Poetry Journey of Kate O’Neil

The personal experiences of poet Kate O’Neil offer a diverse and interesting look into the creative world of poetry.

After chatting to Kate over our shared memories of the old poem ‘Wynken, Blynken and Nod’ she kindly showed me her ‘waking up’ version (excerpt below) which fits beautifully with the original. Kate then agreed to answer some tricky questions for me and her responses are both thoughtful and revealing.

Welcome, Kate!

Thank you so much for your time.
My favourite poem of yours is short and sweet; ‘Paragliders Bald Hill Lookout’ invokes in my mind’s eye vivid colour, movement and summer days at the beach.
Talking of short and sweet, I recall asking you which would you choose ‘Lollipop or Cake?’ and you immediately said ‘Cake’, supplying a recipe with almonds smothered on top. I can identify with that!
I had read your work on Australian Children’s Poetry under Kate O’Neil and recently discovered your real name is Dianne Cook. You explain why in our Q&A, and give readers a peek behind the scenes of your poetry life.

Okay, let’s get those thoughts into words…

What highlights stand out in your poetry journey?

I’ve been hanging out with poetry for most of my life, so there have been lots of decades for highlights to happen in.

Highlights of poetry reading still happen with amazing frequency. They began when I first realised what magical particles words and sounds are, and what selection, arrangement, combination – even omission, can play in shaping and delivering meaning. There were the ‘greats’ I studied at school – some fantastic stuff there, and I’ve stored many riches from them. But the thing is – poetry keeps on coming. There are poets all over the world publishing collections, submitting to competitions and anthologies and magazines – and sharing a way of seeing. Some poems have knocked me flat, left me breathless. Some have lifted me to heaven; it’s a great ride.

There have been highlights of poetry writing, too. For years the only public airing of my poems was in eisteddfod performances by drama students for whom I had written them (but who did not know this – hence my use of a pen-name). There have been lovely moments hearing something performed well.

A major ‘highlight’ was having my submission to the inaugural (and only) Manchester Writing for Children prize short-listed. This competition was set up by Poet Laureate Carol Ann Duffy’s team at Manchester Uni.

There have been some wonderful outcomes from this. These poems were published in ‘Let in the Stars’, the competition anthology, and one of them has since been chosen for inclusion by Roger McGough in his anthology ‘Happy Poems’. AND I have kept in touch with several other poets in the book. I love the book. I love so many of the poems in it, and the illustrations (by Manchester art students) are wonderful.

Since then I’ve made successful submissions to several magazines and anthologies – for adults and children. See ‘Cool Poems’ information further down. And I keep on submitting – (loads of rejections, of course).

Kate O'Neil Bookcovers 2019 — See OOPS! at the end of Q&A for more book details.

Is there a significant thread through your creativity?

I would say not. If anyone ever notices one I‘d like to be told. At the Manchester Prize event, Mandy Coe (one of the judges) commented that I write in a variety of voices / styles. She suggested it might be the influence of drama teaching. I don’t know if that was praise or not. Aren’t we writers meant to ‘find our voice’?

What challenges do you face when beginning a poem?

Nothing like the challenges of finishing it. If a beginning (or middle) pops into my head at an inconvenient moment, I fear it will vanish if I don’t get it down on paper or in the notes on my phone. This makes my amount of ‘screen time’ look dangerous.

Are you inspired or influenced by another poet?

Inevitably, and I could never know how many. I’ve done some online workshops recently with UK poet Wendy Pratt, whose work I admire. She, and others in the group, have helped me tighten my writing. Lots of deleting went on.

Can you name just one of your favourite poems?

James Carter UK Children's Poet — James Carter UK Children’s Poet

You are asking this of someone whose word files are loaded with favourites! If they are in the cloud, it will rain my favourite poems one day. What if I narrow this to ‘favourite poem for children’? Or better still, ‘favourite concrete / shape poem for children’? I can do that. It’s ‘The Moon Speaks!’ by James Carter. It’s on his website:

http://www.jamescarterpoet.co.uk/poems.html

What is your definition of a successful poem?

This is getting difficult. There are so many ways in which a poem can succeed (or fail). I think I’d rate a poem’s success (for me) by the state I’m in after reading it.

