My Short Story Rejections

Most writers at some time or another, usually early in their literary career, enter a writing competition. It gives you a reason to write when you think you have lost the plot. There is exposure and the bonus of possibly getting a monetary reward. Occasionally there are the perks of receiving feedback from the judges and maybe your work appearing on the relevant website. Not all writing competitions do this, especially if they specify a word/theme which is only used as a one-off with no ongoing relevancy other than it being a writing exercise to aid your creative thinking.

Never put your name on the actual story, write it on the submission form. If A4 size paper is requested (e.g. Word.doc, email attachment, PDF) – if font is requested – if the line spacing is requested – if any other requirements are requested please do it for best results. Another necessary thing you must do is wordcount. Absolutely stick to the specified wordcount. This does not guarantee you will win but it will leave a good impression.

Okay, I know you may have already entered some writing competitions, and perhaps none of this is new to you, but that should not stop you from fully reading the competition rules and guidelines and sticking with them. Be aware that there may be an entry fee for some of the bigger writing challenges. Usually if you are a member of a local writers group you can enter free. Note, I have never been given money as a prize and once a story is published is cannot be used again in competitions.

If you are reading this far, I have included two of my most recent short stories (below) which were written for two key-words supplied by a writers centre prompt. ‘Fragment’ and my piece is titled ‘Rocky Horror.’ Allow me to offer a critique and say the winning entry for ‘Fragment’ was predictably sentimental. The prompt and title for my second tale is ‘One Room Story’.
Anyway, my two stories are short, both are well within the 500 wordcount limit and as you can see they are different styles. Although rejected I did have a sense of achievement writing them. So don’t fall into that Well of Lost Plots.
Great book title, thanks Jasper!

——ROCKY HORROR——
By Gretchen Bernet-Ward 2025
The pavement fractured under her feet and fissures formed. A fragment of rock flew down from a dark sky then bounced back up. Annie fled for the house – fast.
Felicia sniffed, her author brain unimpressed.
“Too much alliteration,” she reasoned, and ducked a meteorite as Annie reached out for the front door handle. The molten mass smashed a jagged hole straight through the door and landed on Annie’s new carpet. It choked the air with sulphurous intent, which caused Annie to wail uncontrollably.
Felicia glanced upward. “That’s not rain.”
Sharp shards showered down onto the rooftop shingles. She held grave fears for their resilience under the rapid assault.
“Cut it out,” she yelled in her head. It stopped.
Now feeling foolish and faintly ridiculous, she quickly wrote down fragments of what had just happened as another gritty fissure crackled towards the house. It wasn’t looking good, she still had an imagination too wild for pre-school books.
Annie shrieked “Help me, please!” a fraction too late as Felicia swiftly drew a thick black line across the previous paragraph.
The workshop lecturer looked up and raised an elegant eyebrow.
“Having trouble with this exercise?” she asked.
Unnoticed by group members, a light sprinkle of insect-like shale bounced and pinged off her neatly groomed head.
“No, no,” replied Felicia, “just trying to control my fractured thoughts.”
She smoothed her notepaper as a resurrected Annie tipped over a metal bin, sending granite boulders rolling silently across the meeting room floor towards the unsuspecting lecturer.
“Actually,” Felicia mused, “I seem to have hit a rocky patch.”

——ONE ROOM STORY——
By Gretchen-Bernet Ward 2025
The waiting room chair had a cracked leather seat which pressed through her summer dress like a blunt knife. She tried to move slightly, knowing mother would hiss, do not fidget. Maybe her button-up shoes could reach the floor, maybe that would ease the pressure on her insides. Heels swung, mother glared.
Only two other people sat in the doctor’s waiting room, the nurse at a desk and an old man with wire-framed spectacles who breathed in and out like a faulty balloon.
Why was she here? It hadn’t been said at breakfast, only that she would miss school for the morning. Like a gift given and snatched away, her stomach churned with what might be waiting for her behind that big brown polished door with its fancy gold lettering. That slow, slow rotation of the brass door knob. She hoped the old man would live long enough to go through first.
The front sash window was slightly ajar but didn’t allow for an escape.
An idea, perhaps she could bolt out the front door while everyone was looking at the surgery door?
No, her mother was fast, even catching squawking hens. 
Glancing around she studied the glass fronted cabinet beside the nurse’s desk. Medicine in small bottles made of brown glass with paper labels and cork stoppers. Bill Beans Laxatives also in their family medicine chest. Saltrates, Alkia, Nitrate of Amyl and her grandmother’s stomach powder. Like medicine daddy gave her at night.
Her body shivered. Time to move. She slid and jumped, the seat tore at her dress.
A black and white tiled dash to the front door but the shiny door handle was unyielding. She tugged hard, memories rose, she whimpered as mother pulled her back.
The nurse steered her to the uncomfortable seat, not to worry, the doctor was a nice man. She remembered daddy had whispered, be good. A special treat tonight.
A quick glance, the hem of her dress torn, she felt bad as her mother quietly wept.

