“Defined by warm weather for most of the year, sun seekers flock to Brisbane to enjoy the Queensland capital’s subtropical climate, perfect weather to enjoy the great outdoors. Therefore, you wouldn’t expect to see a snowman on your travels, or would you?
Far from the snowman’s European ancestry, its home is now the Queensland Art Gallery’s sculpture courtyard.
Three years ago the life-sized snowman, created by leading contemporary artists and collaborators Peter Fischli and David Weiss, might have been an unexpected sight in Brisbane, however the sculpture has become a much-loved citizen and visitor favourite.
One of only four sculptures ever created, it places Brisbane in an exclusive club with the likes of MoMA, New York and the San Francisco Museum of Modern Art.”
Big, cold, looks like a 1960s unfrosted refrigerator but what a cheeky smile!
The Soul Trembles highlights twenty-five years of Chiharu Shiota’s artistic practice. She is renowned internationally for her transformative, large-scale installations constructed from millions of fine threads (mainly black or red) which cluster in space or form complex webs which spill from wall to floor to ceiling, supporting and encompassing all they meet.
I attended the QAGOMA Brisbane 2022 exhibition with friends for my birthday and afterwards my thoughts came up with three words – overwhelming, disconcerting and very memorable!
Shiota’s beautiful and disquieting works express the intangible: memories, dreams, anxiety and silence.
It has been awhile since I compiled a Three Things post. Traditionally, it should be different things, Reading Looking Thinking, but sometimes I don’t quite stick to that plan. The original post was started by Paula Bardell-Hedley of Book Jotter. She has the best literary links in the blogging biz.
Let’s open with READING
Tensy Farlow And The Home For Mislaid Children by Jen Storer
Published: 3 August 2009
ISBN: 9781742286495
Imprint: Penguin eBooks
Format: EBook
Pages: 348
MY REVIEW
A scary story for ages nine and upwards but personally I would not have read it at nine years of age. Or if I did, I would have had my fingers ready to peek through. But seeing as I was an adult when this story was written, it’s all a bit hypothetical really.
Abandoned in the River Charon as a baby, Tensy Farlow is found and raised by dear Albie Gribble until circumstances contrive to send her to a gothic children’s home which is anything but homely. Tensy is a strong yet unusual protagonista with flame red hair. She makes friends with the other foundlings and workhouse orphans, but as if Watchers-in-the-night aren’t bad enough there is a swampy creature with an evil agenda—and Tensy’s name is top of the list.
The characters are both funny and horrible, like despicable Matron Pluckrose, her assistant Mrs Beadle, foul Cook and very creepy buildings including a haunted chapel loosely based on Abbotsford Convent in Melbourne where Jen Storer had occupied a writing space.
Amidst the mayhem and dire food, there are nice people like GAs (guardian angels—although Tensy doesn’t have one) young Howard, Olive, good guys Guy and Magnus and… well, I think there were some other nice people. When I wasn’t reading through my fingers (ahem) I steadily progressed to the climactic ending. I did question the tenuous tying up of loose ends but over all it was a transcendental finale. One for the Roald Dahl and Lemony Snicket readers but with unique quirks and atmospheric twist-backs all its own.
AUTHORJen StorerofGirl & Duckis an award-winning author of numerous books. She is a writing motivator, creative inspirationalist, founder ofScribbles, the international children's writers creative group for authors, poets, illustrators and all things kidlit. Jen has worked both sides of the publishing industry and knows trillions of wise and wonderful things to encourage and guide emerging writers.
I joined many others on Zoom as Angela Goddard, Director of Griffith University Art Museum, took us on a 3-part virtual short course to discover a unique perspective on Australian art.
Using artworks on display in QAGOMA’s Australian Art Collection, this introductory short course explored aspects of Australian art history, from ancient Indigenous traditions through to the present day. Each virtual session featured a focus lecture, followed by a Q&A with a contemporary artist.
SESSION 1: COUNTRY, LANDSCAPE AND MEMORY SESSION 2: NETWORKS OF MODERNITY SESSION 3: PATHS TO THE CONTEMPORARY
I could ask questions and discuss ideas with other attendees and panelists via the Zoom chat window. It was fascinating to see how our art evolved from the European painters to a strong Australian identity and then recognition of the original Indigenous artists.
After coming to grips with the Covid-19 pandemic, my city of Brisbane is learning how to get back into social activities and community events in a new socially acceptable way.
Apart from learning how to properly wash our hands and wear a face mask like the rest of the world, we are now embracing outdoor activities more than ever before. In the cool calmness of morning, I do yoga in the park and share my mat with insects and fallen blossom.
I took this photograph (below) of the back page of November 2020 “What’s On” brochure which showcases some of the mostly-free Brisbane City Council activities on offer, from pottery and pilates to Shakespeare, cyclists and circus handstands.
Hmm, I am thinking of attending the evening performance of "A Midsummer Night's Dream" in Roma Street Parklands, 14-15 November from 4pm. Although the park is adjacent to the central business district and fine dining, I think a picnic would be nice. The event states "live music and swordplay". Nothing like munching on a sandwich while watching dueling swordsmen spouting Shakespeare.
♥Gretchen Bernet-Ward
Brisbane City Council November 2020 “What’s On” Event Guide
AUTHOR
Thoughts Become Words 
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