How did you feel about poetry when growing up?

I’ve probably answered this in the first question. I had no discrimination, but anything with rhyme, rhythm, sound patterns, imagery caught my attention. Hymns, advertising jingles, greeting cards, bush ballads…

Do you draw on your own childhood memories?

Yes, at times, but much of that grist is still very much in the mill.

Kate O'Neil Poetry Cool Poems 04 — Excerpt from Kate O’Neil verse expanding on the traditional children’s poem.

Have you experienced an awkward poetry moment?

Mostly private ones. (‘What? Did I really write that?’)

Are you a day dreamer or do you plan significant goals?

Genetically inclined to dreaming, but I try to impose goals to counter this. (Hence the Wendy Pratt courses which involved writing on a prompt a day for four of the past six months).

Can you give us a hint about your work-in-progress?

‘Progress’ plays tricks on me? I have drafts of picture books, a chapter book, jottings for poems – ALL OVER THE SHOP! Sometimes something gets finished, usually unexpectedly, usually when I think I am working on something else – and I send it somewhere. Results are mixed. This morning, for instance, I learned I have TWO poems long-listed in a comp (adult) and they will be published in an anthology. Last week I sent off a poem I quite liked to The School Magazine just before I left for Sydney. By the time I got there it had been rejected.

Do you have some guiding words for emerging poets?

I think it better to share another poet’s words that have guided me. The main one is READ.

Jo Bell quote: “If there is one thing I want you to take from this book, it is this: Nobody writes good poetry without reading good poetry. Those who don’t take this seriously invariably write cliched, derivative and unoriginal work – just what we all want to avoid – because they aren’t aware of the context in which they are writing.”

‘52: A Year of Poetry Writing Prompts’ p11. Jo Bell Nine Arches Press 2015

OOPS! I haven’t mentioned the publication last year of my ‘Cool Poems’. This was a major highlight! The book belongs in a series published by Triple D Press, Wagga Wagga NSW. It was a nail-biting thing to have a book which would sit alongside collections by Australians Bill Scott, Anne Bell, Colin Thiele, Christobel Mattingley and Max Fatchen. Many thanks to Zita Denholm (Triple D) and Christina Booth (illustrator) for helping it happen.

Di Bates, editor of Buzz Words Magazine, wrote a lovely review on 23 December 2018 ‘Buzz Words: Cool Poems’.

The book ‘Cool Poems’ can be ordered through my website www.kateoneil.com.au or by messaging me through Facebook.

Front-Cover-for-web — ‘Cool Poems’ The Kate O’Neil Reciter, illustrations Christina Booth, publisher Triple D Books.

Thank you, Kate!

It has been delightful making your acquaintance and learning more about the workings behind your poetry. I look forward to reading many more of your beautiful poems. ♥ Gretchen Bernet-Ward

Monica McInerney’s Writing Regimen

Monica McInerney Bookcover 02

An interview extract on the writing regimen of Monica McInerney, best-selling Australian-born, Dublin-based author of twelve novels, Monica was voted into the top ten of Booktopia’s “Australia’s Favourite Novelist” poll 2014, 2016 and 2018.

The following quote is from Books+Publishing Q&A and Monica mentions two of her earlier novels which I can highly recommend:

Q: Could you describe your approach to writing and your working regimen?

A: “I spend about six months plotting in my head before I sit at the computer and start writing. There’s usually an overlap between my books. I had the idea for ‘At Home with the Templetons’ about three months before I finished ‘Those Faraday Girls’. Similarly, I had the idea for what will be my next book halfway through writing the ‘Templetons’.

I aim for 2,000 words a day minimum in the early stages of writing, getting very attached to the word-count button. A day always comes when the word count is irrelevant, when all I want to do is be at the desk writing.

The final six months are usually seven days a week. I edit as I write, and also show the manuscript to two people in the early stages, my husband, who is a journalist, and my younger sister, who is an editor. I completely trust their feedback, and their encouragement keeps me on track until the manuscript is as polished as I can make it before sending it to my publishers. I also love deadlines. They terrify me into finishing.”