Now it’s your turn to start plotting! Write something wild about the Blue Geese photograph. Or follow through and blog your own prompt and short story. I promise not to critique them. Send me a link to your latest short story and I will post your link below where I have mentioned *Ekphrastic Writing. Whether it be writing or frantically editing to meet a deadline, make something great from those 26 letters of the English alphabet.
You know you can!
📚 Gretchen Bernet-Ward 2025

BLUE GEESE Community Arts project by STREET ART MURALS on Green Hill Reservoir Brisbane Australia https://www.australiansiloarttrail.com/green-hill-reservoir
© image Gretchen Bernet-Ward 2021
Don’t forget to look at my Photo of the Week every Saturday on my home page.

STOP THE PRESS: This information may be of interest!
AUSTRALIAN WRITERS’ RESOURCE
https://www.austwriters.com/competitions
A seriously long list of writing competitions around the world!

The AWR has sourced information from other websites
and no assurance can be given as to its current accuracy.

*Ekphrastic writing is a literary description of a work of art
such as a painting, sculpture, or performance
BUT IT CAN BE USED FOR EVERYDAY ITEMS within a story.

Does Try Try Again Really Work?

Home baked Vanilla Cupcakes waiting for vanilla icing. Recipe ingredients are 2 3/4 cups plain flour, 2 tsp baking powder, 200g unsalted butter softened, 1 3/4 cups caster sugar, 4 eggs, 1 tsp vanilla extract, 1 cup milk. Preheat oven to 170C and line two muffin trays with cupcake papers.
Food by Dot Bernet © Photographs Gretchen Bernet-Ward 2025
See website for Vanilla Buttercream icing:
https://www.bestrecipes.com.au/recipe/vanilla-cupcakes-L6950.html

A wonderful children’s author I have known for some time, Cate Whittle, posted on her Substack page about success and failure and trying again. A cooking failure was turned around and she will experiment further to refine her recipe.
Read here: https://catewhittle.substack.com/p/having-your-cake

Home baked Red Velvet Cupcake with White Chocolate Icing. Food by Dot Bernet © Photographs Gretchen Bernet-Ward 2025

My reply to Cate was prompted by a happy memory and perhaps an old lesson people could use more often. ‘If at first you don’t succeed, try, try, again.‘ Here is what I wrote on Cate’s July Substack page:

“Lovely, just what I needed to read with my cuppa! Your warming newsletter brought back some lovely memories of my daughter’s first foray into cooking. Initially, her first attempts were not that good and one particular dish was a disaster. I said ‘Oh well, let’s try it again and see what happens‘ and fortunately it worked. She is now an excellent cook and will try most recipes including exotic international dishes which are beyond me. We keep a photo file of my daughter’s greatest triumphs. Recently she told me that ‘Let’s try it again‘ day was a pivotal moment for her cooking skills.

Looking forward to another version of your tea cake, Cate!”
Follow Cate’s literary life ‘A Cuppa With Cate’
Substack https://catewhittle.substack.com/

Happy cooking (and eating!)

