My Short Story Rejections

https://en.wikipedia.org/wiki/The_Well_of_Lost_Plots

Most writers at some time or another, usually early in their literary career, enter a writing competition. It gives you a reason to write when you think you have lost the plot. There is exposure and the bonus of possibly getting a monetary reward. Occasionally there are the perks of receiving feedback from the judges and maybe your work appearing on the relevant website. Not all writing competitions do this, especially if they specify a word/theme which is only used as a one-off with no ongoing relevancy other than it being a writing exercise to aid your creative thinking.

Never put your name on the actual story, write it on the submission form. If A4 size paper is requested (e.g. Word.doc, email attachment, PDF) – if font is requested – if the line spacing is requested – if any other requirements are requested please do it for best results. Another necessary thing you must do is wordcount. Absolutely stick to the specified wordcount. This does not guarantee you will win but it will leave a good impression.

Okay, I know you may have already entered some writing competitions, and perhaps none of this is new to you, but that should not stop you from fully reading the competition rules and guidelines and sticking with them. Be aware that there may be an entry fee for some of the bigger writing challenges. Usually if you are a member of a local writers group you can enter free. Note, I have never been given money as a prize and once a story is published is cannot be used again in competitions.

If you are reading this far, I have included two of my most recent short stories (below) which were written for two key-words supplied by a writers centre prompt. ‘Fragment’ and my piece is titled ‘Rocky Horror.’ Allow me to offer a critique and say the winning entry for ‘Fragment’ was predictably sentimental. The prompt and title for my second tale is ‘One Room Story’.
Anyway, my two stories are short, both are well within the 500 wordcount limit and as you can see they are different styles. Although rejected I did have a sense of achievement writing them. So don’t fall into that Well of Lost Plots.
Great book title, thanks Jasper!

——ROCKY HORROR——
By Gretchen Bernet-Ward 2025
The pavement fractured under her feet and fissures formed. A fragment of rock flew down from a dark sky then bounced back up. Annie fled for the house – fast.
Felicia sniffed, her author brain unimpressed.
“Too much alliteration,” she reasoned, and ducked a meteorite as Annie reached out for the front door handle. The molten mass smashed a jagged hole straight through the door and landed on Annie’s new carpet. It choked the air with sulphurous intent, which caused Annie to wail uncontrollably.
Felicia glanced upward. “That’s not rain.”
Sharp shards showered down onto the rooftop shingles. She held grave fears for their resilience under the rapid assault.
“Cut it out,” she yelled in her head. It stopped.
Now feeling foolish and faintly ridiculous, she quickly wrote down fragments of what had just happened as another gritty fissure crackled towards the house. It wasn’t looking good, she still had an imagination too wild for pre-school books.
Annie shrieked “Help me, please!” a fraction too late as Felicia swiftly drew a thick black line across the previous paragraph.
The workshop lecturer looked up and raised an elegant eyebrow.
“Having trouble with this exercise?” she asked.
Unnoticed by group members, a light sprinkle of insect-like shale bounced and pinged off her neatly groomed head.
“No, no,” replied Felicia, “just trying to control my fractured thoughts.”
She smoothed her notepaper as a resurrected Annie tipped over a metal bin, sending granite boulders rolling silently across the meeting room floor towards the unsuspecting lecturer.
“Actually,” Felicia mused, “I seem to have hit a rocky patch.”

——ONE ROOM STORY——
By Gretchen-Bernet Ward 2025
The waiting room chair had a cracked leather seat which pressed through her summer dress like a blunt knife. She tried to move slightly, knowing mother would hiss, do not fidget. Maybe her button-up shoes could reach the floor, maybe that would ease the pressure on her insides. Heels swung, mother glared.
Only two other people sat in the doctor’s waiting room, the nurse at a desk and an old man with wire-framed spectacles who breathed in and out like a faulty balloon.
Why was she here? It hadn’t been said at breakfast, only that she would miss school for the morning. Like a gift given and snatched away, her stomach churned with what might be waiting for her behind that big brown polished door with its fancy gold lettering. That slow, slow rotation of the brass door knob. She hoped the old man would live long enough to go through first.
The front sash window was slightly ajar but didn’t allow for an escape.
An idea, perhaps she could bolt out the front door while everyone was looking at the surgery door?
No, her mother was fast, even catching squawking hens.
Glancing around she studied the glass fronted cabinet beside the nurse’s desk. Medicine in small bottles made of brown glass with paper labels and cork stoppers. Bill Beans Laxatives also in their family medicine chest. Saltrates, Alkia, Nitrate of Amyl and her grandmother’s stomach powder. Like medicine daddy gave her at night.
Her body shivered. Time to move. She slid and jumped, the seat tore at her dress.
A black and white tiled dash to the front door but the shiny door handle was unyielding. She tugged hard, memories rose, she whimpered as mother pulled her back.
The nurse steered her to the uncomfortable seat, not to worry, the doctor was a nice man. She remembered daddy had whispered, be good. A special treat tonight.
A quick glance, the hem of her dress torn, she felt bad as her mother quietly wept.

