Rowdy Cavanagh, a con man who joked, laughed and teased his way to success until he was caught “A single misstep and it ruined me life.”
The age rating
for this tense, chilling, thrilling story eludes me, but it is a tale I did not fully enjoy. I do respect it wholeheartedly for the screenplay fear and fascination it instilled in me regarding the rough and thoroughly inhumane life early convicts were forced to endure.
Tom’s situation could lead to listening and learning from the Indigenous custodians of this ancient land, and perhaps encourage a new phase in his life.
Catherine Jinks(Australia b.1963) is a four-time winner of the Children’s Book Council of Australia Book of the Year award, and has also won a Victorian Premier’s Literature Award, the Adelaide Festival Award for Literature, the Ena Noel Award for Children’s Literature and an Aurealis Award for Science Fiction. In 2001 she was presented with a Centenary Medal for her contribution to Australian Children’s Literature.
Catherine Jinks, author of over thirty books for children and adults, including the award-winning Pagan Chronicles series, was born in Brisbane and grew up in Sydney where she studied medieval history at the University of Sydney.
She became a writer because she loves reading, as well as history, films and television. Catherine gets ideas for her novels from everywhere, particularly good science fiction films. She lives in the Blue Mountains NSW with her Canadian husband and daughter Hannah.
Birdie McAdam is a bogler’s assistant, a stout defender of Alfred Bunce and his unusual profession. The ‘unusual’ relates to luring and eradicating child-eating bogles by using Birdie as bait. Her songs sometimes quaver when a foul bogle monster leaves its lair but she holds firm. A spear and split second timing is needed and old Alfred is the man for the job.
Before reading Catherine Jinks adult novel ‘Shepherd’ I read her children’s trilogy City of Orphans. These stories captured my interest from the first page and held it to the last. Following the adventures of young orphan Birdie McAdam, a lively, focused girl with a beautiful singing voice, I soon blended into the damp, grimy streets of 1870s London.
After the messy demise of a chimney bogle in a fancy parlour, the story kicks up a notch with overlapping events; Fagan-like Sarah Pickles with her young thieves and no scruples; well-to-do Miss Eames with an interest in mythology and rehabilitating young Birdie; and evil Dr Morton, a man with a heart as ugly as a bogle. And, of course, the markets and docklands of London.
I love the levels of intrigue, grim deeds, and disagreeable behaviour which surround Birdie and Alfred.
As true protagonists, they rise to every challenge.
Birdie has entertaining friends, although she wouldn’t admit that to rascals Ned or Jem.
These lads get to shine in books two and three.
Characters are clearly and consistently written.
Together they overcome hardship and show concern for each other.
There is great strength of purpose when adversity strikes.
The fast-moving chapters are vividly written and although I am not the target audience, each time the tension rose I held my breath. This plot builds and moves forward with fortitude, the second book in sight. All three books are well worth reading, and while the mood may get darker and the bogles may get messier, the sequence of events lead to a very satisfying conclusion.
Bookcovers, like those beauties above, hold a certain fascination for me. Way back I did a blog post about it. In this instance, the publication of different titles and different artwork in overseas countries let me down. They are nothing like the bookcovers shown here, their titles don’t capture the atmosphere of the era nor do the illustrations recreate how the bogles are described. Gotta love marketing. GBW.
Catherine is a four-time winner of the Children’s Book Council of Australia Book of the Year award, and has also won a Victorian Premier’s Literature Award, the Adelaide Festival Award for Literature, the Ena Noel Award for Children’s Literature and an Aurealis Award for Science Fiction. In 2001 she was presented with a Centenary Medal for her contribution to Australian Children’s Literature.
Catherine Jinks was born in Brisbane and grew up in Sydney where she studied medieval history at the University of Sydney. She became a writer because she loves reading, as well as history, films and television. She gets her ideas for her novels from everywhere, particularly good science fiction films.
The author of over thirty books for children and adults, including the award-winning Pagan Chronicles series, Catherine writes whenever she gets a spare moment, and could write for eight hours straight if she had the chance. She lives in the Blue Mountains NSW with her Canadian husband and daughter Hannah.
City of Orphans trilogy
A Very Unusual Pursuit (2013) or How to Catch a Bogle
A Very Peculiar Plague (2013) or A Plague of Bogles
Former journalist Martin Scarsden had vowed never to return to Port Silver so I was not too sure about his inauspicious homecoming nor his strained relationship with girlfriend Mandalay (Mandy) Blonde. She has inherited an old house on a clifftop, while Martin seems distant from everything happening around him, plagued by unsettling flashbacks from his unsettled past. And long-ago deaths in his family.
As the plot twists and turns with great characters and best-ever location, I was there strolling along the Port Silver shoreline; eating fish and chips; watching the waves break on Hummingbird Beach; driving the coastal road with Martin Scarsden as he tries to solve the stabbing death of his childhood friend Jasper Speight. Unfortunately Jasper died in Mandy’s apartment and she is being held for his murder so Martin works on clearing her name using the only clue, a blood-stained postcard.
Over nine days, Martin’s exploits unfold and move inexorable towards their goal, every question important to building the story and solving the first murder mystery. Yes, not one but two mysteries, and I like the way Chris Hammer does not describe so much as lets slip small details until they add up to a whole.
Mandy’s creepy old Hartigan house on the clifftop is suitably introduced in Disney ‘Goonies’ fashion.