💗 © Gretchen Bernet-Ward 2025

Food choice by Dot Bernet. Mandarin from our tree. Bread home-baked © Photographs Gretchen Bernet-Ward 2025
‘Happy 6th WordPress Blogaversary Cake’ First attempt Battenberg Cake by Dot Bernet © image Gretchen Bernet-Ward 2023
https://thoughtsbecomewords.com/2023/09/14/review-starberries-and-kee-cate-whittle/
https://catewhittle.substack.com/p/my-books
(1) Strawberries from greengrocer (2) Side Salad by Dot Bernet © Photographs Gretchen Bernet-Ward 2025

Private Posts and Ekphrastic Writing

Every so often I do a bit of housekeeping on my blog and tidy up the way I have misused a word or left a word out or rearranged a word or… well, you get the idea, it was a cold day and I had nothing better to do. Anyhow, I found this interesting bit of info in my stats folder:

All Posts (626) 
Published (617) 
Drafts (2)
Private (7)

What’s that discrepancy after ‘All Posts’ and ‘Published’?
I thought I had published all my blog posts!
However, there is a nine-post limbo.

Drafts (2) is understandable, but Private (7)!
I don’t even remember them or what they could possibly contain. Am I bold enough to check? Do I really want to know? Should I just delete them and forget about it?

Ironically I did a blog post about Richard Flanagan’s book ‘Question 7https://thoughtsbecomewords.com/2025/05/10/do-you-know-this-author/

Well, seeing as I am one of life’s hoarders, I am just going to ignore those mysteriously private posts and let them languish there for all eternity. Well, until I get too curious. Maybe I can use one of them next week…

Meanwhile, here is a not-so-private observation about my session at MoB (Museum of Brisbane) Ekphrastic Art Writing session at City Hall. I arrived late due to a public rally, hundreds of protesters calling for justice over the death of Aboriginal man Kuminjayi White while in custody. Fair enough. I slid open the door at MoB and joined a small group of people with pen and paper. Before undertaking the art of Ekphrasis we had visual prompts and some brief writing exercises before heading out into the beguiling gallery to find beautiful treasures old and new to write about in a lucid fashion, arty or otherwise.

Museum of Brisbane is a social history museum and art gallery in Brisbane, Queensland.
Located on Level 3, City Hall, MoB brings our city’s vibrant art, culture and history to life through exhibitions, events, workshops, tours, and MoB Kids activities.

https://www.museumofbrisbane.com.au/

Perversely, I detoured the beautiful/historic artworks, paintings and ceramics to admire the hand-printed posters for local music gigs in Brisbane in the 1970s. Destined for shop windows, brick walls and lamp posts, these raw, colourful and imaginative posters were only glanced at or pulled down, but now are surviving icons of a once vibrant and thriving local music scene. The posters fill a wall in the Museum but my eyes were lured by the Medicine Cabinet of brown, dusty bottles, peeling labels and gruesome details of the contents. Here is what I wrote in a quick attempt to understand a different side to Ekphrastic writing:

‘The Medicine Cabinet’
Pills, potions, powders and poisons. Frowning at me from the past, the names on the small yet ominous corked brown glass bottles and rusty tins with their peeling, discoloured paper labels were enough to make me shudder. Poulticine, good for pneumonia, pleurisy, tonsillitis, abscess, etc, with side effects. ‘Stomach Powder’, ‘Opium’, Bill Beans Laxatives, Alkia, Saltrates, all aimed at curing sufferers ills and chills. Surely Nitrate of Amyl Capsules would do more harm than good? Then there’s the ominous thin brown-ribbed bottle labelled ‘Thyroid/Ovarian’ treatment. I hope patients recovered regardless of the treatment but more often than not the old saying was invoked ‘Kill or cure’ with fingers crossed. There is perhaps beauty in knowing that modern medicines are more likely to save lives.

Wishing you a healthy life and insightful Ekphrasis!

💗 © 2025 Gretchen Bernet-Ward

Ekphrastic writing or poetry is a vivid description of a scene or work of art using active narration and reflection. Inspired by Alice in Wonderland © image Gretchen Bernet-Ward 2021

‘Character Creation Intensive’ Jen Storer Flash Sale

Hi Everyone,

That flash sale I was telling you about, well, Jen says it’s on it’s way! Here are her details:

Cart opens this Friday, 10 January 2025. For three days only.



•Instant access! Jen says no faffing about waiting for module deliveries. You can hop in and get busy straight away.

•Full access for lifetime of the course. No more to pay. EVER! Once you have it, it’s YOURS.

