Reading Hour – One Lousy Hour!

How pathetic!  We have 24 glorious hours in a day and only one is chosen!  And it’s not even held simultaneously around the country!  Have you read your one hour today?

Australian Reading Hour Bookshop Logo

This year Australian Reading Hour falls on Thursday 20 September 2018 and the nominal time in the evening is 6pm to 7pm.  But individual reading and group reads will be happening all day to avoid important sporting fixtures, special events and venue opening hours, and to accommodate the different time zones in Australia.

Fair enough, however, it’s still one lousy hour!  What is the Australian Reading Hour committee thinking?  There are 8760 hours in one year, so use some more of them.

If more hours aren’t forthcoming next year, why not (1) disrupt your sporting fixtures (2) put the special event on hold (3) pause during venue opening hours (4) delay that visit to the gym and (5) forget a few things to stop and READ for ONE lousy hour!

Meanwhile, find a really quiet, cosy place and settle down alone.  Betcha read for longer than an hour!

Or gather a group together at school, work, bookshops like Avid Reader, the library, the park or get the family together in your own home and read, read, read for one lousy hour.

One hour isn’t going to kill you, the world won’t crumble around you – but you and the adults and children of Australia will visit another place through the pages of a book.  For one lousy hour…

Gretchen Bernet-Ward

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Linked to my other post https://thoughtsbecomewords.com/2018/09/16/your-reading-hour-countdown/

What the World needs now. . .writers who care

An illuminating review of Trent Dalton author of ‘Boy Swallows Universe’ and his discussion with Matthew Condon during the Brisbane Writers Festival 2018.  June Perkins does justice to the subject and pays tribute to Trent, her own parents and the value of education.  Read on… Gretchen Bernet-Ward

Pearlz Dreaming

So the absolute highlight of the Brisbane Writers Festival for me was the talk I attended by Trent Dalton.

I saw Trent a few weeks ago on Q and A, on the ABC, as well as Sofie Laguna, and was so impressed by the way they both conducted themselves on the panel I set out to look up their books.

When I heard Trent would be attending and presenting at the Brisbane writer’s festival he went right to the top of my must-attend sessions.

When Trent entered the room there were huge cheers.  He pumped the air with his fist, and yet there was no ego in that fist pump.  It was more like a boxer, who has triumphed over a huge battle in his life, and is now saying thank you to an appreciative crowd.  A Rocky moment, part of a montage.  He thanked us for choosing to attend…

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What is Dads Read?

Dads Reading Be Their Legend 02

This post will bore anyone without children in their lives.

Dads Read recognises that fathers reading to their children strengthens literacy, models positive reading behaviour and builds children’s self-esteem around reading, especially for boys.

Dads Read is an early childhood literacy initiative, developed by State Library of Queensland in 2010 and launched statewide in 2012 as part of the National Year of Reading, to promote family literacy.  The program continues to expand and is now being delivered throughout Queensland and South Australia and plans are underway in Tasmania.

You can host your own event with their resources.  I’ve seen this program in action with a dedicated group.  Children choose a book, a slice of pizza and sit with their fathers to read.

Discrimination doesn’t apply, the Dads Read message is based on the simple but true premise that reading 10 minutes a day to your children is not only quick but also essential.

Dads Read aims to:

  • Raise awareness of the important role fathers play in their children’s development.
  • Inform fathers of the importance and benefits of reading to children from their early years, even before they start school.
  • Promote reading as a family.
  • Encourage fathers to read to their children and promote the value of reading.
  • Provide fathers with the tools to give them the confidence to read with their children.

My father was my reading mentor, instilling interest in books, and Dads Read program follows research which highlights the importance of dads reading to their children during their early developmental years.  As little as 10 minutes a day improves children’s literacy levels and stimulates creative and critical thinking.

‘Investment in early childhood is the most powerful investment a country can make’.
World Health Organization, 2007.

The Dads Read program has helped:

  • Address a real and significant issue which is at the core of our wellbeing as individuals, families, employers and communities: the need to be literate.
  • Support literacy development and help to develop the skills of Australia’s future workforce by building everyday skills for sustainable communities.
  • Build literacy levels among our younger generation while promoting family literacy and boosting the ability of reading in adults.
  • Connect families and communities in a cost effective and invaluable way.

Visit the SLQ website for some great book ideas and age-appropriate reading:
http://dadsread.org.au/reading-to-your-child/must-reads/

Gretchen Bernet-Ward

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Grandfathers can read too…

Reflections on WAM Writers’ Festival

An enlightening literary look at events on the Victorian/New South Wales border; interesting books and even more interesting authors, and a bookshop with the perfect name.

Life after Sixty-Five

Having written the first draft of my Memoir for my own need to make sense of the estrangement from one of my sons and subsequent personal upheaval, I was in the middle of a couple of years of therapy in 2016 when I attended the WAM Writers’ Festival. There was a focus on Memoir Writing and one of the published authors, Helena Pastor, had experienced this situation with her eldest son. I wanted to hear what she had to say about her book “Wild Boys: A Parent’s Story of Tough Love“, and how she found the words that were past the raw pain and confusion, which no-one would want to read. I came to realise at that time, I was still too immersed in my own recovery.

It was the previous year when Jessie Cole was featured in an interview by Jason Steger, formerly of the ABC’s long-running…

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Elly Griffiths Forensic Archaeology Series

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Sample of this 10-book series with book 11 The Stone Circle due 2019.

I love binge-reading!  When I discover a good author like Elly Griffiths who has ten books in her crime oeuvre, I am ready, willing and able to read all.  The archaeologist Dr Ruth Galloway mystery series fits the bill nicely.  To quote the Independent ‘The perfect ratio of anticipation, shock and surprise’.