Characters formed before my eyes—all with big question marks hovering over their heads. The mellow reunion with Martin’s Uncle Vern; the glowing backpackers Topaz and Royce; real estate agent Jasper’s mother Denise; Jay-Jay Hayes surfie greenie conservationist of Hummingbird Beach; sleazy bigwig developer Tyson St Clair; oddball Swami Hawananda; and dishonest cop Johnson Pear to name a handful.
Despite youthful recollections and emotional hurdles, Martin keeps working on the murder case, annoying the police and local land developers with questions and questionable behaviour. He gets hauled in occasionally for interrogation and was appointed a scruffy solicitor Nick Poulos to handle his case. Then comes a tragic mass murder … or ritual suicide?
At this stage, I am undecided if I am meant to have sympathy for Martin or not. He certainly makes mistakes and isn’t good boyfriend material. But he’s an inquisitive bloke, and a good journo who pursues the secondary crime of the multiple deaths. The scoop of the decade! By chapter 24, he’s in his element, following up leads, discovering clues, writing copy, advising Terri, editor of the Sydney Morning Herald, topping it off by having dinner with media buddies just like old times. Hmm.
An overarching question: what happened to his mother and sisters? I think it’s stretching it to say Martin did not have an inkling about what happened all those years ago. School mates, friends, even his alcoholic father could have babbled. As to the possible perpetrators, I was spoilt for choice. The only one I could happily cross off the list was Liam, the nappy-filling baby son of Mandy.
I love Aleksander J. Potočnik’s map of Port Silver. The setting is similar to Byron Bay and my photographs, taken on an overcast day, show the iconic Cape Byron Lighthouse.
The lighthouse sits on a rocky headland, Australia’s most easterly point. That’s what I pictured in my mind while reading. The beaches, lighthouse, Nob Hill, coastal views, inland sugarcane fields and menacing land development which are strongly portrayed by the author. Landmarks like the ‘fictitious’ old Cheese Factory give off furtiveness vibes.
Heading towards Martin’s hard won resolution, author Chris Hammer deserves top marks for not changing certain Australian words which some readers may not understand but will eventually figure out. I think it’s time to stop neutering, let readers learn, laugh and speak our colloquial sayings.
Grab this book and be swept away by the tidal undertow of crime and mystery—well worth it.
Chris Hammer was a journalist for more than thirty years, dividing his career between covering Australian federal politics and international affairs. He holds a BA degree in journalism from Charles Sturt University and a Master’s degree in international relations from Australian National University.
Hypnotic, laconic writing from Garry Disher. Another superb story featuring lone country Constable Paul Hirschhausen. In his 4WD police Toyota, Hirsch patrols hundreds of kilometres through a vast dusty landscape around the small town of Tiverton in South Australia.
The plot weaves in and out of his long days on duty encountering misdemeanours ranging from wayward teenagers to rural theft and murder where nothing is as it seems.
The first killings are shocking (not telling who or what but it’s emotional) and expertly told through the eyes of Hirsch and his inner monologue. I love this single POV approach. The next murders involve a family, and two young girls disappear. In steps sensible Sergeant Brandl of Redruth HQ as well as Sydney’s Organised Crime Squad senior sergeant Roesch and Homicide Squad senior constable Hansen, two insensitive characters, and things get very tricky indeed.
The hot dry rural atmosphere seeps into every chapter, and unforced dialogue runs throughout the story. The town’s characteristics and characters are spot-on, for example annoying citizen Martin Gwynne, and recluse Craig Washburn who lives in a caravan near a dried-up creek bed. And who is spray-painting graffiti on an historical woolshed?
There’s a bit of romance with girlfriend Wendy Street although I do find her background role passive and uncomfortably supportive of Hirsch without any commitment on his part. I would like to see her become more prominent in future books in the series.
On a positive note, ‘Peace’ does cover community matters and domestic welfare, all part of Hirsch’s extensive remit.
I enjoyed the touches of wry humour and Christmas festivities including Hirsch’s role as Santa. The book title comes from “In the end he found three generic snowscapes with the single word Peace inside. That’s all a cop wants at Christmas, he thought.” If only he could be warned of what’s to come…
Certain people seem to think Hirsch bungles everything he touches. Well, he does bungle a couple of things and gets hauled in to explain, but when it comes to detective work he has a keen eye. Hirsch knows that nothing is random, everything means something.
See if you can untangle the threads before he does, bearing in mind that you are reading in a nice comfortable chair.
So far, my favourite read for new year 2020!
AUTHOR PROFILE: Garry Disher was born in Burra, South Australia, in 1949 and he’s the author of over fifty books, from crime fiction and children’s literature to non-fiction text books and handbooks.
Disher graduated with a Masters degree in Australian History at Monash University and was awarded a creative writing fellowship to Stanford University in California. He later taught creative writing before becoming a full-time writer, winning numerous awards both in Australia and overseas.
The prologue is dramatic. A slightly unhinged magician Tim Williams is on stage at the Remember November Charity Cabaret in the local town hall, unaware of what his next trick will unleash. Tim has just finished Year Twelve, ready for a big future, when he dies in front of a roomful of people under decidedly suspicious circumstances.
Matt Tingle and Chess Febey are youthful amateur detectives. Like two high school students hungry for lunch, they embark on a serious yet magical mystery tour to unmask a murderer. The setting is Beechworth, a country town renowned for its tourist attractions rather than murder. The time is contemporary, give or take a decade for the way Chess talks, and her endearing dress sense. Matt is solid and sensible to a point, but he does get into some hazardous situations.
The opening chapter has some seriously ethereal vibes. Matt tries to concentrate on the sunshine dappled leaves as he sits in the manicured gardens of old Langton House. It’s an Open Garden, visitors stroll around the lawns talking in hushed whispers, and Matt sees a boy magician and a tough-looking man which makes him feel uncomfortable. Chess turns up with a mug of coffee and when she explains why she brought them to this place, he snaps.