•Eleven jam-packed video lessons including revelations, insights and innovative exercises. (Plus Jen’s support videos to motivate you and keep you on track).

The Character Creation Intensive looks at:

*Romancing the Story (A brilliant exercise to get you writing and keep you writing).

*Show Don’t Tell (Jen goes hard with this one! TWO sessions).

*Ghosts (Not the paranormal kind but the kind every main character needs!).

*Symbols and Props.

*Secondary Characters (Again, Jen goes hard here. TWO sessions with Beware slapped on them! That’s how important secondary characters are. She sees countless emerging authors slip on this banana).

*Alternative, fun and powerful approaches to character creation and story writing (‘Tried and true, Jen says, I use these methods myself’).

*Downloadable PDF course notes (always handy for a printout).


Aim to start the New Year 2025 with a spring in your step. Learn to create characters (and stories) your readers will NOT forget!
Click Jen’s Character Creation Intensive Flash Sale

Cart opens: Friday 10 January, 7am
Cart closes: Sunday 12 January, 10pm

Character Creation Intensive, Flash Sale! Only $67 AUD (Normally $167).

Love 
Jen xo
Girl and Duck creative writing | creative life.


PS: Writers of adult fiction are warmly invited by Jen to grab this intensive, too. It’s for all creative writers not only kidlit authors! 💗 Gretchen Bernet-Ward 2025

Quick Picks for New Year 2025

Best New Year Ever 2025 © art Gretchen Bernet-Ward 2024

Watch some hilarious television, a good place to start 2025.

Fisk is an Australian television comedy series
on ABC Television

So what if your lips move while you read or you listen to an audio book. In 2025 read all you can and talk about it afterwards.
Sherwood Arboretum Brisbane volunteer workers preserving the future. Photograph courtesy of Sherwood Arboretum Committee 2024. Get active in 2025!

Exercise followed by quiet contemplation does wonders for your brain and your inner self.

Charles Allston Collins masterpiece titled ‘Convent Thoughts’ circa 1851 held by Ashmolean Museum, Oxford. Charles Allston Collins (1828-1873) was a British painter, writer and illustrator associated with the Pre-Raphaelite era.

A good nap also works wonders!

Live demonstration of a cat nap © image Gretchen Bernet-Ward 2024

And never ever pass up the opportunity for a sweet treat.

Dot’s home-baked Red Velvet Cupcake with White Chocolate Icing © image Gretchen Bernet-Ward 2024

The last word comes from the farm…

Jasper’s advice © image Dot Bernet 2024

Wishing you the happiest and safest of New Years 2025
and keep writing! 💗 Gretchen Bernet-Ward

Top Ten Reader On Goodreads!

Totally surprised by this information from Goodreads. Yes, I do read a lot but when I saw it all laid out like this, well, it was a pleasant shock to read the stats.

I did not realised that I had read such a varied collection of good books over one year. Perhaps many other Goodreaders were sent a similar result? Maybe we should form our own book group? Either way it is nice to think the algorithms ‘liked’ me enough to let me know.

In the back of my mind I am torn between being happy and being dubious about having my reading habits logged so meticulously when only a handful of books were absolute standouts for me. Only a few are loved unconditionally!

Gretchen Quote: ‘Books are the Three E’s, Entertainment, Education and Enlightenment.’

💗 Gretchen Bernet-Ward 2024

Read, write, follow me and world-wide Goodreaders:
Website https://www.goodreads.com/

Old Blocksidge Poem on Frosty Morning

Sunrise on a frosty May morning © image Gretchen Bernet-Ward 2024

This 1908 poem extract from William Blocksidge captures the mood.

“And, interspersed among the spangled sheen,
Looks out in differing shades the darkened green—
A background whereupon, in outline bold,
Stands the rich mintage, silver mixed with gold.”

I have quoted a small part of a poem from ‘Songs of the South’ 1908 titled ‘Brisbane’ by William Blocksidge (aka William Baylebridge) courtesy of The Institute of Australian Culture. 

For all its floridness, this poem is quite cutting and the topics are quite revealing. Our modern sensibilities tend to forget the trials and trauma of establishing a town in a new land. Not to mention the brutality towards convict labour and the rightful Indigenous population. Interestingly this is the year the Victorian Government passed the Adult Suffrage Bill 1908 granting female suffrage for the first time. Women’s suffrage is the right of women to vote in elections. Australia was the first nation in the world to grant women these dual rights.