Monica McInerney Author

Author http://www.monicamcinerney.com/
Interview Books+Publishing https://www.booksandpublishing.com.au/
Booktopia https://www.booktopia.com.au/

Synopsis of Monica McInerney’s latest novel ‘The Trip of a Lifetime’

“I always thought memories were unchangeable. Set in stone, shaped by the years. But there are always others too, ones you haven’t let yourself remember ...”
The wilful and eccentric Lola Quinlan is off on the trip of a lifetime, taking her beloved granddaughter and great-granddaughter with her.  More than sixty years after emigrating to Australia, she’s keeping a secret promise to return to her Irish homeland.  But as she embarks on her journey, the flamboyant Lola is still hiding the hurtful reasons she left Ireland in the first place. What – and who – will be waiting for her on the other side of the world?

Books by Monica McInerney:

The Trip of a Lifetime
Hello from the Gillespies
The House of Memories
Lola’s Secret
At Home with the Templetons
All Together Now
Those Faraday Girls
Family Baggage
Alphabet Sisters
Spin the Bottle
Upside Down Inside Out
A Taste For It

♥ Gretchen Bernet-Ward

DBC Pierre Writes at Feverpitch

DBC Pierre Photo Montage 02 — Photograph of novelist DBC Pierre by Murdo MacLeod for The Guardian.

“I wrote 300 pages in five weeks,” says novelist DBC Pierre, who made his debut with Vernon God Little, a Booker Prize winner, and delivers writing guidance in his contemporary work Release the Bats.

I enjoyed his gutsy and wildly perceptive advice which perhaps appeals to a ‘pantser’ style of writing rather than a ‘plotter’ but the quotable gems will stick with me. Wisdom with a 21st century twist and language to match.

“A few pages into writing and find yourself drowning, as I did.” DBC Pierre.

“When I started to write,” says self-confessed bad boy DBC Pierre in The Guardian interview, “I wasn’t particularly well-read, but I found two things critical. Together they can turn a pile of thoughts into a novel, in case you’re at a loose end next weekend, or are in prison. They’re also helpful if you’ve swum a few pages into writing and find yourself drowning, as I did.”

“The first might seem stupid but I actually found it the main hitch in getting words down and ‘letting rip’, ‘sticking with it’, and all that noble stuff we’re supposed to do. ‘The responsibility of awful writing’ was Hemingway’s twist on his own phrase ‘the awful responsibility of writing’. As the man who also said ‘first drafts are shit’, he pointed to a truth: if the key to finishing a novel is sticking with it, then the main challenge is to face writing crap.”

DBC Pierre Vernon God Little Bookcover

“All I liked after writing the first page of Vernon God Little was the voice. It had things to say about everything. I could feel it wanting to say them. But I went on to write 300 pages that didn’t make a book. I wrote them in five weeks, in a fever, without looking back. And at the end, I still liked the voice – but it hadn’t really said anything. Or rather, it had said plenty but nothing else had really happened. I soon found advantages to having done it that way.”

“Even writing 50 pages of crap gives a sense of achievement.” DBC Pierre.

“For one thing, I would usually find it hard to move on to page two if I didn’t like page one. I bet you could wallpaper the planet with books that never got to page two. And it’s a circular trap, in that some of the energy you need to forge ahead and push your page count up is generated by forging ahead and pushing your page count up. Even crap gives a sense of achievement when you get to 10, 20, 50 pages of it. When you don’t get past page one, you lose the spur. After that, the thing spirals into bad feeling and dies while you check email.”

“Half the problem is the expectation that we’ll see finished writing at once, more or less in its place. But I wouldn’t have written what I wrote if I’d thought about structure and form at the time. Obviously, if we’re writing about a boy going to the river, we make him go to the river. I don’t mean write without an idea – just that better ideas will come later. They attract each other and grow. We write crap in the meantime. It can work like a compost.”

“If you watch a dieter breaking their diet, you’ll see that they gobble things before they can stop themselves, before the internal arguments, before the shame. Guiltily and fast: that’s how to approach a first draft. A free writer is not something you are, but a place you can go. To start that climb: speed. Don’t look down. Keep a note of your page or word count, watch it grow like an investment. Amp yourself up. When we do things this way, a phenomenon comes to bear that justifies our approach: art. Some of what we write will crystallise for reasons we can’t explain, and the story comes into a life of its own.”