Chess has accepted an invitation from Jacob Langton, the son of the owners of Langton House, to investigate the murder of his magician friend Tim, and Matt’s not keen on the idea.
The story is a classic locked-room mystery. Tim was poisoned by his own stage prop and nobody can figure out how the poison got there when it was under lock and key. Our dynamic duo investigate inside the hall, talk with colourful locals and Tim’s bereft family, and receive massive interference from a thug who roughs up Chess to warn her off. The story twists and turns with red herrings galore until the final reveal.
This is where I start to get cagey because I don’t know how much to tell you without ruining the plot.
My new favourite is young magician Paz, quite a character, who speaks with a lisp and is seemingly more mature than he looks. The Elsinore Vanish is a card trick (think Hamlet and ghosts) and Paz says ‘Magic is about the impossible. That’s what makes it beautiful’. He definitely knows something but flutters between the book’s pages refusing to be drawn into their investigation.
There are adults around but they loiter just long enough not to be annoying.
Sometimes Matt and Chess are determined, other times they have self-doubt, ultimately they are teenagers mature enough to handle the ramifications of their actions. Almost. Matt is thoughtful and his emotions are strong but he can misread people. Chess is a socially awkward analyst, prone to unusual outbursts. She has a troubled family background (there is a revealing vignette with her father) and although Matt and Chess would deny it, they are good friends.
I enjoy a clever whodunit and was frequently stumped by author Joanna’s clues; mirror reflections anyone? At times I thought there were perhaps a tad too many suspicious individuals because I had to think ‘Who was she again?’ but on the whole they were interrelated.
‘The Elsinore Vanish’ is the second book in Joanna Baker’s Beechworth trilogy set in the picturesque area of rural north-east Victoria. The settings are wonderful, like old Mayday Hills mental asylum, well, the atmosphere anyway, and they are written with such clarity that I typed Beechworth Victoria into my search engine and had a look around the historic town.
Not a crash ’em smash ’em YA story—put your thinking cap on.
Definitely a great book for those who like to think about what they read. There is one small point in the story where the ah-ha moment clicked for me and I enjoyed finding out if I was right. See if you can work it out before the dramatic reveal!
Joanna Baker is an award-winning Australian mystery writer. Her novel Devastation Road won the Sisters-in-Crime Davitt Award for Best Young Adult Novel and was described by The Age newspaper as ‘an outstanding first novel’.
Born in Hobart Tasmania, Joanna was educated at The Friends’ School, the Australian National University and RMIT in Victoria.
Joanna sets her novels in the two places she loves: Tasmania and the high country of north eastern Victoria. She also writes and speaks about murder mysteries – why they are so enduring, and why they are not trivial.
Author Joanna Baker knows how to start her books with a gripping first chapter. Matt Tingle had fallen asleep in front of Mr Roland’s computer in the office of Craft Gallery and Tea Shoppe, where supposedly he was doing his history assignment, when a noise wakes him . . .
. . . things get very dangerous very quickly.
Next day, in the small rural gold-mining town of Yackandandah, our protagonist Matt is sitting in the Yackandandah Bakery trying to steady his jangling nerves. He has a headache from inhaling toxic fumes during his misadventures the night before. In walks his friend Chess who says ‘Golly Matty. You look awful’. Chess’ dialogue is not always contemporary and it’s tricky to pinpoint an exact decade but it gives the story an enduring feel.
Then to make matters worse for sickly Matt, pretty Tara Roland walks into the bakery, a vision of shiny-haired loveliness. Tara is accompanied by her cousin Wando who gets a bit twitchy with the bakery assistant Debbie Wilson over her necklace and the drama escalates from there.
Egyptology comes into play in the form of an amber necklace named The Eye of Ra
At this stage, Matt and Chess are two teenagers who are unknowingly about to become amateur detectives and embark on solving two local mysteries. One is a cold case, a baffling hit-and-run road accident which turns Chess into the queen of concentration and Matt the emperor of emotions; they bounce ideas off each other . . .
. . . and the second mystery?
This one is more personal. Going for a walk, Matt and Chess find the drowned body of someone they knew well. After the initial shock, they begin to investigate, slowly unravelling the mystery to discover a horrible crime.
In both cases, our intrepid pair find anomalies in the witness stories, items gone missing, half-remembered half-overheard conversations and scraps of notes. They talk to a grieving fiancé and parents, chat to the mechanic at Yackandandah Motor Garage, join an apprehensive gathering at the Yackandandah Christmas Picnic, and Matt witnesses a hair-raising moment with Wando at Burrie Falls, the local swimming hole.
Their trial and error investigations are beautifully woven through the story with real clues and false leads.
At one stage Matt gets badly pummelled by the deceased’s brother Craig for inferring. Matt is limping around putting on a brave face when Chess arrives. ‘You get too carried away by things…you’re too theatrical’ she says, before getting embroiled in her own thoughts and hazardous hypotheses. I had difficulty in picturing them at first; Matt seems solid enough but Chess has family problems, making her seem wise beyond her years.
The settings for this novel do exist, for example the Yackandandah motor garage, bakery, the creek and Falls. I think it’s clever how Devastation Road was named but I am not sure it exists with that name. Here’s the link if you are interested in reading more about north-east Victoria https://www.exploreyackandandah.com.au/
This is the first book in Joanna Baker’s Beechworth Trilogy. I did a bit of swiping back-and-forth to see if I had missed anything vital. Concentration is needed! There is more to this story than meets the eye. The ending is a chilling and substantial psychological twist I bet you won’t see coming.