For those keenly interested in the entire version of this past century’s rather long yet insightful poem from a man whose real estate family is well-known in Brisbane, Queensland, below is a copy from AIC for your reading pleasure. Strong billy tea is recommended with damper and golden syrup if you have it handy.

One shilling is now 10 cents

‘Brisbane’ poem by William Blocksidge also known as William Baylebridge, was published in Songs o’ the South (1908)

Brisbane

Brisbane, thou art a city of the sun,
A forest queen, a sea-nymph, joined in one!
Here Summer loves to spin her lengthened rule,
While Winter’s care is but the earth to cool;
Here golden wealth, from many a distant plain,
Is piled in ships, to swim the billowy main —
Here Commerce floods the tides, and minions toil
To prove the measure of her mounting spoil!

How often, perched above the hilly bounds
That wrap thee as a nest its brood surrounds,
Wooing the wind that bears the ocean’s breath,
And many a tale to such as listeneth —
How often have I lovingly surveyed
The scene before my wondering gaze displayed —
The lengthening spires, that point the lofty way
While yet the soul is idling in its clay;
The spacious pile that lifts its stately head;
The winding river, to its lover wed;
The hills that rise above to kiss the sky;
The valleys that within their shadows lie;
The shipping crowding on the silver stream;
The living threads that through the mazes teem!

And when soft Night, in sable vestment gown’d,
Has wrapped her stole thy tranquil form around,
’Tis then, in panoramic splendour viewed,
Thou’d be by fond Imagination wooed;
For then, fair Brisbane, when thy fading bowers,
Tipped with their beacons, turn to fairy towers,
Thy beauty scorns the bounds of words, for dumb
Are these, and ’neath the burden soon succumb!
Now myriad lamps, upon its margin’s crest,
With gleaming pennons light the river’s breast;
And where the city’s constellation lies
The glimmering haze ascends to gild the skies.
The villas blazing on the craggy hills
Augment the golden flood the night that fills;
The bridge displays, above the Garden Bend,
Its fiery lines, that in the cluster blend.

And, interspersed among the spangled sheen,
Looks out in differing shades the darkened green —
A background whereupon, in outline bold,
Stands the rich mintage, silver mixed with gold.
Now sound (for Night has giv’n the magic key)
The pregnant chords of heavenly harmony;
And softly floats across, in mingling rhyme,
The mellowing cadence of the pealing chime —
Such tones as wake the soul’s celestial lyre
When pensive memories the theme inspire;
And, each with each in concord blending true,
With holy rapture flood the heart anew.

Ah, was it but a century ago
When thou did’st in the womb of earth lie low,
And yet unborn to bear the shame of men,
And, rising, throw the burden off again? —
When down the hollow gale, that trembling fled,
At dusk and dawn, the wailing for the dead
In eerie numbers woke the echoes weird,
Till, floating down the vale, it disappeared?
And was it where those stately buildings stand,
Where lofty Art displays her lavish hand,
That plenteous game before the huntsmen sped?
Or down the maze the dusky dancer led?
That round the turrwan, with his magic stone,
The sick revived by simple faith alone;
Or, failing this, full-toothsome morsels made
To tempt their brothers to the festal shade?

Ah, yes, those primal scenes, with plenty crown’d,
Made all the wooded valley hallowed ground,
Till came the time — ill-omened, true, for them —
When, first by truce and then by stratagem,
The settlement unfolded in the vale,
’Neath Logan’s iron rule to fret and quail!

What curses now the trembling wretches spend
As ’neath the blows their bleeding bodies bend —
As, shackled to the rude triangle’s lines,
The gory flood th’ adjoining ground defines!
I seem to hear again the clanking chain,
The creaking treadmill grinding small the grain;
And see the convict turn the stubborn clod,
Or, ’neath the pine, the sluggard bear the rod.

But why dilate? Those cruel days are done:
Time’s ceaseless round has blotted every one:
A fairer scene now meets the favoured eye —
Thou, smiling city, ’neath my gaze dost lie.
What though land-hungry Gipps thought passing fit
To cripple where he lacked improving wit!
Among the first of Austral fair will stand
The one disfigured by his vandal hand!

