Temp Work Trials and Tribulation

An autobiographical tale condensed into a short story for my writers group on Tuesday, and yes, you get to read it here first!

Due to the nature of my story, I have not used paragraphing or dialogue so there is one continual flow of consciousness.

Brisbane River CBD red arrow marks the approximate area where the warehouse building in my story exposé was located in 1970s.

One thing I disliked about doing temp work for a small city employment agency was the tedious, repetitive and uncomfortable jobs I was sent to do without so much as a ‘Would you like this assignment?’ or ‘Does this one suit you?’ No, I was just shunted off without any idea of what I was going to be doing. You could bet on it being the worst office job, the one that no staff member would touch, nor would they give any help to the newbie. Off I would trot to a dingy 1970s office with old-fashioned equipment, uncomfortable chairs and messy desks with tea mug stains which I was supposed to miraculously turn into a fully functioning, pristine work environment in eight hours. At least, I always hoped my assignments were one-off because more than a day would usually send me around the bend. Particularly if the staff were snobby or the boss was grumpy. One fellow sat like a school principal on a raised platform and watched everyone to see that they only took five minutes for tea break. I learned from other assignments to take my own snack pack of biscuits and fruit to sustain me throughout the long, long day. Once I had a manager who actually checked my waste paper basket to see if I was making mistakes and using up his precious stationery. Another time, I was assigned to a city real estate agency in a grim, gloomy warehouse office somewhere alongside the Brisbane River near the Story Bridge off-ramp to Ivory and Ann Streets, now luxury apartments. I swear that day I never saw another staff member except the front desk receptionist. Surrounded by dust motes and empty desks of the old dark wood sharp-cornered style, I was given the job of typing mail-out letters and addresses on envelopes, a task I was always particular about, and phoning the Courier Mail real estate advertisement section to place ads for forthcoming auctions. I did not understand any of the in-house jargon and I am sure they did not understand my misinformation. At lunchtime, without a briefing, I found myself substituting for the reticent front desk receptionist who may or may not have gone to lunch. This was transition time, the 1970s on the cusp of the 1980s with the 21st century looming. An office world ruled by paper, bookkeeping ledgers, staplers, hole-punchers and Liquid Paper. Also this was the era of IBM golf-ball typewriters and weird flat switchboards; plus there was a two-way radio for the real estate sales reps to call in with information on new clients, or when they were on lunch (probably the pub) or just plain going home for the day. Without a test run, I botched that two-way connectivity twice. The dusty potted plant in the corner seemed to shrug in commiseration. Whatever. I put on my best smile when a woman wearing heels and heavy make-up walked in to pay her rent money. She pulled a wad of fifty dollar notes from her handbag. Back then apparently it was all cash unless you paid with a bank cheque. And she asked for a receipt. What? How was I meant to know where the receipt book was? The searing question uppermost in my panicking brain was ‘What do I do with all this cash?’ The renter helped me muddle through, flashing her long red nails in the direction of the desk drawers and a large manilla envelope. I was very uncomfortable with the whole situation. The reception desk was closely aligned with the open front door and as I hand-wrote a carbon-copy receipt, the noise, grit and heat of the city washed across me. No ducted air-conditioning in those days, even the old pedestal fan couldn’t handle summertime. Of course, one of the selling agents called again on the two-way. Again, I fumbled the call. I have a hazy memory of what transpired next, another rent payer perhaps? One who had the good sense to say they would come back later. Subtext: when a more competent staff member was on duty. As I sat there, I could almost feel the old walls oozing the gloom of years of suffering, clerical staff clock-watching their lives away. I had an epiphany. When the real receptionist returned to her post, I showed her where I’d shoved the money, turned and clip-clopped across the wooden floor boards back to the end-row of desks where I had stowed my handbag. Without hesitation I picked up my belongings and headed for the front door. I walked passed the receptionist on a phone call and gave her a quick nod loaded with nuance. She blinked slowly then went back to the caller. I left that building never to return. I cannot remember if I was paid for half a day’s work, I did type a pile of addressed envelopes. However, there were no repercussions from my unscheduled walk-out. On that day, as the glare shimmered up from the concrete footpath, I took a deep breath of freedom knowing I would resign from the employment agency and find a permanent job, one that I could really love. Happily I did, but there was a lot of typing along the way as new equipment superseded the old. I embraced the electronic era, the internet and email connectivity, the computer functions, the fabulous formatting and home printers. And thankfully unchanged keyboards. However, I will never embrace Excel and I will always love books, pens, paper clips and days off. GBW.