Elly Griffiths is the pen name of Domenica de Rosa; she has written other novels under her real name.  I like the historical and archaeological authenticity of this series which could be due to the fact that she’s married to Andrew Maxted, curator of archaeology at Brighton Museum.

I enjoyed the earlier books and then the later ones shown above.  I loved ‘The Ghost Fields’ WWII story and found award-winning ‘The Chalk Pit’ quite fascinating.  I struggled with ‘The Outcast Dead’ subject matter although it is fitting.  I must mention the clever yet sneaky outcome of ‘The Dying Fall’ which has a touch of Hollywood about it.

The stories mainly revolve around Norfolk UK, tidal marshlands, excavations (with an occasional nod to ‘Time Team’) coastal regions and fictional University of North Norfolk where Ruth Galloway works.  She is also a police adviser.  The relationships of the key players are intriguingly tricky because of love triangles, children, 21st century parenting, murder and mystical goings-on.

Rather than a review, I thought I’d do a quick character overview:

  • Dr Ruth Galloway, who lives on the Saltmarsh, lectures in forensic archeology, makes ground-breaking discoveries and likes old bones and her cat Flint.
  • Fast-driving policeman DCI Harry Nelson moved with his family from Blackpool to Norfolk and doesn’t really like the place but he’s a born copper.
  • Two glamorous women, Michelle Nelson is wife of DCI Nelson, and Shona MacLean is Ruth’s BFF.
  • Michael Malone (aka Cathbad) brings enjoyable highlights to each plot with his spiritual insights, Druid instincts and flowing cloak.
  • Part of Nelson’s team are police officers DS David Clough ‘old school’ and DS Judy Johnson ‘graduate’ who don’t always share the same views.
  • Phil Trent, professor of archaeology at UNN, worries about funding but loves TV cameras, publicity and himself.

As I dug and sifted through the series, I noticed less archeology and gradual changes to the main characters but that’s the grit which makes these books human and relatable.  There’s drama in their lives; a rocky layer or two over a conspiracy waiting to be uncovered.

Elly Griffiths has a nice knack of getting you up-to-speed with each book while revealing a ‘fresh’ crime involving the living and the desiccated.  At one stage I quibbled over her use of Anglo male names like Max, Dan, Tim, Tom, Ted, Bob, well, you get my drift…but this has improved and the VIP reviews keep on coming:

"I refuse to apologise for being in love with Dr Ruth Galloway and DCI Harry Nelson, one of my favourite current crime series . . . a pleasure from start to finish"
Val McDermid.

"I adore the Elly Griffiths series and have eagerly read each book. I love seeing how the recurring characters are living and working out their relationships"
Joyce of joycesmysteryandfictionbookreviews

I’m waiting for book 11 ‘The Stone Circle’ but don’t you hang around, start reading!

Gretchen Bernet-Ward

Elly Griffiths UK Author
Elly Griffiths ‘The Chalk Pit’ and something evil is waiting in the dark tunnels under Norwich – forensic archaeologist Dr Ruth Galloway had better watch her step https://www.hachette.com.au/elly-griffiths/the-chalk-pit

Indigenous Literacy Day


Indigenous Literacy Day 2018


You have the month of September to sign up to the new Indigenous Literacy Day fundraising campaign and fill your virtual shelf with books for children in remote communities.  Participate in the launch on Wednesday 5 September and discover how to fill a bookshelf for children in the remote Australian outback.

It’s something new, something a little different, something the Indigenous Literacy Foundation believes you’ll enjoy sharing with your friends and family, and something that gives you the opportunity of ensuring kids in remote communities have access to quality, new books.

Commencing on Indigenous Literacy Day (5 September 2018) the new ‘Fill a Bookshelf’ fundraising campaign aims to raise $300,000 to help ILF gift 30,000 new books to schools and service organisations in remote communities where books are scarce.

How does it work? The idea is simple…

  1. Sign up online to create a fundraising page and receive an empty virtual bookshelf.
  2. Ask family, friends, colleagues to donate a virtual book to your page (in the form of a donation)
  3. Fill your virtual bookshelf!
  4. Change the lives of Indigenous children.

Your donations will help buy new, carefully selected books for children who have none.  To put it quite simply – without your support, in a very real sense – bookshelves in remote Indigenous communities are empty.

All children in Australia deserve the same opportunities – in education, employment, health and wellbeing.  Evidence shows that literacy is the pathway to CHOICE for these opportunities, and BOOKS are the building blocks for literacy.  If you believe this too, sign up today!

I BELIEVE – SIGN ME UP  ‘Fill a Bookshelf’ and celebrate Indigenous Literacy Day!

The Indigenous Literacy Foundation
PO Box 663 Broadway NSW 2007
AustraliaIndigenous Literacy Foundation


Indigenous Literacy Day is a national celebration of Indigenous culture, stories, language and literacy.  Indigenous Literacy Day aims to raise awareness of the need to support literacy in remote and isolated Indigenous communities of Australia.


Indigenous Childrens Book Moli Det BigiBigi
‘Moli det bigibigi’ (Molly the Pig) a new children’s picture book written by Karen Manbulloo, from the remote Binjari community near Katherine in the Northern Territory. Written in Kriol and English, ‘Moli det bigibigi’ is a story based on a real-life pet pig of the Binjari community, found in the bush by Karen’s brother.

Gretchen Bernet-Ward

Book Tag: Shelfie by Shelfie #1

This fun tag was brought to my attention by productive book blogger Paula Bardell-Hedley of BookJotter fame.  Originally created by Beth of Bibliobeth the idea is to share a picture (aka ‘shelfie’) of your favourite bookshelf and then answer ten questions related to the titles displayed.

Visit Beth’s blog to see more info, the logo and tag and view posts by participating bloggers.  Then launch your own unique Q&A Shelfie by Shelfie.