Joanna Baker is an award-winning Australian mystery writer. Devastation Road won the Sisters-in-Crime Davitt Award for Best Young Adult Novel and was described by The Age newspaper as ‘an outstanding first novel’.
Born in Hobart Tasmania, Joanna was educated at The Friends’ School, the Australian National University and RMIT in Victoria.
Joanna sets her novels in the two places she loves: Tasmania and the high country of north eastern Victoria. She also writes and speaks about murder mysteries – why they are so enduring, and why they are not trivial.
From the beautifully tactile bookcover and the glorious old photographs, to the spectacular amount of research and Greek family interviews, Toni Risson has written and created a book which is reader-friendly and as energetic as the boundless service in a 20th century Greek café.
Like a Greek café menu, there’s never a dull moment. Toni has amassed images of people, posters, menus, waitress fashion, the furniture, big mirrors, the soda fountain, cigarette counter—the mid-century nostalgia is strong for me just looking at the old buildings. And let’s not forget the food, ah, so much delicious food! Everything was freshly prepared, and ice-cream, chocolates and chilled fruit drinks were made on the premises in a time before the invention of air-conditioning.
Open from 8am to 7pm seven days a week, back when few other proprietors could match it, Greek cafés became meeting places and stopping points for a variety of daily events; late breakfast; ladies morning tea; midday meal; shopping break; date before the cinema; cool drink at the end of the day; weekend family gatherings.
Remember this was in the days before coffee chains and fast food outlets.
Visiting as a child, I recall strawberry ice-cream and also eating a banana split with “the lot” including a cherry on top. I think I got into trouble because I refused to eat my (healthy) banana. The malted milkshakes were huge to my young eyes, and I can still remember the aroma of warm chocolate emanating from the display cabinet.
I could rattle off the chapter titles and you’d see the important position Greek family cafés held in pre-television society in Brisbane. But I won’t because there are 35 chapters—some bearing names I know today, Andronicos, Samios, Freeleagus and more. Every page has a delightful story, a witty quote or snippet of memorabilia.
The type of book which I keep referring to, always finding something extra to read aloud to anyone in the room.
You don’t have to be Greek, or local, to read about the Greek café phenomenon which spread throughout Queensland. Several towns are mentioned including Bundaberg, Charleville, Dalby, Inglewood, Stanthorpe.You’ve heard the song “Video Killed The Radio Star”, well, television killed Greek cafés. In this book, you can find out what happened.
I was fortunate enough to attend the official launch of “Meet Me at the Paragon” the State Library of Queensland’s retrospective display of all things relating to Greek café culture.
From neon signs to monogrammed crockery, this six-month SLQ exhibition runs until mid-March 2020 and ties in with Toni Risson’s book.
This book is a great gift for a foodie friend or entrepreneur.
Suitable for readers interested in nostalgia or café trends. And family histories, particularly those of inventive and industrious Greek families.
♥ Gretchen Bernet-Ward
Toni Rissonis a storyteller, food writer and cultural historian. She writes short stories and children’s novels, and her doctorate mapped Australian childhood through the magic of lollies.
In a more ‘grown-up’ vein, Toni curated the State Library of Queensland’s exhibition “Meet Me At The Paragon” which displays the meteoric rise of Greek cafés across Queensland. She has also written “Aphrodite and the Mixed Grill” 200 pages jam-packed with photographs and stories about iconic Greek cafés in Ipswich, Queensland.
David Burton has written an outstanding story about a tenacious young man determined to solve a mystery. In a tightly woven and highly readable plot he keeps the pressure up, and keeps it real. Shaun sees a man’s body floating in the local lake and when he returns with Constable Charlie Thompson the body has gone. The story kicks off from there and Shaun begins to investigate the mysterious death. He uncovers far more than he ever imagined. And he has a good imagination!
Set in a gritty, rundown Queensland coal mining town, the atmosphere is hot, dry and pulsating with undercurrents from personal relationships through to shonky mining regulations. My assumptions were overturned, clues were flipped and hopes were dashed. From angry picket lines headed by volatile Peter Grant, head of the mine workers union, to various forms of small town mindset, Shaun’s investigations pull him deeper and deeper into a world of unanswered questions.
The subtext throughout the story is “Who believes Shaun actually saw the man in the water?”. Not many people, it seems. Even his mother Linda struggles to accept the situation, although a family death may be clouding her reasoning. Shaun does appear to have a kind of obsessional limerence.
Fortunately Shaun has a keen ally in his long-time friend Will, a larrikin with a charming manner. They both believe the drowned man was murdered and someone has masterminded a cover-up. They negotiate their way through a minefield of possibilities, taking risks, and discovering the mental and physical challenges faced by coal workers and their families. Only once did I suspend disbelief when Shaun infiltrates a building, but it’s a pivotal moment.
In between covert operations, annoying teachers and school classes, Shaun and Will are on the school debating team with Megan Grant. Shaun adores Megan from afar and he imagines a future of “happy ever afters” together. Investigations continue in Brisbane with their debating team when a challenge is held in a Harry Potteresque private school perched on a hillside (I recognised it) and they stay overnight in enemy territory. A gripping spy-like chapter for you to discover.
I loved the personalities David Burton has created, the characters often did the opposite to what I expected, making them fallible yet understandable. In certain cases, there’s a fine line between liking and loathing. There is power in subtlety, and from the frustration of workers about to lose their jobs, to the death of a loved one, nothing is overstated.
