A Novel is Not a Screenplay

To assist the modification from page to screen by meeting the market half-way, writers are chasing the more lucrative side of wordsmithing by hammering out books which have the actions, expressions and dialogue of movie characters.

If you are dreaming of seeing your work as a major motion picture, professional screenwriters can adapt existing books, hence the words ‘based on’ when you view a book-to-movie deal.

Read on for my thoughts on the situation…

Good news for the future of the film industry but what about the book industry?

Should a writer write a novel similar to a filmscript? I guess if you are determined enough you can learn, but what are you sacrificing along the way? Formatting is important; not too much, not too little. Your characters will be noticeably shallower, the scenery will be sketchy and the action will be like every TV series you have ever watched.

Bend to a market whim? What makes the difference is being different! With or without a movie contract, if you write in a hybrid format, your novel has less chance of standing amongst the notables of your decade. I’ve read several amalgams in the last month. Believe me, it shows.

Film Cameraman Movie Camera

In my opinion, there is a market for the TV-ready book/screen blend of writing but it is light-weight and not the same as solid, descriptive, memorable words which feed a book reader’s imagination.

And herein lies the problem. There are eager new readers just the same as in the past, but now they are looking for ‘movie action’ because they have grown up with on-demand screens. Substance is not as favourable, skimming is the name of the game.

Again, I say this is a disservice to the reader as well as the book industry.

It’s a long haul and immediate gain for the primary writer is unlikely. Say a director/producer likes your work, every page you have written means extra money is needed in production and, as we know, the financial aspect rules. Gone are the days of blockbuster world success—think LOTR or J K Rowling’s Harry Potter.

Film Clapper Board Movie

Durability is the name of the game. You can find countless info and advice on writing a screenplay or TV script and if you want to do it you will—bearing in mind that any formula has restrictions, your manuscript will not resemble the finished product.

Look closely at Michael Connelly and other writers who have made the transition, in particular their previous jobs. They will have ‘connections’, they will move house ‘to be closer to their work’, they will have ‘legal advice’, an abundance of ‘good luck’, an ‘understanding family’ and other clichés but not the words ‘smooth sailing’.

Write with your heart, write something strong and original, write a standalone which shines with your own unique qualities.

♥ Gretchen Bernet-Ward

I Agree with Herbert

H G Wells House Plaque — Plaque by the H. G. Wells Society at Chiltern Court, Baker Street in the City of Westminster, London, where Wells lived between 1930 and 1936.

“No compulsion in the world is stronger than the urge to edit someone else’s document” said Herbert George Wells, and I know the feels––Herbert is better recognised as H. G. Wells, an exceptional English author, satirist and biographer (21 Sept 1866 – 13 Aug 1946) who famously wrote The Invisible Man, War of the Worlds and The Time Machine.

I can understand how the fingers of Mr Wells must have itched, his brain must have misfired and his breath must have been shallow as he read a paragraph which badly needed editing. Indeed, I often wonder how some books (or e-books) get into print when it is glaringly obvious they need a bit of trimming and correction.

Just recently I read an e-book with blurb announcing an award, author kudos and high sales. Undeserved as far as I’m concerned. Why? The author had no idea of descriptive body language. The best he could do was “He frowned”, “She frowned”, and for variety “He scowled”, “She scowled” until I deleted the book at “She wrinkled her brow”.

How did this get loose and launched on the general reading public? I’m sure Rule 101 is “If in doubt, substitute ‘said’ and let the dialogue do the work”. Don’t repeat yourself. Unpublished as I am, I guess the writer can sneer and say “Well, I got the pay cheque and you didn’t” but I can retort with “Have some integrity.” Or go back to writing classes.

It’s easy to think “Not all publishing houses are that blind” but, oh, many are. If you haven’t read a book with an error, you haven’t read enough books. Pathetically, hardly a week goes by without my subconscious editing a typo or tidying a sentence. I will never know how efficient I am, whether I am always right, but, man, it makes me feel better!