I think many readers will find these titles unfamiliar…

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Part of Gretchen’s book shelves.

1.  Is there any reason for this shelf being organised the way it is or is it purely random?

Short answer is ‘subliminally shelved’.  Long answer is there are many bookshelves in our home and until I decided to participate in Shelfie by Shelfie I didn’t realise that most of my books are grouped.  Either when they arrived or over a period of time, I’m not sure.  There are clumps like non-fiction, poetry, humour, crime, fantasy and (not all shown) Australian content.

2.  Tell us a story about one of the books on this shelf that is special to you, i.e. how you got it / a memory associated with it, etc.

Hard to pick just one.  I know some of the authors (or received uncorrected bound proofs to review prior to publication) but my all-time special one would have to be ‘My Beachcombing Days: Ninety Sea Sonnets’ by Brisbane poet John Blight.  His daughter, a family friend, gave it to me as a birthday gift in the same year as disastrous flooding hit the city.  The flood waters also coincided with me securing a glam job in a travel agency which had 12 inches of river mud throughout the ground floor office.

3.  Which book from this shelf would you ditch if you were forced to and why?

No contest!  It would be Tom Keneally’s ‘Shame and the Captives’ a semi-factual diatribe about World War II prisoners-of-war from Italy and Japan who are held in a compound in Gawell, New South Wales, but allowed to work on a local farm.  It does have its altruistic moments but there’s bloodshed aplenty and the ‘uncertainty and chaos’ never worked for me.

4.  Which book from this shelf would you save in an emergency and why?

‘Withering-by-Sea’ written by children’s author and illustrator Judith Rossell.  Young heroine Stella Montgomery is the epitome of someone I would have loved to have known when I was a child.  I did read a lot of British kids books!  Set in Victorian England, the story is both adventurous and creepy.  Apart from dressing up as a mature-age Stella Montgomery for library Book Week, two years ago I had my copy of the book signed by Judith Rossell when I attended her writers workshop in historic Abbotsford Convent, Melbourne.

5.  Which book has been on this shelf for the longest time?

Hmm, that would be a toss-up between Nobel Prize for Literature winner Patrick White ‘The Cockatoos’ and Miles Franklin ‘My Brilliant Career’ both yellowing reprints dated 1974 and 1979 respectively.  I guess Mr White wins.

6.  Which book is the newest addition to this shelf?

Another toss of the coin.  ‘Truly Tan Hoodwinked!’ (Book 5) kids chapter book written by Jen Storer, and ‘Care of Australian Wildlife: For Gardeners, Landholders and Wildlife Carers’ by Erna Walraven, a 2004 revised edition but in mint condition and recently purchased in a second-hand bookshop.  The most adorable teeny tiny Koala baby is on the front cover.  The Koala wins by a nose.

7.  Which book from this shelf are you most excited to read (or re-read if this is a favourites shelf?)

I have a ‘thing’ for DBC Pierre, expat Aussie writer, and admire his off-kilter books.  I own two of his novels (the rest were loans) and love ‘Breakfast with the Borgias’ which I willingly re-read; and I’m usually not a re-reader.  Perhaps the fact that one of the characters is named Gretchen has something to do with it.

8.  If there is an object on this shelf apart from books, tell us the story behind it.

There is a small cardboard cut-out figure of Lisa Simpson from TV series The Simpsons which probably came with a McDonalds meal deal.  Lisa is holding an armload of books and in the show she is the lone advocate of literacy and learning.  I always like to think she influenced a generation of TV viewers to read.  And that she’s happy on this shelf.

9.  What does this shelf tell us about you as a reader?

It doesn’t tell you that I borrow hugely from my local library; or that I read too many e-books; nor that my current audio book is, ironically, ‘The Book Case’ by Dave Shelton narrated by Colleen Prendergast.  It does shout that I’m an Australian reader.

I read most genres and most writers regardless of nationality (translated helps!) but I keep coming back to Australian authors.  In an online book forum, I recall an American reader saying he only read American books because he understood them.  He didn’t mean the language, he meant emotional ties, recognition, connection.  That’s what I get from Australian books, nevertheless, I do think we have to step outside our comfort zone.

10.  Choose other bloggers to tag or choose a free question you make up yourself.

A free question I can make up sounds good.  NOTE I do not activate Comments, you will have to answer it in your own Shelfie by Shelfie blog post.

BONUS QUESTION:  Do you discuss the books you read in a face-to-face situation, online book reviews, or clutch your latest read to your chest saying ‘my precious, my precious’?

Happy reading, blog stars!

Gretchen Bernet-Ward


For modern Australian book reviews I can recommend blogger and bookseller Simon McDonald https://writtenbysime.com/ while this list contains notably mature Australian authors:
Thea Astley
Bruce Beaver
Geoffrey Blainey
Martin Boyd
Christopher Brennan
David Campbell
Peter Carey
Marcus Clarke
James Clavell
Bryce Courtenay
Geoffrey Dutton
Len Evans
John Farrow
R.D. FitzGerald
Miles Franklin
Joseph Furphy
Helen Garner
Germaine Greer
Kate Grenville
Charles Harpur
Alexander Harris
Shirley Hazzard
Xavier Herbert
Dorothy Hewett
A.D. Hope
Janette Turner Hospital
Robert Hughes
Joseph Jacobs
Colin Johnson
Elizabeth Jolley
Henry Kendall
Thomas Keneally
Jill Ker Conway
Henry Kingsley
C.J. Koch
Leonie Judith Kramer
John Dunmore Lang
Ray Lawler
Henry Lawson
Norman Lindsay
Ern Malley
David Malouf
Furnley Maurice
James Phillip McAuley
Hugh McCrae
Colleen McCullough
Les Murray
Oodgeroo Noonuccal
Bernard Patrick O’Dowd
Vance Palmer
Eric Partridge
Hal Porter
Peter Porter
Katherine Susannah Prichard
Henry Handel Richardson
Steele Rudd
Nevil Shute
Peter Singer
Kenneth Slessor
Christina Stead
Alfred George Stephens
Douglas Stewart
Kylie Tennant
P.L. Travers
Ethel Turner
Arthur William Upfield
Morris West
Patrick White
David Williamson
Tim Winton
Judith Wright
Markus Zusak

Revisiting Adult Colouring Books

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Remember when adult colouring between the lines was all the rage?  Pages and pages of black and white sketches bound in bright covers which swept the world and swamped book retailers.