“If the job gets boring, loosen up…throw in a new character.” DBC Pierre.

“Eventually, take that feverish pile, bravely or drunk, and read it back. Get over the cringing and find a glimmer, see what sentence or idea intrigues or excites you. Start from there and build out. If the job gets boring, loosen up, take a tangent, throw in a new character. In this process, the work begins to show itself. We show ourselves. When gems have grown into paragraphs, paragraphs into pages, look again. Find the part that works best and lift the rest up to it. This is how it climbs, by following what pleases us most.”

“We can’t compete with Shakespeare or Hemingway, nor should we try. Our particular feeling is all we can bring to this party, and our whole job should be to wrestle it into a story that works for us alone. After that we can dress it for others to read. A different job entirely. Save that for a strong coffee on a Monday.”

One of three different interviews by Chris Wiegand, Dave Simpson and Homa Khaleeli. Wed 22 Feb 2017 06.00 AEDT “Culture” The Guardian newspaper.
https://www.theguardian.com/culture/2017/feb/21/frank-turner-dbc-pierre-creative-industry-advice
Heading : So You Want To Be An Artist? Then Let The Pros Show You How It’s Done.

You can also read my book review of Breakfast With The Borgias by DBC Pierre.

♥ Gretchen Bernet-Ward

Mystery, Mayhem & Magic adventures for young readers!

The Ten Penners, a children’s author collective, launched their blog tour to coincide with the release of their exciting new anthology Mystery, Mayhem & Magic. Follow the tour, read about Julie Baythorpe, book giveaway and more—

Mystery, Mayhem & Magic is an anthology of amazing adventures for young readers!

Take a path through the forest of imagination into mysterious journeys filled with mayhem and a kaleidoscope of magical creatures.

From the authors of Shock! Horror! Gasp! and Fan-Tas-Tic-Al Tales emerges Mystery, Mayhem & Magic, a new anthology written by The Ten Penners, a paperback novel-size book which is jam-packed with thirty-six stories, poems and novellas suitable for children aged 8 to 12 and early readers. Stories can be read to younger children too …

… So come and explore!

the_ten_penners_Nov16[1] — The Ten Penners children’s author group

Follow the fascinating Mystery, Mayhem & Magic
Blog Tour any time—

DATES

15/10/17
Sunday – Marion Martineer – https://marionmartineer.wordpress.com/
Dimity Powell – author “The Fix-It Man” – http://dimswritestuff.blogspot.com.au/
Content : Marion Martineer

16/10/17
Monday – Yvonne Mes – www.yvonnemes.com
Content : The Ten Penners
Elaine Ouston – author “Mystery of Nida Valley” – https://elaineoustonauthor.com/
Content : Lindy Standage

17/10/17
Tuesday – Jill Smith – https://authorjillsmith.wordpress.com/
Candice Lemon-Scott, author – https://candicelemonscott.com.au/
Content : Jill Smith

18/10/17
Wednesday – Kate Russell – https://katharinerussell.wordpress.com/
Teena-Rafa Mulligan – In Their Own Write – https://intheirownwrite.wordpress.com
Content : Kate Russell

19/10/17
Thursday – Julie Baythorpe – https://juliebaythorpeauthor.wordpress.com/
Gretchen Bernet-Ward – Thoughts Become Words https://thoughtsbecomewords.com
Content : Julie Baythorpe (see interview below)

20/10/17
Friday – Robin Adolphs – http://www.robinadolphs.com/
Content : Louisa Wright
Artelle Lenthall – www.journeygirlontheroadtopublication.com
Content : Sharron Alexiou

21/10/17
Saturday – Gold Coast Writers’ Association meeting to announce book launch
The Ten Penners – https://thetenpenners.wordpress.com/
(Library book launch Gold Coast Libraries Calendar of Events poster below)

23/10/17
Monday – Aleesah Darlison – author of “Fox and Moonbeam”
Greenleaf Press – http://www.greenleafpress.net/
Content : Elli Housden

the_ten_penners_sept17_2_cropped[1] — The Ten Penners launch their children’s anthology

PLINKO
Check out Plinko, official The Ten Penners mascot, on their website under Media Kit. The Plinko-Colouring-In-Competition-2017_Booklaunch has closed.