David Burton has given Shaun a proactive role with plenty of intrigue. I have no hesitation in saying “The Man in the Water” is an excellent mystery for young adults and older readers. I became fully absorbed in the story and was right beside young Shaun trying to unravel the riddle. The end result is definitely worth it!
Quote from Chapter 32 “From the sky, Shaun’s home town looked like it was surrounded by yawning black holes. It was epic. The mines were colossal dark wounds in the earth, the town a sort of defiance among the rubble. It was a god’s sandpit. He pressed his face against the window and watched as the earth turned with the plane. They were coming in to land.”
David Burton is an award-winning director, playwright and author. By the age of 30, he’d written over two dozen professionally produced plays, published a book, and been a core part of some of the most innovative theatrical projects in Australia.
He’s now 32, a Dad, and has written a new YA fiction book “The Man in the Water” which I reviewed.
Fantastic win! Congratulations to Michael Gerard Bauer on winning the Prime Minister’s Literary Awards 2019 Young Adult Literature for “The Things That Will Not Stand”. Read his blog and check out the medals! ♥ Gretchen Bernet-Ward.
My YA novel The Things That Will Not Stand had its genesis in two thoughts that came to me one day when I was taking one of my regular walks around the neighbourhood.
One was a memory from my Uni of Queensland days of being in the foyer of the Schonell Picture Theatre and hoping that a particular person I knew might come through a set of doors and join me.
The second thought was about writing a story which took place over just one day.
That was an idea that immediately appealed to me. I knew it would be a challenge but it would also be a gift because it would free me to focus just on the characters and their immediate interactions without having all the rest of their lives to worry too much about.
This slow burning story crept up on me. I guess you know by now that I don’t write conventional book reviews. For starters I’m not going to give you a synopsis. Let’s jump right in, shall we?
Jenolan Caves are caves in the Blue Mountains, New South Wales, Australia; 175 kilometers west of Sydney. They are the most celebrated of several similar groups in the limestone of the country being the oldest discovered open caves in the world. They include numerous Silurian marine fossils of great interest and the calcite formations, sometimes pure white, are of extraordinary beauty.
The sadness and bewilderment Jessica suffers when her partner Matthew goes missing in the wilds of Tasmania gradually expands until she snaps. The atmosphere changes into an eerie, gothic-like tale of deception and fear. There are disturbing bits, there are gruesome bits and there are strong sex scenes, Krissy Kneen’s trademark.
Jessica lives in a flimsy wooden cottage at the edge of a seawall not far from the township of Southport. As I read on, I was unsure of William, the man who offers to help her, and doubly unsure of the coven of local women who offer strange advice and an even stranger solution. In the end I wanted Jessica to fight back and she did, the result is worth more than the price of admission to the spooky glow-worm caves.
At the time Matthew goes missing, Jessica, a scientist, is just finishing her PhD on glow-worms and works as a tour guide at the local cave complex, helping the tiny creatures to prosper. Winter Cave is her favourite and Winter Cave coldness, the surrounding dense forest, and feral smells pervade this book. Disturbingly, she is a good shot and needs to carry a gun to feel safe.
The character portrayals are well suited to their remote Tasmanian coastal surroundings, in particular old Marijam of Cockle Creek and her outlook on what appears to be a strange isolated life. She goes fishing for her seafood and compares commercial fishermen to the demise of small traders “Pick on a little bookstore, put a big mega-store across the road. Discounts on all the prices till the little fella dies, then corner the market” which she read about on the internet.
I queried some of the ‘things’ in the story and I was dissatisfied, or perhaps had my credulity stretched, with what transpires at the end. Like most animal-lovers, I sincerely hope the thylacine Tasmanian Tiger still exists. I also wondered if Jessica knew those caves as well as she thought.
My pet peeves are:
(1) More showing, less telling.
(2) Proof-reading misses, e.g. license interchanged with licence, rear-view mirror becomes rear-vision mirror. I’d go for Aussie spelling every time.
(3) Parts of the story felt like a filmscript not a literary description. There is a difference.
Krissy Kneen’s story reflects the time and effort she put into it, the sense of place is strong and at times overpowering. As a child, my parents and I visited the Jenolan Caves in New South Wales, Australia, and I have been claustrophobic ever since.
The incessant fights in the Salter family are too real, their plight is real, every word is real and that’s what damaged me the most. I took long walks due to the serious and unrelenting nature of the content. Loaded with the troubles of the Salter family, cruel sarcasm, too much drink, too many smokes, I was getting worn down right along with them. It took me a month to read this book in fits and starts but I’m glad I did.
Abrasive characters are well portrayed which makes them doubly annoying, they need to be accepted warts and all, like ‘mouthy’ Kerry Salter and her unlikable brother Ken who argue every minute of the day. I’m sure I’d have put Ken in hospital at about Chapter Three.
Maybe take the pressure off young Donny.
Early on, Bundjalung woman Kerry has returned to her home town of Durrongo, and grieves the loss of her girlfriend Allie, her Pop and her stolen blue backpack. She does a B&E, part retribution, part spirit world, and the universe turns a notch. Fair move, but repercussions come later. Then there’s romance in the form of her hot eye-candy boyfriend Steve Abarco who’s the flagship for level-headed, rock-solid men.
Kerry’s tarot card-reading mother Pretty Mary celebrates a birthday and those volatile chapters are my favourites. At the party is another brother, gay Black Superman, maybe long-dead sister Donna, plus assorted Aunts (called Mary) Uncles and children who gust through the pages like eucalyptus smoke. But forget about opening old family wounds, I’d say a lump the size of police headquarters sits in the pit of their stomachs, continually irritating their every move.