Themes were many and varied from new age, retro, zen, buildings, abstracts, swirls, flora and fauna, all cleverly pitched at adults without the 'adults only' content.  It was certainly a fad and the biggest publishing push since Harry Potter hit the shelves.

The idea was that it should calm and relax anyone over 30 but it seemed to be a bigger hit with the over 60s especially those with grandchildren.  In the library during craft time, youngsters would often wander off as one or two monopolists relived their kindergarten days with intense concentration.  So, perhaps there was logic behind the publication frenzy.

In 2015, I was given the pocket-size publication ‘The Little Book of Calm Colouring – Portable Relaxation‘ which has beautiful quotes to accompany each drawing.  I dug out a variety of pencils and doodled when the mood took me.  I must admit that I can’t finish a full picture in one sitting so I return later to give it an abstract expressionist tweak here and there.

This kit travels with me on long weekends and the odd holiday but I’m not sure if I will ever complete the book.  What I have completed was very enjoyable – here’s a small selection of my pencil handiwork.

Gretchen Bernet-Ward

Tropical Romance Writer Annie Seaton

Annie Seaton Whitsunday Book Launch 02

Don’t you love being on the verge of discovering a new author, that feeling of anticipating!  Look at the beautiful location where romance writer Annie Seaton is holding the book launch for her latest release Whitsunday Dawn––in the Whitsunday Islands at beautiful Coral Sea Resort.

“Ecological impact, divided loyalties and the pristine beauty of the Whitsundays under threat, can mining spokesperson Olivia Sheridan expose the truth in time?”  Author Annie Seaton brings to life a new era of romance and eco-adventure.  Perfect for fans of Di Morrissey and a sun-kissed tropical lifestyle.

As WP readers will know, I’m not usually a romance reader but I’m rather taken by the beautiful location of this all-Australian story.  Watch out for my review.

On her website Annie says “I am truly blessed to live by the beach on the east coast of Australia.  I am following my lifelong dream of writing, and discovering that readers love reading my stories as much as I love writing them is awesome.  It’s what keeps me at my desk each day when the garden and the beach are calling to me!

“You can read of the topical human and social issues I explore in Kakadu Sunset, Daintree and Diamond Sky.  My latest release with Harlequin Mira WHITSUNDAY DAWN  (August 2018) is an historical/contemporary story set in the Whitsunday Islands in 1943 and 2017.​

“My inspiration comes from the natural beauty of our Australian landscapes and I’m passionate about raising awareness of the need to preserve the pristine areas that surround us.”

Will you be in the vicinity of the wonderful Whitsundays?  Visit the launch of Annie Seaton’s newest book WHITSUNDAY DAWN being held on Friday 7 September 2018 at Coral Sea Resort Jetty, Airlie Beach, Queensland.  A welcome drink then cash bar will be available with complimentary gourmet nibbles and canapes from the Coral Sea Resort kitchen.  RSVP via Facebook https://www.facebook.com/AnnieSeatonAuthor/

https://i.harperapps.com/covers/9781489257802/y648.jpg

Gretchen Bernet-Ward

Love Your Bookshop Day!

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This year bookshops across Australia are throwing a party and you are invited!

Here’s what their invitation says––

Love Your Bookshop Day is a chance to celebrate what makes your local bookshop great.
Whether it’s for their amazing staff, their carefully curated range or specialisation, a book launch or a must-see events program, we encourage you to visit your favourite bookshop on Saturday 11th August 2018 and join in with the celebrations.

Don’t forget to use the tag #loveyourbookshopday and share why your bookshop is special using the hash tag #whyIlovemybookshop

Get ready to party with those things made of paper with squiggles on them...books!
Visit the official website http://www.loveyourbookshopday.com.au/

DESTINATION:  I’m definitely going to visit Where The Wild Things Are, a wonderfully absorbing children’s bookshop in groovy West End, Brisbane.  See ya!

Gretchen Bernet-Ward

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Audio Books Read by UK Actors

Fabulous stage and screen actors reading gloriously fun books.  I listened to eight beautifully narrated sound clips by Kate Winslet, Hugh Laurie, Richard Ayoade, Miriam Margolyes, Stephen Fry, Andrew Scott, Chris O’Dowd––and I’ve just drooled over Dan Stevens short reading of Roald Dahl’s famous ‘Boy’.  What a selection!

Reviewed by Rachel Smalter Hall for Book Riot way back in 2013 who gushed:

“Rioters, I’m so excited. I just can’t hide it. I’ve been holding my breath to share this with you for weeks! The new upswing in audiobook publishing has sent lots of publishers to their backlist to record beloved classics, and one of my favorite projects in this vein is from Penguin Audio, who just released several Roald Dahl audiobooks in July and will release several more this September.  The series features some of the UK’s best known screen and stage actors. Here are sound clips from eight of the narrations that have got me squealing like a thirteen-year-old at a slumber party.”