“But wait,” says Plinko, “there’s more!”

⇓ Scroll down for further INFORMATION—

The Ten Penners August 2017 — The Ten Penners ready for Mystery Mayhem & Magic

BE THE LUCKY WINNER …

SPECIAL ANNOUNCEMENT – BOOK GIVEAWAY COMPETITION CLOSED!

There will be a giveaway of a copy of Mystery, Mayhem & Magic!
At the end of the blog tour, those who have left a comment on this page, or on any of the other hosts’ pages during the blog tour, will be in the running to receive a free copy!
The announcement of the winner will be at our book launch at Broadbeach Library on Saturday 4 November 2017.
So, please make a comment below to be in the running.

Q & A

Today I am delighted to welcome one of the authors, Julie Baythorpe, who has kindly put her literary thoughts into words:

julie_at_her_book_launch_Sept17[1] — Julie at her book launch

ABOUT THE AUTHOR

Julie Baythorpe was born in Sydney and moved to Brisbane where she attended Brisbane Central State School. She loved every minute of school life so much so she never left the education system. In 1985 she moved to the Gold Coast. Julie has written all her life. For many years, she taught creative writing, both as a Teacher and Principal in classrooms across Queensland. When she retired from teaching she started writing full-time. She has written and published numerous short stories, poems, journal articles and has developed many Curriculum documents for Education Queensland. She is currently organising and presenting writing workshops for the Gold Coast Writers’ Association. Her books include the Reid Devron murder mystery series and several short story anthologies. Julie also enjoys creating watercolour paintings … when she’s not writing!

Q1. When did you start writing?

A. I started when I was very young … five or six years old. I loved it. I had a vivid imagination (still have) which transported me to mystical and magical places. As I grew older I began writing poems and stories for the children I taught in primary school. I also wrote strategic documents … curriculum documents, behaviour management programs and planning outlines for Education Queensland. I started writing fiction full-time when I retired from teaching.

Q2. Which genres do you enjoy writing?

A. I enjoy writing in most genres, however, I feel most comfortable writing novels in the murder mystery category. As a member of The Ten Penners writing group, I’ve dabbled in short story writing for children again. It’s been a while since I did this, however, I enjoyed creating the character ‘Plinko’ and I loved the adventures of Jock, Davo and Birch in ‘Birch the Dinosaur and the Bogan Penguins’. A lot of fun!

Q3. Have you published any books?

A. Yes, I’ve published three books in the Reid Devron murder mystery series. ‘The Lavender Principal’, ‘Silo Deadfall’, and ‘Under the Fig Tree’, all set in schools where I’ve worked. In collaboration with the Southern Short Story Group (another sub-group of Gold Coast Writers’ Association) I wrote a number of fictional short stories. The title of that book is ‘Love, Lies, Laughter and a Few Little Tears’.

Q4. Have you won any writing competitions?

A. Only one … when I was about nine years old. They asked me to read it to the whole school. I’ve been traumatised ever since! But it didn’t stop my love of writing!

Q5. Do you have a plan/schedule for your writing?

A. Early in the morning is a great time for my writing sessions. I fade by the afternoon. I usually collect ideas in my head and jot down notes … Firstly, in a scribbled, illegible mess. To tidy my ramblings, I develop a timeline for two or three pages then add chapters and scenes. For example, Chapter One … a body is found, police arrive, description of setting and some characters. In a rough outline, I write down scenes in each chapter. I use a scrapbook for pictures and details of my characters. Lastly, I organise a folder for research, the book cover ideas, similes/metaphors, poems, and editing notes and pages. Then it gets cracking!

Many thanks, Julie, for your time and inspiration.

The Ten Penners July17 — Smiles all round for The Ten Penners

ten_penners_part_group[1] — The Ten Penners sub group of Gold Coast Writers’ Association

Don’t forget! Post a comment below (or on any one of the blog tour sites) to be in the running for a giveaway copy of The Ten Penners new anthology Mystery, Mayhem & Magic! IMPORTANT: THE BOOK GIVEAWAY COMPETITION HAS CLOSED.