The battle against a new prison, to be built on sacred ground where Salter ancestors are laid to rest, ramps up with a land rights campaign. Enter cops like Senior Sergeant Trevor Nunne and money-hungry Mayor Jim Buckley. Ken’s flamboyant gesture on a piece of Buckley’s property was not appreciated and leads to disastrous retaliation.
You will have noticed that I am not giving too much away.
Writing style-wise, I did wondered why Kerry wasn’t written in first person. Some events are seeded in advance while others appear to be inserted later to up-the-ante. Every so often the voice changes, doubt creeps in, there’s a lull. Or a change in atmosphere with The Doctor. Occasionally things become omnipotent and POVs jump in and out of people’s heads but that can be overlooked for scary brave writing.
If you are not Australian, you WILL become lost in the slang and cultural references.
Read this rude, gutsy book if you ARE offended by swearing, truisms close to the bone, and the struggles of Indigenous people. As Ken says in Chapter 15 ‘How to invade other people’s countries and murder ‘em, and call it civilisation’.
It’s a strong insight into the modern world and an ancient culture, one which doesn’t need skyscrapers because Country is a place of belonging and a way of believing.
Good onya, Melissa, for audaciously holding your nerve*
AUTHOR PROFILE : Melissa Lucashenko is an acclaimed Aboriginal writer of Goorie and European heritage. Since 1997 Melissa has been widely published as an award-winning novelist, essayist and short story writer.
I haven’t written a negative book review for a while but I need to express my rebellious thoughts on “Good Girl Bad Girl” by Michael Robotham. I would have liked to give this seasoned author a pat on the back, but it won’t happen. He (and dare I say his publisher) goofed up, disappointing me with this latest offering. As a supporter of the Australian writers scene, it pains me to say I have even compiled a list of unwanted gaffes. And I’m disillusioned by such a rudimentary storyline, further dragged down by Robotham putting believability ahead of plausibility.
First, I’m not keen on psychologist Cyrus Haven, with his generic nightmares and ridiculous spontaneity when it comes to young Evie Cormac, aka Angel Face. Plots, eh, you need to drive them forward. Evie lived a feral existence in a secret room with a dead body outside the door and after rescue she was incarcerated in Langford Hall, Nottingham, a secure children’s home. Being of indeterminate age, she appears mature yet lapses into teenage obviousness as inexperienced Cyrus soon finds out. Her dubious, er, gift, is an attempt at originality until Robotham trots out tropes and formulaic predictability.
Maybe hackneyed phrases could be revised in another edition, do a bit of showing instead of continual telling, and jumping in and out of a character’s head doesn’t necessarily strengthen the story or boost the tension. In “Good Girl Bad Girl” the title hints at naughtiness and a girl dies yet the suspects aren’t new, just the usual line-up. When it comes to fiction, I don’t think crime scene minutia or yet another clichéd pathologist/priest/politician enhances a plot.
“Good Girl Bad Girl” is a ropey book launched into the world too soon.
I noticed these gaffes—
(1) Cyrus Haven does not own a mobile phone. He only has a pager and uses a telephone at the local shop, even DCI Lenny Parvel has to track him down while jogging. How come when he’s at home looking at DVDs of suspect Craig Farley, he has a bright idea and “I punch out her number. She doesn’t answer. It goes to her messages. Beep!” (2) When Cyrus goes to an old church to talk to the murdered girl’s mother, he can’t get in the front doors because they are locked but when the priest asks him to leave he exits via the front doors. (3) Poor proof-reading, fluctuating spelling like practice/practise, repeat words not edited out. (4) Flight risk Evie’s electronic tracker on her ankle must vaporise. (5) Evie’s POV couldn’t hear both sides of that phone conversation. (6) I guess that Uber driver drove away fast. (7) DCI Lenny Parvel is a woman yet “Lenny is signalling me from the road. Aiden is with him.” (8) Cyrus has his hands taped to a vertical wooden stair spindle so how could “Cyrus grabs my arm” when later Evie frees him? (9) Reader thinks “Am I missing some kind of joke?” (10) Reader thinks “Is this an uncorrected proof?”
….. there are more blemishes, I got tired of it but you can easily find them.
A crime reader’s curse but I can also see the mechanics at work, the primary sentences, the leading questions, the verbal punches ready to be pulled, the transparent taunts and retorts used many times before, and I don’t mean just by Robotham. I include contemporary middle-of-the-road crime writers and television scriptwriters all using the same imagery. They must yearn for a movie deal. Unfortunately not even banter escapes the mundane repetition seen in current crime stories.
The arthritic white rabbit is still being pulled out of the narrative hat. Give it a rest!
I have not read any related book reviews so this is my unbiased honest opinion. With more polish “Good Girl Bad Girl” could have risen above the ranks of ordinary. New readers will be supportive, Australian fans will be supportive, but I think it’s a monotonous book and I say that with genuine regret.
A few years ago I was going through a rough patch in my professional and personal life. I wanted to close the door and read, read, read myself back to normality.
Search and ye shall read
The trouble was I hadn’t seriously knuckled down and read a well-written book for a long time. I felt distanced from northern hemisphere writers (what’s snow?) and never really got the whole Scandi-noir buzz. Several genres, including the ambiguous literary fiction, didn’t hold my interest. I felt I needed comedy, something I could relate to and laugh at. Also I wanted characters and places I understood, and possibly had visited.