I SAY IT’LL MAKE YOUR EARS HAPPY––SMILES GUARANTEED

TAP ON EACH INDIVIDUAL TEASER WHICH I HAVE CAREFULLY SELECTED FOR YOU FROM A LOVINGLY CURATED ROALD DAHL SOUNDCLOUD PLAYLIST

Roald Dahl Audio Book 04

 

Kate Winslet reads excerpt ‘Matilda’
https://soundcloud.com/penguin-audio/matilda-by-roald-dahl-read-by

 

Roald Dahl Audio Book 03

 

Richard Ayoade reads excerpt ‘The Twits’
https://soundcloud.com/penguin-audio/the-twits-by-roald-dahl-read

 

Roald Dahl Audio Book 05

 

Chris O’Dowd reads excerpt ‘Fantastic Mr. Fox’
https://soundcloud.com/penguin-audio/fantastic-mr-fox-by-roald-dahl

 

Roald Dahl Audio Book 06

 

Dan Stevens reads excerpt ‘Boy’
https://soundcloud.com/penguin-audio/boy-by-roald-dahl-read-by-dan

 

Roald Dahl Audio Book 02

 

Stephen Fry reads excerpt ‘The Enormous Crocodile’
https://soundcloud.com/penguin-audio/the-enormous-crocodile-by

 

Roald Dahl Audio Book 01

 

Hugh Laurie reads excerpt ‘The Giraffe and the Pelly and Me’
https://soundcloud.com/penguin-audio/the-giraffe-and-the-pelly-and

 

Roald Dahl Audio Book 08

 

Miriam Margolyes reads excerpt ‘Revolting Rhymes & Dirty Beasts’
https://soundcloud.com/penguin-audio/revolting-rhymes-dirty-beasts

 

Roald Dahl Audio Book 07

 

Andrew Scott reads excerpt ‘The Wonderful Story of Henry Sugar’
https://soundcloud.com/penguin-audio/the-wonderful-story-of-henry

 

I found their voices soothing, hypnotic and hilariously infectious.
What more can be said except ENJOY!
 Gretchen Bernet-Ward 

I do reviews not advertisements but––Thanks to Penguin Books Ltd and Book Riot who say “Sign up for our newsletter to have the best of Book Riot delivered straight to your inbox every two weeks.  No spam.  We promise.  To keep up with Book Riot on a daily basis, follow us on Twitter, like us on Facebook, , subscribe to the Book Riot podcast in iTunes or via RSS.  So much bookish goodness––all day, every day.”

‘The Incredible Book Eating Boy’ by Oliver Jeffers

My picture book review
My bonus picture book lesson
My link to Just Awesome Picture Books


THE REVIEW:

Book Sliced Up on Plate with KnifeHenry is a boy who likes eating books.  He absorbs knowledge as he happily munches his way to becoming the smartest boy on earth.  Everything goes well until there’s an internal rebellion.  Share Henry’s journey as he discovers something better than eating books.

Award-winning Oliver Jeffers’ concept is clever and I found his plot madly appealing.  The illustrations are unique and show creative grunge like an old diary or well-used notebook.  For me, although the story has the potential to be scary, it is handled in an adventurous way with Henry supported by believable characters which adds intertextuality to an otherwise imprudent tale.

I think The Incredible Book Eating Boy is best suited for small group readings or child-and-parent because there’s a lot happening and the visual literacy may need some explanation for younger children.

All in all, a praiseworthy picture book with a good message for 4 – 8 years range to which I give a 5-Star rating.  GBW.


The Incredible Book Eating Boy 01
I discovered this book on Just Awesome Picture Books! Check the website https://justawesomepicturebooks.com/

THE LESSON:

In my opinion, less is more!  Wordy picture books tire the reader and the listener.  The illustrations should highlight the uncluttered wording.  The words push the narrative forward and the child uses their imagination from the visual cues.

It’s a common fallacy that picture books are easy to write.  This is far from the truth because the very minimalist nature of picture books means that every single word has to be perfectly rendered.  Learn more about writing for children from author Jen Storer of Girl & Duck.

As a general guide, here are some basics:

A children’s picture book is 32-pages but 8 pages are used for endpapers and book information.  The story is over 24 pages or 12 spreads of text and illustrations which span two opened pages at a time.  These pages can be half-page spreads, single-page spreads, double-page spreads or vignettes.  A number of vignettes are used in The Incredible Book Eating Boy.

There is symmetrical, complementary and contradictory illustration approaches and I think The Incredible Book Eating Boy is approached in a complementary manner.  Oliver Jeffers plays around with the location of text to good effect.

Board books, pop-ups and novelty may have no words, just illustrations.
Young picture books are aimed at 2 to 5-year-olds with 200 to 400 wordcount.
Trade (general readership) picture books are suitable for 3 to 8-year-old children with 500 to 600 wordcount.
Picture story books for older children 6 to 10-year-olds with 1000 to 3000 words are often non-fiction.
Chapter book fiction over 3500 words are suitable for competent readers, with a sliding age range due to small sketches and quirky touches often added between the pages to enhance the reading experience.
YA (young adult) are the more tailored books suitable for older teenagers.

Something different.  A theatre performance video of the book at The Joan, Penrith’s premier performing arts centre The Incredible Book Eating Boy production.  The cast use song, movement and puppetry to bring Oliver Jeffers’ much loved story to life on stage.

Enjoy eating, er, reading this picture book with that special little someone.

Gretchen Bernet-Ward

Jane Milburn Slow Clothing Advocate

Slow Clothing reflects author and refashion advocate Jane Milburn’s own unique style, independent of “fast fashion” trends.  Upcycled from denim jeans, the dress Jane wore during her talk at a local BCC library had the potential to look strange but was distinctive and quite beguiling.