♥ Gretchen Bernet-Ward

Proofreading Copy Editing Banner — Proof-reading is the first step, make it count…

Monica McInerney’s Writing Regimen

Monica McInerney Bookcover 02

An interview extract on the writing regimen of Monica McInerney, best-selling Australian-born, Dublin-based author of twelve novels, Monica was voted into the top ten of Booktopia’s “Australia’s Favourite Novelist” poll 2014, 2016 and 2018.

The following quote is from Books+Publishing Q&A and Monica mentions two of her earlier novels which I can highly recommend:

Q: Could you describe your approach to writing and your working regimen?

A: “I spend about six months plotting in my head before I sit at the computer and start writing. There’s usually an overlap between my books. I had the idea for ‘At Home with the Templetons’ about three months before I finished ‘Those Faraday Girls’. Similarly, I had the idea for what will be my next book halfway through writing the ‘Templetons’.

I aim for 2,000 words a day minimum in the early stages of writing, getting very attached to the word-count button. A day always comes when the word count is irrelevant, when all I want to do is be at the desk writing.

The final six months are usually seven days a week. I edit as I write, and also show the manuscript to two people in the early stages, my husband, who is a journalist, and my younger sister, who is an editor. I completely trust their feedback, and their encouragement keeps me on track until the manuscript is as polished as I can make it before sending it to my publishers. I also love deadlines. They terrify me into finishing.”

Monica McInerney Author

Author http://www.monicamcinerney.com/
Interview Books+Publishing https://www.booksandpublishing.com.au/
Booktopia https://www.booktopia.com.au/

Synopsis of Monica McInerney’s latest novel ‘The Trip of a Lifetime’

“I always thought memories were unchangeable. Set in stone, shaped by the years. But there are always others too, ones you haven’t let yourself remember ...”
The wilful and eccentric Lola Quinlan is off on the trip of a lifetime, taking her beloved granddaughter and great-granddaughter with her.  More than sixty years after emigrating to Australia, she’s keeping a secret promise to return to her Irish homeland.  But as she embarks on her journey, the flamboyant Lola is still hiding the hurtful reasons she left Ireland in the first place. What – and who – will be waiting for her on the other side of the world?

Books by Monica McInerney:

The Trip of a Lifetime
Hello from the Gillespies
The House of Memories
Lola’s Secret
At Home with the Templetons
All Together Now
Those Faraday Girls
Family Baggage
Alphabet Sisters
Spin the Bottle
Upside Down Inside Out
A Taste For It

♥ Gretchen Bernet-Ward

My Elusive Career as an Aspiring Writer

Attention span of a puppy? Pushed for time? “Publishing is a long game. As they say, you have to be a stayer if you want to be a player. Even if your book is only 500 words!” said Jen Storer, children’s author and chief inspirationalist at Girl & Duck.com when discussing the pitted path to publishing. I intended writing a three-part posting on my literary travails but here they are in one glorious chunk.

PROLOGUE After reading countless children’s picture books for Storytime in a public library, it became obvious to me what worked and what didn’t with a live audience. I thought it was about time I tried to write my own children’s book.

WARNING – THIS IS A LONG BLOG POST WHICH RAMBLES OVER EIGHTEEN MONTHS OF MY WRITING LIFE – CAFFEINATED BEVERAGE RECOMMENDED.

CHAPTER ONE The Plan. Work up slowly with a picture book maximum of 500 words for age 0-5, step into small chapter books for age 6-8 with 20,000 words, graduate to a decent sized book of 25,000 for teenagers then launch myself into young adult. Well, perhaps not young adult, could get a bit messy in the emotions department. Hopefully, maybe, I could consider penning a series. Something humorous and fun, with a good plot and memorable characters. An attention-grabbing theme, a zany bookcover and before you can say Harry Potter, I’m flying high, riding the wave of published author!

Er, right. The truth of the matter is that I knew full well I had no experience. Career shattered before it began?

In steps the many writer’s workshops and online courses available to the newbie. Or as they say in the trade “emerging author”. Plus a local writer’s club SWWQ, State writers centre, Facebook groups and a conference or two. (List of website links at end of page). Not forgetting the self-help books – anyone who’s ever written a book and had it published with moderate success seems to qualify as an adviser on the subject of literary rules. The do’s and don’ts, the routines, the voice, the need for originality, the best way to grab an editor’s attention, grammar, plot structure, plotter or pantser, show don’t tell, how to sell yourself, and the list goes on.