Readers of my blog will know I like quirky writing so, rather than reach for self-help books, I began to search for way-out humour on the library shelves. Unfortunately back then humorous Australian writers were thin on the ground so I hung around the bookshops until the next Thursday Next dilemma or Ankh-Morpork debacle was published. Yes, Messrs Fforde and Pratchett saved my sanity with their insane books.
From comedy to crime
After trial and error, and iffy recommendations from friends, I discovered Australian crime writers. The good old Aussie turn-of-phrase drags me in every time. I know the cities, the vast distances between those cities, the weather, the beaches, the Great Dividing Range, the smell of gum trees and especially the food. Our food is a mish-mash of many cultures but in there somewhere is real Aussie tucker and nobody does a Chiko Roll or TimTam like we do. And our criminals are a bit special too.
I read in no particular order (and by no means all our contemporary crime writers) Garry Disher, Kerry Greenwood, Peter Temple, Leigh Redhead, Geoffrey McGeachin, Jane Harper, Robert G. Barrett, Honey Brown, Matthew Condon, Emma Viskic, Adrian McKinty (adopted Irishman) Candice Fox, Shane Maloney, Barry Maitland, Michael Robotham and my absolute all-time favourite, the iconic Peter Corris.
And Peter Corris came with Sydney private investigator Cliff Hardy
Peter Robert Corris (8 May 1942 – 30 August 2018) was an Australian academic, historian, journalist, biographer and novelist of historical and crime fiction. As a crime fiction writer, he was described as “the Godfather of contemporary Australian crime-writing”. After writing 42 books in his PI Cliff Hardy series, from 1980 to 2017, Corris announced in January 2017 that he would no longer be writing novels owing to “creeping blindness” because of type-1 diabetes and passed away the next year.
Naturally I was saddened to learn of his death but it hit me in another way. I never wrote and told him how his Cliff Hardy books lead me into the badlands and showed me that my life was all right. Well, in comparison to the criminal underworld Hardy inhabited. Despite the sleaze, the drugs, the murder, Hardy had his own set of morals, he was a good judge of character and played fair. However, he knew how to defend himself and fought hard when necessary. Forget that it’s fiction. Compared to his daily grind, I had nothing to worry about.
As Bowie said Ch-ch-ch-Changes
These Corris crime novels also documented a changing way of life through Hardy, especially the Sydney cityscape and his beloved Newtown. For nearly 40 years, semi-permanent characters came and went, and mobile phones and laptops took hold. High tech digital devices and spyware increased; electronic locks, security cameras and internet surveillance replaced skeleton keys and good old shoulder-to-the-door. I feel the loss of a metal filing cabinet, its papers viewed by torchlight in the middle of the night.
But through it all, Corris always managed to side-step technology, keeping Hardy real, doing the leg work, nailing the bad guy. His astute observations of human nature, and how he wrote plausible characters, made me feel I’d just met a crooked barrister or a smarmy crime baron.
The book on the right is one of my favourites. Recognise the bridge? These days I do read more widely but I’m missing my yearly dose of hard-boiled Hardy—to use Corris’ own description.
Below I have listed all the Cliff Hardy books even though it doesn’t have the visual appeal of the bookcovers. If you wish to check out more about each story, please visit Allen & Unwin Publishers website:
There could be reprints, anniversary issue, possible screenplay, theatre adaptation, prequel, or Grandson of Hardy for younger readers. I won’t give away the ending of the last book because I expect you to BINGE READ the complete oeuvre, then see for yourself whether or not you like Cliff Hardy’s final installment.
My sincere condolences to Jean Bedford, wife of Peter Corris, and his family.
PI Cliff Hardy book series
The Dying Trade (1980)
White Meat (1981)
The Marvelous Boy (1982)
The Empty Beach (1983)
Heroin Annie and Other Cliff Hardy Stories (1984)
The Big Drop and Other Cliff Hardy Stories (1985)
Make Me Rich (1985)
The Greenwich Apartments (1986)
Deal Me Out (1986)
The January Zone (1987)
The Man in the Shadows: Cliff Hardy Omnibus (1988)
Wet Graves (1991)
Beware of the Dog (1992)
Burn and Other Stories (1993)
Matrimonial Causes (1993)
The Reward (1997)
The Washington Club (1997)
Forget Me If You Can (1997)
The Black Prince (1998)
The Other Side of Sorrow (1999)
Salt and Blood (2002)
Master’s Mates (2003)
Taking Care of Business (2004)
The Coast Road (2004)
Saving Billie (2005)
The Undertow (2007)
Appeal Denied (2008)
The Big Score: Cliff Hardy Cases (2008)
Open File (2009)
Deep Water (2009)
Torn Apart (2010)
Follow the Money (2011)
The Dunbar Case (2013)
Silent Kill (2014)
Gun Control (2015)
That Empty Feeling (2016)
Win, Lose or Draw (2017)
The agony of writing a synopsis! For writers who find it hard to chop their synopsis down to size, this video from Nicola, senior editor of HarperCollins Publishers, steps us through a seamless 500 word synopsis. It will grab that attention your manuscript deserves. And, yes, a synopsis does include plot spoilers.
Read why the first page of a manuscript is so important. Anna Valdinger, HarperCollins commercial fiction publisher knows – she reads a tonne of submissions every year.
Click Importance of Manuscript First Page
The Banjo Prize
HarperCollins is Australia’s oldest publisher and The Banjo Prize is named after Banjo Paterson, Australia’s first bestselling author and poet. His first collection of poems The Man from Snowy River and Other Verses was published in 1895. Who’s up for 2019?