Now it’s your turn to start plotting! Write something wild about the Blue Geese photograph. Or follow through and blog your own prompt and short story. I promise not to critique them. Send me a link to your latest short story and I will post your link below where I have mentioned *Ekphrastic Writing. Whether it be writing or frantically editing to meet a deadline, make something great from those 26 letters of the English alphabet.
You know you can!
📚 Gretchen Bernet-Ward 2025

BLUE GEESE Community Arts project by STREET ART MURALS on Green Hill Reservoir Brisbane Australia https://www.australiansiloarttrail.com/green-hill-reservoir
© image Gretchen Bernet-Ward 2021
*Don’t forget to look at my Photo of the Week every Saturday on my home page*.

STOP THE PRESS: This information may be of interest!
AUSTRALIAN WRITERS’ RESOURCE
https://www.austwriters.com/competitions
A seriously long list of writing competitions around the world!
The AWR has sourced information from other websites
and no assurance can be given as to its current accuracy.

*Ekphrastic writing is a literary description of a work of art
such as a painting, sculpture, or performance
BUT IT CAN BE USED FOR EVERYDAY ITEMS within a story.

Take a Test ‘Creative Types’

On a go-slow day at home, I clicked a link from a fellow writer and discovered this cool/cute/interesting Adobe Create personality test. It invited me to answer 15 questions. Eight creative types are on offer and once I’d completed the test I was given a full explanation of My Creative Type.

This quiz-like questionnaire gave me a joyful, colourful few minutes. I could take it or leave it, the results are rather like a horoscope, but it did give me a confidence boost.

Visionary Creative Types Test 2019 02 — ‘Visionary’ Creative from Adobe Types Test

Apparently I am “VISIONARY – A visionary combines a vivid imagination with a desire for practical solutions. Your introspective and intuitive nature is balanced by a keen interest in the world around you.” The rest is private!

The Adobe Creators say “The Creative Types test is an exploration of the many faces of the creative personality. Based in psychology research, the test assesses your basic habits and tendencies—how you think, how you act, how you see the world—to help you better understand who you are as a creative. Answer these 15 questions and you’ll gain a deeper understanding of your motivations, plus insight into how to maximize your natural gifts and face your challenges.”

“These personality types aren’t black-and-white labels. Think of them more as signposts pointing you toward your full creative potential. While there’s probably one core type that best describes you, you may change types at different points in your life and career, or even at different stages of the creative process. As a creative, you have a little bit of all eight Types inside you.”

Click or cut and paste the links:

Creative Types Test
https://mycreativetype.com/share/producer/?fbclid=IwAR2VZtjJ3U3MMYLNxyioJ6vQGX_ocWTLex5wD4Kw3iCVfZAU7M3aT59LyIQ

About the Team
https://mycreativetype.com/about/

Eight Creative Types
https://mycreativetype.com/the-creative-types/

Visionary Creative Types Test 2019 04 — ‘The Maker’ Creative from Adobe Types Test

The slick visuals are not completely computer generated because if you look closely you can see the human touches. Kind of endearing. Try it!

♥ Gretchen Bernet-Ward

Three Things #1

One post with three headings READING, LOOKING, THINKING an idea started by Book Jotter, innovative blogger Paula Bardell-Hedley. Her invitation to participate offers a slight change from ‘Thinking’ to ‘Doing’ if that suits your purpose but I’m sticking with the first format. Also, I am restricting myself to around 200 wordcount per heading. I can love, like or loathe in three short bursts!

READING: Let’s not pretend we always read high calibre books like Booker Prize winners and heady non-fiction tomes, most people like a bit of lowbrow stuff to pass the time without stretching the brain too much.

This is why I love reading ebooks on my iPad, so accessible via OverDrive, and so many back numbers that it’s easy to binge on a writer’s complete oeuvre. At the moment my guilty pleasure, no, rephrase that, my escapism is prolific British author Simon Brett and his Fethering Mysteries series. A cross between Agatha Raisin, Miss Marple and cosy crime books featuring ‘mature’ women, Brett has created retiree Carole Seddon and her neighbour Jude, a healer, who live in an English seaside village which thrives on gossip and, you guessed it, murder. Amateur sleuths Carole and Jude manage to solve crimes without external help, e.g. police, by persistence and sheer nosiness. Exploits often revolve around fragmented marital relationships. The first book I read was “Bones Under The Beach Hut”, coincidentally while I was on a beach holiday, and have enjoyed the consistency of the characters ever since, although some plots are more gripping than others. Apart from Fethering series, Simon Brett has also written the Charles Paris, Mrs Pargeter, and Blotto & Twinks series of crime novels. GBW.