CHAPTER TWO First up, I enrolled in an expensive online course which certainly got me motivated but not by the moderator or the tutor. The other participants were withdrawn and really didn’t share. And the course notes were a little outdated. Yes, I know “Where The Wild Things Are” is a classic but hundreds of good, if not better, books have been published since then, with far more appeal. And I don’t really like the artwork.

Ah, artwork. You can write the words for a picture book but you can’t have it illustrated by an artist of your choosing. The publisher does that. And we all know we have different ideas when it comes to imagination and imagery. If you write and illustrate your own picture book, it has to be of exceptional standard. I can do pen and pencil drawings but they wouldn’t cut it. I’m much better with basic colour-in stuff. Which doesn’t sell.

Click link Saving

Grandpa’s Tree

Then came the face-to-face classroom workshops which were fun. Lots of buzzing people with buzzing ideas and questions. Isn’t it surprising that when it comes to reading out your own work, people clam up? Not me. I always read out my stuff and one story was later fleshed out into a decent read “Saving Grandpa’s Tree”. However, it hasn’t attracted anyone’s attention yet.

CHAPTER THREE The big thing among creatives is to attend a yearly conference or festival in another State, necessitating a weekend away. I think a conference is meant to be more serious than a festival with serious lectures, serious note-taking and serious editor appraisals. I have a small green notebook riddled with notes. A festival has all manner of literary people chatting on stage, with microphone feedback, showing wonky PowerPoint slides, supplemented with drinks and nibbles and a lot of networking.

Daily Things Egg Bookmarks Kookaburra (3)
Just like anywhere else, unless you are seen as someone who has “made it” you are not worthy of a business card exchange. And bookmarks, phew, I could wallpaper my room with all the industry bookmarks floating around.

At these displays of verbose literary knowledge (excluding The Duck Pond – see below) I always wear my name badge. Nobody remembers my name and I don’t remember theirs but we compare notes, likes and dislikes and complain about the way the event is organised and the length of the queues. Usually the food tastes as good as it looks. Of course, the better the quality, the quicker the goodies are consumed. Never cram your mouth because someone will ask you a question, and never spill anything down your front because you will be asked to step up the front to speak.

I’m going to pen a small piece on the Judith Rossell weekend writers retreat I attended at historic Abbotsford Convent in Melbourne, Victoria. Amazing vibe! We don’t have many older buildings in Brisbane with such history. I have organised, promoted and hosted author talks and, believe me, not all are created equal. Will save that story for another time.

CHAPTER FOUR For well over a year, I submitted children’s picture book manuscripts to a myriad of publishers in Australia and overseas and have received only two rejections. I think the silence is worse than those two polite rejection letters. Surely, in this day and age, it wouldn’t take two seconds for the office junior to email a rejection to the poor, desperate writer at the other end.

Requirements Of Submission occasionally want physical copies and I’ve gone the old A4 paper route, Times New Roman (no glitter in the envelope, big no-no) with clean easy-to-read layout and still not heard a word. Does that mean I’m no good or the publishing houses are totally swamped? Harking back to that office junior, who didn’t send me an email, I could get bitter. They are the first readers of unsolicited manuscripts which forces me to cry “What do they know? My literary reading is decades ahead of theirs.” Sadly, they know the trends. A new writer cannot predict trends. Nor can they single-handedly make them.

The scariest thing I’ve done (apart from hosting an avant-garde Shakespeare theatre troupe and judging a YA writing competition) was Literary Speed Dating; five minutes of torture in which you have to sell yourself and your manuscript.  A bell rings and, if you haven’t collapsed, you go to the next editor’s table.  And the next...and the next...A woman in my queue was eight months pregnant and the summer heat was ferocious but she coped better than all of us.  A book contract?  I hope the others were successful.  At least that woman has a baby now.