Jane, sustainability consultant and founder of Textile Beat, touched on several key elements during her talk––environmentally unfriendly fabrics and dyes; sweat shop labour; landfill; passive fashion; synthetic vs natural fibre; signature style and minimal wardrobe.  Hot topics included recycle by exchange, shopping tips, Sew It Again mending and creating new from old.  Jane tends to hoard fabric offcuts and used buttons, and has a passion for real cotton thread.

Rethinking clothing culture doesn’t mean wearing your clothes until they fall apart at the seams, it means mindful immersion, repairing and refashioning your garments.

An attentive audience, Jane encouraged us to make thoughtful, ethical, informed choices to reduce our clothing footprint on the world.  Until recently, she regularly visited charity shops for secondhand garments but is currently resisting the temptation and working with what she’s got.  “We believe secondhand is the new organic and mending is good for the soul.  In return, we are liberated and satisfied.”

In her book Slow Clothing: finding meaning in what we wear Jane shares insights and upcycling advice.  She has created templates like Upcycled Collar and History Skirt, guiding home sewing conversion of a beloved garment to reflect the changes in our lives.

To provide meaning and story to her own favourite pieces, Jane Milburn restyles and sews her clothing by hand.  Currently testing t-shirt cotton drawstrings as an alternative to underwear elastic (elastic is made from synthetics) Jane stitches everything by hand.

Help! I can hear you say, nobody has hand-sewn an outfit since the mid-twentieth century––except maybe Vivienne Westwood––but don’t panic, Jane’s book provides testimonials, illustrations and clear instructions for eco-dyes and upside-down jumper skirts through to sewing on a button.  Eco-fashionistas unite!

Although Slow Clothing is a multifaceted, easy-to-read book with positive chapter headings (Purpose, Authenticity, Creativity, Action, Autonomy, Reflection) amid the ingenious apparel, I am missing a frivolous note, perhaps a ball gown?  On a serious mission, Jane has created a Slow Clothing Manifesto with ten tags to keep in mind when out shopping: think, natural, quality, local, few, care, make, revive, adapt, salvage.

IMG_20180723_091617Quotes from Jane embody the Slow Clothing philosophy “Slow Clothing brings wholeness through living simply, creatively and fairly” and “We buy thoughtfully, gain skills, and care for what we wear as an embodiment of ourselves.”  Personally I am hoping to see people clutching their Slow Clothing Manifesto cards at an op shop near me.

The current trail Jane Milburn is blazing makes fascinating reading.  Arts Queensland, meeting VIPs, War on Waste ABCTV, visiting 103-year-old Misao Jo in Osaka, hosting a Clothing Repair Café, conducting workshops and championing natural-fibre, Jane says “It has been personally satisfying to see the uptake of upcycling as a conscious practice with many young people interested in its potential for customising their clothes.”

Unfortunately I didn’t get to ask Jane Milburn how we go about combating the greed of designer labels.  But the clear message is––help reduce landfill by upcycling your clothes to reflect your own unique style.

Gretchen Bernet-Ward

‘My Dragon Reads Books’ Rhyme

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My Dragon Reads Books

My dragon gives me dirty looks,

When I borrow his favourite books.

I settle down in cosy nooks,

Or rest beside babbling brooks,

To read about pirates with curvy hooks,

And wildly passionate celebrity cooks,

And scattered flocks of noisy rooks,

And a veggie patch of scratching chooks.

There’s even a dungeon full of crooks,

Trying to hide from shimmering spooks.

My dear dragon sulks and sooks,

He folds his wings and mutters ‘zooks’,

Then joins with me to read his books.

Gretchen Bernet-Ward

Dragon Computer Gretchen

I Agree with Herbert

H G Wells House Plaque
Plaque by the H. G. Wells Society at Chiltern Court, Baker Street in the City of Westminster, London, where Wells lived between 1930 and 1936.

“No compulsion in the world is stronger than the urge to edit someone else’s document” said Herbert George Wells, and I know the feels––Herbert is better recognised as H. G. Wells, an exceptional English author, satirist and biographer (21 Sept 1866 – 13 Aug 1946) who famously wrote The Invisible ManWar of the Worlds and The Time Machine.

I can understand how the fingers of Mr Wells must have itched, his brain must have misfired and his breath must have been shallow as he read a paragraph which badly needed editing.  Indeed, I often wonder how some books (or e-books) get into print when it is glaringly obvious they need a bit of trimming and correction.

Just recently I read an e-book with blurb announcing an award, author kudos and high sales.  Undeserved as far as I’m concerned.  Why?  The author had no idea of descriptive body language.  The best he could do was “He frowned”, “She frowned”, and for variety “He scowled”, “She scowled” until I deleted the book at “She wrinkled her brow”.

How did this get loose and launched on the general reading public?  I’m sure Rule 101 is “If in doubt, substitute ‘said’ and let the dialogue do the work”.  Don’t repeat yourself.  Unpublished as I am, I guess the writer can sneer and say “Well, I got the pay cheque and you didn’t” but I can retort with “Have some integrity.”  Or go back to writing classes.

It’s easy to think “Not all publishing houses are that blind” but, oh, many are.  If you haven’t read a book with an error, you haven’t read enough books.  Pathetically, hardly a week goes by without my subconscious editing a typo or tidying a sentence.  I will never know how efficient I am, whether I am right or wrong, but, man, it makes me feel better!