LOOKING: My movie review of the HBO television version of Liane Moriarty’s “Big Little Lies” could be filled with vitriol but I’ll rein it in.

How did it go so wrong? Why base the story on a best-selling book if you aren’t even going to try to recreate the ambience? I was one of the first to read and review the novel “Big Little Lies” by Liane Moriarty (before I became a blogger) and I knew it was a winner. Modern, edgy, clever, the plot was enhanced by social media comments from witnesses, police, etc, which obviously didn’t translate to the screen. In the turgid, overblown DVD 3-disc version, which thankfully I borrowed free from the library, the school-obsessed mothers were rich, pampered, spoilt like their children and their husbands were just as bad. I could not relate, nor feel any sympathy for the movie characters although they were portrayed by big-name actors. I can’t even begin to write about the weak build up and even weaker ending. Moriarty’s name does not get credited on the DVD case and the words ‘based on’ is unreasonable. In my view, the book is brilliant and regrettably I think anybody who has seen the HBO depiction will have a tainted view of the genuine meaning. GBW.

THINKING: Dog eats possum in suburban backyard. No, not a newspaper headline, something which happened in my quiet, sober suburban street two days ago.

For a start, there are three dogs which is against Council bylaws and one of them has just birthed ‘accidental’ puppies. They are territorial so they bark at anything that moves, people walking, kids on bikes, and possums. Possums are a fact of life in my suburb, we have possum-proofed our house. On a moonlit night they will pound across the roof, jumping from tree to tree, house to house in search of food. I won’t go into the habits of possums, the main thought I can’t get out of my head is my neighbour calmly telling me the mother dog caught and ate a possum. Horribly, I had heard the commotion, the desperate squealing, so my fears were confirmed. The said neighbour let this happen because it was ‘good nourishment’ for the lactating dog. Suburban possums are full of parasites, the least of which is worms. That dog has now given those worms to her puppies. I’m not squeamish, I understand how the animal world survives but that’s in the countryside, not a suburban block where owners need to conform and dogs need to be domesticated. GBW.

POSTSCRIPT: Every Saturday I change my Home page Photo Of The Week.
Join in with your Three Things––for more information here’s the link:
https://bookjotter.com/category/three-things/

♥ Gretchen Bernet-Ward

Monica McInerney’s Writing Regimen

Monica McInerney Bookcover 02

An interview extract on the writing regimen of Monica McInerney, best-selling Australian-born, Dublin-based author of twelve novels, Monica was voted into the top ten of Booktopia’s “Australia’s Favourite Novelist” poll 2014, 2016 and 2018.

The following quote is from Books+Publishing Q&A and Monica mentions two of her earlier novels which I can highly recommend:

Q: Could you describe your approach to writing and your working regimen?

A: “I spend about six months plotting in my head before I sit at the computer and start writing. There’s usually an overlap between my books. I had the idea for ‘At Home with the Templetons’ about three months before I finished ‘Those Faraday Girls’. Similarly, I had the idea for what will be my next book halfway through writing the ‘Templetons’.

I aim for 2,000 words a day minimum in the early stages of writing, getting very attached to the word-count button. A day always comes when the word count is irrelevant, when all I want to do is be at the desk writing.

The final six months are usually seven days a week. I edit as I write, and also show the manuscript to two people in the early stages, my husband, who is a journalist, and my younger sister, who is an editor. I completely trust their feedback, and their encouragement keeps me on track until the manuscript is as polished as I can make it before sending it to my publishers. I also love deadlines. They terrify me into finishing.”

Monica McInerney Author

Author http://www.monicamcinerney.com/
Interview Books+Publishing https://www.booksandpublishing.com.au/
Booktopia https://www.booktopia.com.au/

Synopsis of Monica McInerney’s latest novel ‘The Trip of a Lifetime’

“I always thought memories were unchangeable. Set in stone, shaped by the years. But there are always others too, ones you haven’t let yourself remember ...”
The wilful and eccentric Lola Quinlan is off on the trip of a lifetime, taking her beloved granddaughter and great-granddaughter with her.  More than sixty years after emigrating to Australia, she’s keeping a secret promise to return to her Irish homeland.  But as she embarks on her journey, the flamboyant Lola is still hiding the hurtful reasons she left Ireland in the first place. What – and who – will be waiting for her on the other side of the world?