CHAPTER FIVE After becoming thoroughly disenchanted with the children’s book industry, I started up my own WordPress blog and thought “I’ll just do what I like and if anyone notices, that’s okay” but I didn’t hold my breath. Prepare to be amazed – 409 million people view more than 20.8 billion pages each month on WordPress, and users produce about 77.0 million new posts and 42.7 million new comments each month, an estimation of six new WordPress.com posts every second. Those stats have probably changed while I type, but it’s still a shedload of competition. It takes a lot to shine. Who’s going to read me and my miscellaneous Blogging Image 04 ramblings? Recently I had 385 Followers but I culled the spammers and that number dropped back drastically.

I’ve discovered that personal stuff gets the most hits but specialising is not my thing. Although I blog about many things, I still like the idea of kidlit. Notice that term? I’m getting good with the industry terms. Copy edit, structural edit, narrative arc, protagonist, antagonist … I subscribe to the newsletters of publishers, book stores, State organisations, libraries, writing groups, children’s literary charities and other book-reading bloggers like Paula Bardell-Hedley (see below). So far, I’ve come across a lot of WordPress book reviewers and enjoy their commentary. Personal opinion is a great thing, just not something I always agree with when it comes to books. Honesty compels me to admit that my leisure reading is not nursery rhymes, it’s a good crime novel.

CHAPTER SIX In between life, I volunteer at special events and displays at State Library and offer my free time closer to home in a charity shop bookroom. What an eye opener! Certainly a book for every customer, young or old; and quite a mixture of clientele. The shelves are browsed with all the fervent devotion of a high-end bookstore in the city. Without the price tag. And a few bent bookcovers and rusty pages thrown in. Behind the scenes, the staff are just as interesting. Again, will save that story for another time.

“But what of your picture book career?” Glad you asked. Confession time. Deep down my literary urge begins to lean towards writing for adults BUT I join Creative Kids Tales, an online group for emerging authors which specialises in children’s literature. By this time I was doubtful that this was my true calling (after all, one can only take so many unsent rejection letters) and was oscillating between adult works and the perfect kids book. I hung in there.

Each month CKT features a different aspiring writer with a successfully published author. One author captured my imagination, Jen Storer of Girl & Duck.com An Enid Blyton lover, Jen shows an intelligent, vibrant nature, an honest, straight forward approach to writing and I like her children’s books, especially Truly Tan series. Jen was starting a Facebook group The Duck Pond, inviting kidlit creatives to join, and the rest is magic.

CHAPTER SEVEN I’m pretty much a founding member of The Duck Pond and recently their creatives group Scribbles was added which I also joined. Membership grows weekly, and Jen does weekly Q&Q (questions and quacks) videos on YouTube. Apart from sudden Facebook drop-ins on screen, Jen does one-hour Scribbles Live Rounds and members tune in from around the world. Kidlit help is always at hand and the expertise of members is far-reaching. The slogan “The rule is there are no rules” is true to its word. Jen says “Do the verk”. Immersion is the only way and I’ve learned so much about writing books and the book industry generally.

An author/illustrator, Jen Storer believes is having fun and being messy, “Mess creates clarity”. The Scribblers course is for writers and illustrators and it encourages everyone to work without restrictions. Quell that inner critic! There are set Modules with exercises which you do at your own pace but following the easy guidelines so that your words just flow. I’ve experienced writing freely and unfettered and being surprised and pleased with the results. Honestly, with Jen’s prompts, I’ve had so many ideas I could be writing for years. Of course, submitting a manuscript isn’t messy, it has to be refined and polished. Jen is ex-publishing house so she know those ropes.

Now, the cruncher. I adore The Duck Pond group camaraderie and "doing the verk" but I am not a fan of the circus called Facebook. Nor do I participate in other social media like Twitter, Google, Instagram, etc. “Click this, view that, Like page” get lost. In a short space of time I have witnessed two great bloggers over-extend themselves to the detriment of their output.  I like to think I am not spreading myself too thinly!

CHAPTER EIGHT I’m loving my WordPress blog, the layout, the posts, changing photos, the full control I have over my content. Which reminds me, in the past I have submitted reviews and editorials to organisations who have edited or altered my work without my prior consent, which is apparently their prerogative, but that doesn’t mean I have to like it. I don’t – especially when they muck up a sentence to make it shorter or change paragraphing. So, dear reader, this leaves me in literary limbo.