Gretchen Bernet-Ward

Proofreading Copy Editing Banner
Proof-reading is the first step, make it count…

‘The Last Dragonslayer’ by Jasper Fforde

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The Last Dragonslayer novels by Jasper Fforde

While Thursday Next lives in a parallel universe, The Last Dragonslayer is set in a world of myths, illusions and modern magic.  Orphan Jennifer Strange, a practical teenager, runs Kazam Mystical Arts Management with eccentric magicians who create irregular spells.  But magic and dragons are losing power and Jennifer discovers evil King Snodd IV wants to grab the Dragonlands, 350 acres of prime real estate.  She dislikes the King’s greed and so does the last Dragonslayer, an old wizard named Brian who controls dragons with an ancient sword.  Helped by her cool friend Tiger Prawns, and a metal-munching Quarkbeast with frighteningly sharp teeth, Jennifer rallies to protect the Dragonlands.  Meanwhile, wizard Brian is hatching a secret plan.  Jennifer doesn’t realise she is part of that plan.  This is the first book in the Last Dragonslayer/Kazam Chronicles by Jasper Fforde and I loved reading their vital quest.  Suitable for 12 years and up, the second and third books are The Song Of The Quarkbeast and The Eye Of Zoltar.  There will be a fourth book in the series but at this stage only working titles have been released; possibly Humans vs Trolls or The Strange And The Wizard or The Great Troll War.  Guess we’ll just have to wait for the next quirky edition!

Author Jasper Fforde

Publisher Hodder & Stoughton UK

Movie by Mallinson Television Productions on Vimeo screened by Sky1

Gretchen Bernet-Ward

 

The Last Dragonslayer Jennifer Strange

‘Don’t Keep History A Mystery’

Read a story which is thousands of years old.  I’d like to share the email I received from Mr Miller on National Sorry Day and to commemorate National Reconciliation Week––

“My name is Glen Miller, I am a Board Director of the Indigenous Literacy Foundation and a descendant of the Butchulla people of the Fraser coast (Queensland). Today we acknowledge the 10th anniversary of National Sorry Day, a milestone in Australia’s history. This National Day of Healing is at the heart of our steps towards reconciliation. Tomorrow marks the beginning of National Reconciliation Week and we reflect on this year’s theme: ‘LEARN, SHARE, GROW – DON’T KEEP HISTORY A MYSTERY’. Here, we are invited to explore our past as a country; learn, share and acknowledge the rich histories and cultures of the First Australians; and develop a deeper understanding of our national story.

“Today I would like to share a story that is thousands of years old, that has been passed on from one generation to the next, and nearly came to be lost…

ILF Legends of Moonie Jarl Banner

“For many thousands of years the Butchulla people have been travelling between Queensland’s K’Gari (Fraser Island) and the mainland; catching winter mullet in stone fish traps set along Hervey Bay and trading with the mob up around the Bunya mountains. There are three laws that the Butchulla people live by: 1) What’s best for the land comes first, 2) If you have plenty, you must share, and 3) Do not touch or take anything that does not belong to you.

“While these were the laws that were taught to the children, they were also told stories that describe the origin of the land: The Legends of Moonie Jarl. These stories tell how the wallaby got its pouch, how the boomerang was invented, and how the little firebird came to have that bright scarlet spot on its back. These stories were told to me as a boy by my uncle Wilfy in the The Legends of Moonie Jarl. The year was 1964 and it was the first Aboriginal children’s book published and authored by Aboriginal people.

“Three years after its publication, Indigenous people were finally recognised as Australian citizens and 50 years on the stories continue to be shared among the Butchulla people. In 2014, our Foundation re-published The Legends of Moonie Jarl so now the stories are available to share with all Australian children.

Indigenous Literacy Foundation“A book isn’t just for reading; it’s more powerful than the information it provides. Reconciliation Week is an opportunity to look at the truths that need to be told and  celebrate our stories. This National Reconciliation Week I invite you to learn and share these rich histories and cultures of Indigenous people, and develop a deeper understanding of our national story. Please support the work of our Foundation by purchasing a copy of The Legends of Moonie Jarl or making a donation.”

Glen Miller
ILF Board Director
May 2018

“It was written by Uncle Wilf Reeves and illustrated by my mother Olga Miller” – Glen Miller.

Indigenous Literacy Foundation
PO Box 663 Broadway NSW 2007
Australia
info@ilf.org.au

Gretchen Bernet-Ward

Sisters in Crime 25th Scarlet Stiletto Awards

The 25th Scarlet Stiletto Awards have been launched – with a body or two in the library – and I have reblogged the exciting news:

Sisters in Crime Australia’s 25th Scarlet Stiletto Awards were launched by Dr Angela Savage at Melbourne’s Athenaeum Library on 27 April, 2018. Almost $10,000 is on offer in prize money.

The event included dramatic readings of three winning “body in the library” stories – “Jane” by Narrelle M Harris (read by Jane Clifton), “Caught on Camera” by Jenny Spence (read by Susanna Lobez) and “Brought to Book” by Kath Harper (read by Leigh Redhead).

Dr Savage (below), the 2011 shoe winner and now Director of Writers’ Victoria, declared the awards “a milestone for Australian crime – at least of the literary persuasion”.

The awards, she said, had “spring-boarded the careers of many writers, including myself. To date, 3084 stories have been entered with 23 Scarlet Stiletto Award winners –including category winners – going on to have novels published.

“Like many of Sisters in Crime’s best ideas, it sprang from a well-lubricated meeting in St Kilda when the convenors debated how they could unearth the female criminal talent they were convinced was lurking everywhere.

“Once a competition was settled on, it didn’t take long to settle on a name – the scarlet stiletto, a feminist play on the traditions of the genre. The stiletto is both a weapon and a shoe worn by women. And of course, the colour scarlet has a special association for us as women. And they were right – talent is lurking everywhere, sometimes in the most unlikely places!”

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The success and longevity of the Awards have been hugely dependent on the generosity of Australian publishers, booksellers, the film and television industry, authors and other parties.