ⓒ Written and compiled by Gretchen Bernet-Ward ❤ 2024.

Brisbane River Wharves 1970 viewed from Story Bridge – Original image attributed to Queensland University of Technology.

Review ‘Gunflower’ Laura Jean McKay

Image styling © Gretchen Bernet-Ward 2024

Award-winning author Laura Jean McKay writes on another level of unusual. Clever, jolting and altogether quite unique.

A certain maturity is needed to feel the strength and hypnotic power of the ‘Gunflower’ short stories. It’s not what’s written which holds the key. It’s the unsettling subtext and intertextuality which means there is more here than meets the reader’s eye.

These short stories transcend the written words so that my own reminiscences began to colour the pages. I squirmed, I laughed, I cried and most of all I realised where the author was coming from with each character or creature, for better or worse.

Grouped under three headings Birth / Life / Death, don’t let the idyllic pastoral bookcover fool you. Written with a keen eye, read ‘Last Days of Summer’ or ‘What We Do’ and try not to shiver with guilt. Some tales are one page length, memorably short and punchy. Perhaps the longest story is ‘Gunflower’ a powerful premise on abortion.

https://scribepublications.com.au/books-authors/books/gunflower-9781922585943

There is loss as well as survivor moments. As I read I remembered a person I knew just like one of the deli characters Joni in ‘Smoko’ but then grasped that I didn’t know the real person at all until the character showed me their inner tenacity. As did all the women in these stories; Felicity and Barb are particularly liberated in ‘Ranging’ 😉

This book may not appeal to the mass market and I bet readers will have different opinions on what ‘Site’ is all about. First Fleet? Booklovers often have a conservative bent when it comes to the patriarchy and also communicating with pets and animals. We tend to shy away like skittish horses at difficult chapters, but I think the subjects earned their hard-won place.

Brace yourself, this is a wild ride and McKay’s novel ‘The Animals In That Country’ seems restrained in comparison. I do wonder if short story collections are the ones which never flourish into fully fledged books. But, hey, these are thought-provoking gems and many Australian authors never get this far.

Keep it different, Laura, keep shaking it up.

Gretchen Bernet-Ward

Laura Jean McKay is the author of Gunflower, and The Animals in That Country (Scribe) was winner of the prestigious Arthur C. Clarke Award, The Victorian Prize for Literature, the ABIA Small Publishers Adult Book of the Year and co-winner of the Aurealis Award for Best Science Fiction Novel 2021. The Animals in That Country has been shortlisted for The Kitschies, The Stella Prize, The Readings Prize and the ASL Gold Medal and longlisted for the Miles Franklin Award.

Adult Content. Australian native animals not include with book © Gretchen Bernet-Ward 2021 | https://scribepublications.com.au/books-authors/books/the-animals-in-that-country-9781925849530

Hawkeye Books Announce Prize Winners 2023

Congratulations to the winners of the 2023 Sydney Hammond Memorial Short Story Competition!

Hawkeye Books would like to thank all the entrants for sharing their wonderful stories.

FIRST PLACE: Mr Popperwell Takes the Lead by Ned Stephenson

SECOND PLACE: Breakfast by Pete Armstrong

THIRD PLACE: Lefty Righty by Kathleen Klug

JUNIOR WINNER: The Bicycle of Forgotten Things by Pippini Niamh

Click here to read the full announcement.

Carolyn Martinez, Director of Hawkeye Publishing says ‘A cleverly crafted short story is not only enjoyable to read, but is also an excellent strategic step for a writer’s career. A shortlisted story shows publishers that you have unique and creative ideas, know how to draw readers in, and understand how to wield words to their maximum effect.

https://hawkeyepublishing.com.au/about/
Judging Panel

The writing group Brisbane Scribes, said ‘Deciding on forty titles to be published in an anthology was problematic enough, but distilling that list to a shortlist stimulated much debate amongst the judges with some passionate advocacy of individual selections. As would be expected, all on the list are well-written explorations of the competition theme and vary markedly in style and subject matter.’