The Banjo Prize is annual and open to all Australian writers of fiction, offering the chance to win a publishing contract with HarperCollins and an advance of AU$15,000. Submit entries via HarperCollins website. Entries opened 25 March 2019 and close 5pm AEST on Friday 24 May 2019. Good luck!
Simon McDonald is a Sydney-based reader, writer and senior bookseller at Potts Point Bookshop. I always enjoy his book reviews. Simon writes perceptive, eloquent and up-to-the-minute appraisals which have helped me discover some great stories and I look forward to reading this book. GBW.
Molly Murn is a South Australian author and poet. She holds a Bachelor of Dance, a Masters of Creative Arts, and is currently a PhD candidate in Creative Writing at Flinders University. ‘Heart of the Grass Tree’ is Molly’s first novel. https://mollymurn.com
With Heart of the Grass Tree, Molly Murn cements herself as not only one of Australia’s most exciting up-and-coming novelists, but a brilliant novelist of Australia.
In the South Australian author’s debut, multiple generations of a family ensconced in secrets and embroiled in personal turmoil converge on Kangaroo Island to farewell Nell, an Indigenous elder, mother and grandmother. The narrative flits between their stories, which occur in distinct time periods — the 19th, 20th and 21st centuries — and their unifying factor is Kangaroo Island, which makes the island, and its distinct landscape and indigenous population, the Ngarrindjeri people, the true protagonist of this extraordinary novel.
Lyricism empowers this tale of settlement on Kangaroo Island. Its prose is gorgeous, every page jewelled by Murn’s lyrical parlance, antithetical to the brutality of its conquest by the first settlers. Her rendering of the island’s natural beauty and it’s violent, oppressive history is…
This year’s winners have been announced at an awards ceremony on 31 January 2019.
The Victorian Premier’s Literary Awards were inaugurated by the Victorian Government in 1985 to honour Australian writing. The awards are administered by the Wheeler Centre on behalf of the Premier of Victoria.
The Victorian Prize for Literature, and the Prize for Non-Fiction: No Friend But the Mountains: Writing from Manus Prison by Behrouz Boochani (Picador Australia)
The Prize for Fiction: The Madonna of the Mountains by Elise Valmorbida (Faber & Faber)
The Prize for Drama: The Almighty Sometimes by Kendall Feaver (Currency Press, in association with Griffin Theatre Company)
The Prize for Poetry: Tilt by Kate Lilley (Vagabond Press)
The Prize for Writing for Young Adults: Catching Teller Crow by Ambelin Kwaymullina and Ezekiel Kwaymullina (Allen & Unwin)
The Prize for Indigenous Writing: Taboo by Kim Scott (Picador Australia)
The Prize for an Unpublished Manuscript: Kokomo by Victoria Hannan
People’s Choice Award: Eggshell Skull by Bri Lee (Allen & Unwin)
The winners of the main suite of awards – fiction, non-fiction, drama, poetry, writing for young adults, and the biennial Prize for Indigenous Writing – each receive $25,000. The winner of the Prize for an Unpublished Manuscript receives $15,000.
The winners of the seven award categories go on to contest the overall Victorian Prize for Literature, worth an additional $100,000. This is the single most valuable literary award in the country.
Wyatt is almost spectral as he shifts unseen through a corrupt world, an inscrutable villain doing what he does best––stinging the stingers.
No qualms from Wyatt as he tracks ruthless, avaricious people and their hidden treasures, taking back what is not rightfully theirs and passing it on.
Wyatt was doing specialist break-and-enter jobs when his friend and fixer Sam Kramer contacted him. Currently incarcerated and relying on prison networks and outside contact from his daughter Phoebe, Kramer gets a message through to Wyatt offering him a lucrative job. Lucrative yes, easy no.
After some quick research, Wyatt learns his target is corporate financier Jack Tremayne who is being investigated by the Probity Commission and facing jail time for a Ponzi scheme which ripped off innocent people and made him rich. Tremayne appears likely to abscond with the lot. Before he escapes the country, Wyatt’s task is to find the assets he’s hidden, a million in cash, shares and bonds.
The trouble is several other felonious characters are interested in the hidden million, working just as hard as Wyatt to find it. And we know there will be inescapable violence along the way.
Author Garry Disher is adept at getting inside the morally deficient minds of the criminal fraternity Wyatt encounters, tearing down their respectable facades, releasing their foibles bit by bit until cruel, cunning personalities emerge––those who will fight hard to steal a valuable prize. And fight even harder when they find out Wyatt is closing in.
There is plenty of action in this thriller and as the tension builds, the main players emerge. Trophy wife Lynx Tremayne; Will DeLacey the Tremayne lawyer; Mark Impey nervous investor; prison gofer Brad Salter; Kramer’s sleazy son Josh: ex-commando Nick Lazar; none are particularly agreeable. Apart from the incomparable Wyatt, my other favourite person is Property Crimes DS Greg Muecke who gets in the way of Robbery & Serious Crimes division as he relentlessly follows Wyatt’s trail. A knowing man but usually one step behind.
The drama starts in Sydney and unfolds around the beachside homes in Newcastle before progressing through to yachting marinas and beyond. Wyatt has various identities and travels in understated disguises as he tracks his target. No slang but unashamedly Australian with place names and businesses, author tributes e.g. Corris, Throsby, and an atmosphere so evocative you can smell the eucalyptus and fresh sea air.
Full of plot twists, ‘Kill Shot’ is number 9 of this tightly written series. The ending is not what I expected which makes the story all the more enthralling and earns my Five-Star rating.
Wyatt Crime Series
Port Vila Blues (1995)
The Fallout (1997)
The Heat (2015)
Kill Shot (2018)