Sisters in Crime had been uncertain that the launch would go ahead because, at the eleventh hour, the First Prize Sponsor, Bonnier/Echo Publishing, was closed down by its overseas arm. Luckily, Swinburne University and the ever-resourceful Dr Carolyn Beasley, Acting Chair of the Department of Media and Communication, stepped into the breach.

Sisters in Crime spokesperson, Carmel Shute, said, “We were also lacking a Young Writer Award sponsor because Allen & Unwin pulled out last year after more than 20 years of sponsorship. We were chuffed to get support at the last minute from Fleurieu Consult run by South Australian member Jessie Byrne, who is researching her creative PhD exegesis on Sisters in Crime Davitt Awards for best books.”

There are two brand-new awards on offer this year: Writers Victoria Crime and Punishment Award ($660) for the story with the most satisfying retribution (the winner gets a three-month spell in prison in the guise of a studio residency at Old Melbourne Gaol) and the International Association of Forensic Linguistics (IALF) Award for Best Forensic Linguistics Story ($1000).

IALF President, Dr Georgina Heydon (left) from RMIT, told the crowd that the award was designed to foster understanding of forensic linguistics which uses a scientific approach to language analysis in legal and criminal investigations.

“Typically, a forensic linguist is engaged to analyse the authorship of an anonymous document, to determine what was said and by whom in a covert recording, to identify coercive or oppressive questioning by police, or to determine the need for an interpreter. It’s not to be confused with the analysis of hand-writing styles.”

The full list of awards is:

  • The Swinburne University Award: 1st Prize: $1500
  • The Simon & Schuster Award: 2nd prize: $1000
  • The Sun Bookshop Award: 3rd Prize: $500
  • The Fleurieu Consult Award for Best Young Writer (18 and under): $500
  • The Athenaeum Library ‘Body in the Library’ Award: $1000 ($500 runner-up)
  • International Association of Forensic Linguists Award: $1000 for Best Forensic Linguistics Story
  • The Every Cloud Award for Best Mystery with History Story: $750
  • Kerry Greenwood Award for Best Malice Domestic Story: $750
  • Writers Victoria Crime and Punishment Award: $660 (studio residency, Old Melbourne Gaol) for the Story with the Most Satisfying Retribution
  • HarperCollins Publishers Award for Best Romantic Suspense Story: $500
  • Scarlet Stiletto Award for Best Financial Crime Story: $500
  • Clan Destine Press Award for Best Cross-genre Story: $500
  • Liz Navratil Award for Best Story with a Disabled Protagonist Award: $400
  • ScriptWorks Award for a Great Film Idea: $200

Nine collections of winning stories are available from Clan Destine Press.

Closing date for the awards is 31 August 2018. Entry fee is $20 (Sisters in Crime members) or $25 (others). Maximum length is 5000 words. The awards will be presented at a ceremony in Melbourne in late November.

To download an entry form, pay the entry fee and read the FAQs, click here

Sisters in Crime Awards Judith Rossell 01
Recent winners of the affiliated Davitt Women’s Crime Book Awards https://www.sistersincrime.org.au/the-davitt-awards/

Media comment: Carmel Shute, Secretary and National Co-convenor, Sisters in Crime Australia:
0412 569 356 or
admin@sistersincrime.org.au

Visit the Sisters in Crime website and sign up for their newsletter.
It would be criminal to miss out on this great opportunity!

Gretchen Bernet-Ward

Monica McInerney’s Writing Regimen

Monica McInerney Bookcover 02

An interview extract on the writing regimen of Monica McInerney, best-selling Australian-born, Dublin-based author of twelve novels, Monica was voted into the top ten of Booktopia’s “Australia’s Favourite Novelist” poll 2014, 2016 and 2018.

The following quote is from Books+Publishing Q&A and Monica mentions two of her earlier novels which I can highly recommend:


Q:  Could you describe your approach to writing and your working regimen?

A:  “I spend about six months plotting in my head before I sit at the computer and start writing.  There’s usually an overlap between my books.  I had the idea for ‘At Home with the Templetons’ about three months before I finished ‘Those Faraday Girls’.  Similarly, I had the idea for what will be my next book halfway through writing the ‘Templetons’.

I aim for 2,000 words a day minimum in the early stages of writing, getting very attached to the word-count button.  A day always comes when the word count is irrelevant, when all I want to do is be at the desk writing.

The final six months are usually seven days a week.  I edit as I write, and also show the manuscript to two people in the early stages, my husband, who is a journalist, and my younger sister, who is an editor.  I completely trust their feedback, and their encouragement keeps me on track until the manuscript is as polished as I can make it before sending it to my publishers.  I also love deadlines.  They terrify me into finishing.”


Monica McInerney Author

Author http://www.monicamcinerney.com/
Interview Books+Publishing https://www.booksandpublishing.com.au/
Booktopia https://www.booktopia.com.au/

 


Synopsis of Monica McInerney’s latest novel ‘The Trip of a Lifetime’

“I always thought memories were unchangeable. Set in stone, shaped by the years. But there are always others too, ones you haven’t let yourself remember ...”
The wilful and eccentric Lola Quinlan is off on the trip of a lifetime, taking her beloved granddaughter and great-granddaughter with her.  More than sixty years after emigrating to Australia, she’s keeping a secret promise to return to her Irish homeland.  But as she embarks on her journey, the flamboyant Lola is still hiding the hurtful reasons she left Ireland in the first place. What – and who – will be waiting for her on the other side of the world?
Books by Monica McInerney:
  •    The Trip of a Lifetime
  •    Hello from the Gillespies
  •    The House of Memories
  •    Lola’s Secret
  •    At Home with the Templetons
  •    All Together Now
  •    Those Faraday Girls
  •    Family Baggage
  •    Alphabet Sisters
  •    Spin the Bottle
  •    Upside Down Inside Out
  •    A Taste For It

Gretchen Bernet-Ward