Entrants should be extremely proud of the story they’ve produced and pre-orders are now open.

Share the winners news, tag them on Instagram, Facebook and Tiktok and include the hashtags #hawkeyepublishing #SHMSSC You can download a shareable image here:
Winner cover
Winner
2nd Place
3rd Place

If you would like to read more about what Hawkeye looks for in short stories, check out Winning Short Story Competitions info below. Each order of this fantastic book includes a previous year’s anthology (while stocks last). 

Looking to enter next year?
The 2024 Sydney Hammond Memorial Short Story Competition theme is:
‘The Look That Said It All’.
 
Hawkeye Publishing can’t wait to read your take on this theme!
 
The competition opens on the 1st of January 2024.
For more information
click here.

Books that leave a footprint on the heart and mind
www.hawkeyebooks.com.au
www.hawkeyepublishing.com.au

Scarlet Stiletto Writing Awards Now Open!

Sisters in Crimes Scarlet Stiletto Awards 2023 for best short crime and mystery stories turn 30 this year and the first prize winner takes home $2,000 donated by Swinburne University of Technology, plus the coveted trophy, a scarlet stiletto shoe with a steel stiletto heel plunging into a mount. The shortlist will be announced in October, with the awards being presented at a gala ceremony in Melbourne in late November.

In the lead-up to the ceremony, all of the winning stories over the past 30 years are being narrated by Susanna Lobez for Sisters in Crime’s very first podcast – Scarlet Stiletto Bites: Scintillating Stories by Australian women. The podcast is free and a new episode is available weekly on Fridays on Apple, Spotify, Amazon, Google, and other services.

Christina Lee, judges’ coordinator and winner of two trophies, said that the Scarlet Stiletto Awards were remarkable in their ability to uncover outstanding criminal talent.

“Winning a Scarlet Stiletto Award has often launched literary careers. To date, 4,332 stories have been entered with 33 (soon to be 34) Scarlet Stiletto Award winners–including category winners – going on to have novels published,” she said.

“Well-known authors who got their start with the Scarlet Stiletto Awards include Cate Kennedy, Tara Moss, Aoife Clifford, Ellie Marney, Angela Savage, and Anna Snoekstra. For Dervla McTiernan, just being shortlisted in 2015 gave her the impetus to finish five drafts of her first novel, The Ruin, and put her on the road to becoming a global publishing sensation.”

Former police officer, TJ Hamilton, says that winning the shoe in 2015 was “a huge turning point” in her career. In the eight years since, she has worked in various script departments across a wide variety of Australian dramas and is now in LA working on two crime shows.

Like many of Sisters in Crime’s best ideas, Scarlet Stiletto Awards sprang from a well-lubricated meeting in St Kilda in 1994, when the convenors debated how they could unearth the female criminal talent they were convinced was out there.

“Once a competition was settled on, it didn’t take long to settle on a name – the scarlet stiletto, a feminist play on the traditions of the genre. The stiletto is both a weapon and a shoe worn by women. And of course, the colour scarlet has a special association for us as women. And they were right – talent is lurking everywhere, sometimes in the most unlikely places!” Lee said.

Allen & Unwin is now offering the Best Young Writer Award ($1000). It previously offered a youth award for over two decades. Every Cloud Productions has boosted its Best History with Mystery Award to $1000. Overall, 30th Scarlet Stiletto Awards are offering a record $12,720 in prizes.

Monash University, which previously offered the Emerging Writers’ Award, is now offering an award for Best Campus Crime Story ($600). The only proviso is that it has to be set on the campus of a university, TAFE College, or vocational institution. The award draws on a long history of crime stories set at universities, such as Amanda Cross’ novel, Death in a Tenured Position, and Unable by Reason of Death and Not in Single Spies, set at Redmond Barry College (a thinly disguised RMIT University) by Lee herself and Felicity Allen, under pseudonyms.