♥ Gretchen Bernet-Ward

The Ten Penners Book Launch 02 — Plinko dropped in for the book launch!

Interviewed by Self

Computer 03

INTERVIEWER:
How many unfinished manuscripts do you have on file?
ME:
I have nine in varying stages of incompleteness. I love them all, they start off well, the concepts are intriguing, then I stall.
INTERVIEWER:
How do you get over writer’s block?
ME:
At this point my stories can veer one of two ways. Boringly predictable or Man-I-didn’t-expect-that! And believe me, you will know the difference when the creative spark ignites. The momentum is strong, the words flow and come alive. I run with it and don’t look back.
INTERVIEWER:
What has made you stop writing a particular story?
ME:
When that inspired catalyst fizzles out, mundaneness moves in. My tale slips into the writing doldrums and my incentive fades away. I no longer feel the need to flesh out the plot. Of course, a looming deadline can always prod me into action.
INTERVIEWER:
Do you prefer plot structure or character development?
ME:
Oh, I much prefer characters, I love creating their voices, habits and lifestyles.
INTERVIEWER:
Do you delete your unfinished work?
ME:
Perhaps it sounds better if I say I have nine good story ideas pending completion.
INTERVIEWER:
Does that mean you keep everything you write?
ME:
Yes, and I return to scrappy stories on a regular basis to see if they are worth saving. Maybe one of them is a work of genius. To find out, I must keep writing.
INTERVIEWER:
Do you want a coffee?
ME:
Sounds like a good idea!

♥ Gretchen Bernet-Ward

Notepad and Pencil

Group Interview Trauma

Between jobs, I once had the misfortune of attending two group interviews. Both for a permanent part-time position. Let me tell you about the first one. I was pleased to be called in and keen to get the ball rolling until after an hour I realised the whole process was degenerating into tedious insincerity.

Fellow jobseekers and I played mind games with shapes and symbols, wrote clues on butcher’s paper and on each other’s backs (with our finger) and sat down to interview the ‘buddy’ seated next to us. We then introduced each other to the selection panel which was a trick because what was told to us privately was then asked to be broadcast across the room. And, most outlandish of all, we formed groups to invent a new company motto and present it. Then we were gathered into teams to construct a workable bridge from scrap pieces. During discussion time, one person endeavoured to take control of our group, effectively making it a one-woman show. Another broke away from his group to talk to me separately so I’m sure that would have been a black mark against him.

Most applicants ‘talked the talk’ although whether they actually meant it or not remains to be seen. The extroverts did their best to outshine the other applicants with their superior customer service line but when pressed, many hadn’t even checked the company website. Basically everyone was mouthing the same tired old phrases about equality, fairness, safety, courtesy, teamwork and how good they would perform in the job. Lines which they had obviously rehearsed at home. Which in itself is good but it wears everyone down, especially when juniors kept referring to their notes.

By the time my five minute one-on-one interview took place, over three hours later, I was lacklustre.  The questions asked were the same as those I had already addressed in my selection criteria which tended to make me more repetitive than I should have been for such an important occasion.  My past experience and references were scrutinised without a word.

I tried to pull my thoughts together and keep a glazed look out of my eyes but regrettably enthusiasm had started to wane. It appeared to me that the HR department was trying to justify its own position within the company by orchestrating an overly long interview process and my respect for its staffers dwindled during that period. It was held at an awkward time of day too, so I left the interview feeling hungry which did not help my mood. For those nervous yet bored candidates waiting to be called, surely a beverage wouldn’t have been too much to ask? At the end of this interview process, we were instructed to leave by the side door. I hoped the other applicants were more upbeat than me, or at least better actors.

Another point which I found interesting was the amount of young first-job attendees who wore jeans and casual tops. In a job where presentation is important, I failed to understand their choice of clothing. Especially considering there were 75 applicants, hand-picked from hundreds, for only 25 job vacancies. Apart from a good resumé, I think your eagerness to get a job should include upping your appearance.

A considerable length of time, and another job, has passed since then and I still have not been informed of the outcome. I seriously question the usefulness of such a long drawn-out exercise. ‘You either got it or you aint’ and I think a good personnel department should see that a mile off without all the frills.

♥ Gretchen Bernet-Ward