CONGRATULATIONS – IF YOU REACHED THIS POINT WITHOUT SKIPPING BITS.

What is next in my literary journey? Will I shine? Over 18 months, and varying lengths of commitment, I have happily entered writing competitions (two Third Place awards and shortlisted) and completed a magazine writers course, travel writing course, children’s writing, crime writing, romance writers workshop, non-fiction-fest, lampooned the Australian publishing industry, and still don’t know what genre I want to pursue. I know it’s too late to become a ‘proper’ writer, contrary to what dear Jen Storer says in her passionate YouTube video A Slap Down For An Ageist Society I think I have missed the boat. I am passed my publishable prime. It’s no good lamenting the fact that I represent Gustav Freytag’s five-part story structure. I had a younger life to live and it didn’t include lonely, lengthy periods sitting at a keyboard. It does now.

EPILOGUE Sure, I can happily write to my heart’s content but who’s interested? Don’t answer that, please. Suffice to say I will dabble, making my miscellaneous Thoughts Become Words for my own pleasure because I can’t stop writing. Basically, that’s what it all boils down to, in the end we are doing it for ourselves. If someone else likes it, that’s a hefty bonus.

♥ Gretchen Bernet-Ward

IN APPRECIATION – This post is dedicated to WordPress blogger Paula Bardell-Hedley for her great reviews, ideas, encouragement and super organisational skills
https://bookjotter.com/
https://thoughtsbecomewords.com/2018/04/02/dhq-dewithon19/
and I get a mention in Winding Up
https://bookjotter.com/2018/04/06/winding-up-the-week-13/

RELEVANT GROUPS AND ORGANISATIONS:
CKT https://www.creativekidstales.com.au/
AWC https://www.writerscentre.com.au/
QWC https://qldwriters.org.au/
BCC https://www.brisbane.qld.gov.au/facilities-recreation/libraries/opening-hours-locations/brisbane-square-library
CYA http://www.cyaconference.com/
KLV http://www.kidlitvic.com/
ILF https://www.indigenousliteracyfoundation.org.au/
SD https://www.storydogs.org.au/
FF https://www.fantasticfiction.com/
BWF http://uplit.com.au/
G&D https://girlandduck.com/
A&U https://www.allenandunwin.com/being-a-writer/getting-published/advice-from-a-publisher
SWWQ http://womenwritersqld.org.au/

Interviewed by Self

Computer 03

INTERVIEWER:
How many unfinished manuscripts do you have on file?
ME:
I have nine in varying stages of incompleteness. I love them all, they start off well, the concepts are intriguing, then I stall.
INTERVIEWER:
How do you get over writer’s block?
ME:
At this point my stories can veer one of two ways. Boringly predictable or Man-I-didn’t-expect-that! And believe me, you will know the difference when the creative spark ignites. The momentum is strong, the words flow and come alive. I run with it and don’t look back.
INTERVIEWER:
What has made you stop writing a particular story?
ME:
When that inspired catalyst fizzles out, mundaneness moves in. My tale slips into the writing doldrums and my incentive fades away. I no longer feel the need to flesh out the plot. Of course, a looming deadline can always prod me into action.
INTERVIEWER:
Do you prefer plot structure or character development?
ME:
Oh, I much prefer characters, I love creating their voices, habits and lifestyles.
INTERVIEWER:
Do you delete your unfinished work?
ME:
Perhaps it sounds better if I say I have nine good story ideas pending completion.
INTERVIEWER:
Does that mean you keep everything you write?
ME:
Yes, and I return to scrappy stories on a regular basis to see if they are worth saving. Maybe one of them is a work of genius. To find out, I must keep writing.
INTERVIEWER:
Do you want a coffee?
ME:
Sounds like a good idea!

♥ Gretchen Bernet-Ward

Notepad and Pencil

Simmering Manuscripts

My documentation is office-organised but my writing approach is organic. I will have four or five manuscripts simmering away then one will bubble to the top. That’s The One. I pursue it to the end. Sometimes those left simmering, sink to the bottom. Other times a new thought will be added and not even stirred into the mix, it will shine immediately and have my full attention.

You gotta love what you’re working on, right!

♥ Gretchen Bernet-Ward