Images supplied Sisters In Crime Australia Scarlet Stiletto Awards 2023

List of Award Categories:

Swinburne University Award: 1st Prize: $2000

Simon & Schuster Award: 2nd Prize: $1000

Sun Bookshop & Fremantle Press Award: 3rd Prize: $750

Allen & Unwin Award for Best Young Writer (under 19): $1000

Melbourne Athenaeum Library ‘Body in the Library’ Award: $1250 ($750 runner-up)

Every Cloud Award for Best Mystery with History Story: $1000

HQ Fiction Award for Best Thriller: $1000

Clan Destine Press Award for Best Cross-genre Story: $750

Kerry Greenwood Award for Best Malice Domestic Story: $750

Viliama Grakalic Art and Crime Award: $750

Monash University Award for Best Campus Crime Story: $600

ScriptWorks Award for a Great Film Idea: $500

Liz Navratil Award for Best Story with a Disabled Protagonist Award: $400

Writers Victoria for the story with the Most Satisfying Retribution: Choice of online course, prize worth $250

CLOSING DATE for the Awards is Thursday 31 August 2023
ENTRY FEE is $25 or $20 for Sisters in Crime members.
MAXIMUM LENGTH is 5,000 words.
The competition is open to all women, whether cisgender, transgender or intersex, who are citizens/residents of Australia.

30th Scarlet Stiletto Awards 2023

To download INFORMATION and a list of FAQs, go here.

To pay the ENTRY FEE go here.

A hardcopy Scarlet Stiletto collection of the first-prize winning stories will be launched at the Award ceremony along with Scarlet Stiletto: The Fifteenth Cut, a collection of the 2023 winning stories.
Also fourteen collections of winning stories are available: www.clandestinepress.net

Sisters in Crime 2023

Media comment: Christina Lee; 0424 003 285; c.lee@psy.uq.edu.au

Additional information: Carmel Shute, Secretary and National Convenor; 0412 569 356 

admin@sistersincrime.org.auwww.sistersincrime.org.au

Carmel Shute
Secretary & National Co-Convenor
Sisters in Crime Australia
PO Box 357 Balaclava Vic 3183 Australia
admin@sistersincrime.org.au
www.sistersincrime.org.au

Above information supplied by Sisters in Crime Australia.

 Gretchen Bernet-Ward

P.S. I am going to dig out my Half-Finished file and try again—

TRANSLATION “START WRITING NOW, DON’T WAIT”

Book Review ‘Sweet Jimmy’ by Bryan Brown

Background orchids image © Gretchen Bernet-Ward 2021 and photographed at The Tropic Gardener of Brisbane https://thetropicgardener.com.au/

I was absorbed and entertained all the way through this book.  Pared down storytelling, laced with moral ambiguity, shouting Australian crime noir.  Does author Bryan Brown know these blokes, hear good stories down the pub, or possess a very robust imagination?

Love his unabashed style ‘Clinton buys himself a pepper pie and a chocolate milk’.

Australians need no introduction to Bryan Brown, an actor of many characters in many movies around the world yet he remains true to his homeland (see ABC1 TV series ‘Old School’) and this new book of short stories highlight his considerable talent as an author.

It is refreshing to read a book of short stories which speaks to my generation of Australians: relationships, morals, turn-of-phrase, scenery, all genuine and if you can’t keep up that’s your problem – work on it.

Even if short stories are not your thing, be surprised at how well these work in such a compact way.

‘Sweet Jimmy’

Professor Leong asks why Frank missed his last counselling appointment.  ‘It gets in the way of my revenge,’ says straight-forward Frank. My favourite!

These men love their families yet, like Frank, they show questionable behaviour to avenge them.

The bookcover image, a Phalaenopsis orchid, ties-in with a story where both sides of the law are involved.

Alert – Sexist comment ahead…

From a woman’s perspective I thought Typical Males but I think from a male’s point of view the characters could be genuine mates in a bad place.  Not their fault, they scheme, they seek revenge.  They plot their way through sad, unjust or criminal situations which end with a tenebrous finale.

Also, there is one story I consider to be a Stephen King homage.

This compilation encapsulates the essence of crime fiction. Reminiscent of Peter Corris’ Cliff Hardy series, Bryan Brown plays it low-key but maybe one of his laconic blokes will soon score their own book. 

Gretchen Bernet-Ward