And while the ages roll their waning round,
Till earth’s but mortal mould the shades confound,
May Plenty’s best thine every call attend,
And smiling Peace her priceless treasure lend!
May noble sons thy benison e’er bless,
And daughters fair thy tender claims confess;
And thus may every tongue conspire to name
Thee and thine offspring heirs to Honour’s fame!

By William Blocksidge (1887-1942)

Further reading: Selected poems, by William Blocksidge (Baylebridge, William) 1887-1942, Songs o’ the South, London: Watts, 1908 pp.60-62.
Also https://www.britannica.com/topic/Songs-o-the-South
Wikipedia https://en.wikipedia.org/wiki/William_Baylebridge

Hope you made it this far.
William touched on a nerve, quite the fascinating poet.
Gretchen Bernet-Ward 2024

The Turrbal and Yuggera peoples have lived in the Brisbane area for more than 32,000 years and their ancestors go back more than 60,000 years. The Turrbal and Jagera people speak Yuggera and their name for Brisbane is Meanjin.
Written on Sunday 26th May 2024
National Sorry Day

https://www.turrbal.com.au/our-story
‘Progress’ Photographed in archives at University of Queensland Fryer Library 2019

That Special Book Shelf

My small selection of How To Write books from various decades.

Interestingly the most handled judging by its spine is ‘Writing For Pleasure And Profit’ by Michael Legat 1992 (published Robert Hale Ltd London) with a foreword by P D James.

Chapter One says “…the obvious practical necessities for writing are pencil, pen, paper, typewriter, or get a typewriter friend to transcribe your work for you. Or have it professionally typed.” Legat used a word processor and called it a magic machine. Times have changed. Has creativity?

The book ‘Writing Down The Bones’ by Natalie Goldberg generated the most interest when I purchased it at a book fair. School’s out on this approach. In my opinion it depends on the genre.

Of course, all these books are senior citizens now, mainly due to the electronic era and the whole world on our phones. I cannot find my Stephen King ‘On Writing’ and I gave away my hardcopy of Julia Cameron’s perennial ‘The Artists Way’ but she is now live online https://juliacameronlive.com/the-artists-way/ However, I did find ‘See Me Jump: 20 things I’ve learned about writing books for children’ by the inimitable Jen Storer who has hundreds more tips now!

Books, hand-written, keyboard, paper drafts, online, speech-to-text, any format writing is writing and you just have to keep at it.

 Gretchen Bernet-Ward

© images Gretchen Bernet-Ward 2023

MY LIST:

Books on writing:
‘How to Write History that People Want to Read’ by Ann Curthoys & Ann McGrath
‘The Writer’s Guide’ by Irina Dunn
‘How to be a Successful Housewife Writer’ by Elaine Fantle Shimberg
‘Weasel Words’ by Don Watson
‘Writing for Pleasure and Profit’ by Michael Legat
‘The Maeve Binchy Writers’ Club’ by Maeve Binchy
‘Writing Down the Bones’ by Natalie Goldberg
‘The Stage Manager’s Handbook’ by Bert Gruver & Frank Hamilton
‘Why We Write’ edited by Meredith Maran (20 acclaimed authors advice)
‘Picador New Writing’ edited by Helen Daniel and Drusilla Modjeska
General inspiration:
‘The Works’ by Pam Ayres
‘See Me Jump’ by Jen Storer
‘Playing Beatie Bow’ by Ruth Park
‘Short Story Favourites’ edited by Walter McVitty
‘The Animals in That Country’ by Laura Jean McKay (shown below, adult concepts, indigenous animals not included with book)

Knowledge and Wisdom

Image © Gretchen Bernet-Ward 2022

Alfred, Lord Tennyson, in full Alfred Tennyson, 1st Baron Tennyson of Aldworth and Freshwater (born 6 August, 1809, Somersby, Lincolnshire, England — died 6 October, 1892, Aldworth, Surrey) an English poet often regarded as the chief representative of the Victorian age in poetry. He was raised to the peerage in 1884.

Source https://www.britannica.com/biography/Alfred-Lord-Tennyson