Publishing, Bookselling and a Bus

In November I attended two important events for any emerging writer – publishing and bookselling.  There is a bonus short story at the end of my report.

The first event I attended was “Pathways to Publishing” at Brisbane Square Library CBD hosted by Kylie Kaden, Carolyn Martinez and David Bobis.  Dr Kate Steele was unable to attend but there was much advice to hear and many questions to ask.  No trade secrets here.  The photos (below) show the tilted windows behind the speakers platform but not a clear view of the Victoria Bridge and the ferries going up and down the Brisbane River.

The Discussion Panel

Kylie Kaden is an internationally published author of women’s fiction, Carolyn Martinez is the Director of Hawkeye Publishing and David Bobis writes fiction short stories for newspapers and magazines.  Pantera Press and Alison Green were mentioned and I made a note that editor Lauren Daniels of Brisbane Writers Workshop is an exponent of “show not tell” method.

One hour flew by.  However, I’m too lazy to embrace the promotional rigors of self-publishing.  I did learn that persistence pays off.  Flipside: if you are traditionally published your publisher takes the weight off but the finished product is up to them, cover design and all.  Meanwhile I must try to write a completed manuscript.

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Just wanted to add this Brisbane City Council library poster. Good idea or bad idea? Uncomfortable or relaxed? Weird or fun? I haven’t made up my mind if this would work for me. I think I’d be too busy watching the other readers. GBW.

Got a load of newly minted books in boxes in your hallway?
Congrats, next comes The Bookselling

The second event I attended was GenreCon Night Market held at State Library of Queensland, South Bank.  The whole event ran for three days but I was there on Friday evening in my brand-new capacity as Secretary for Society of Women Writers Qld Inc sharing a table with two authors Toni Risson and Mocco WollertFurther down the room were Australian Authors, FAWQ, Virginia Miranda, Russell Perry and Indrani GangulyWe were surrounded by authors of every genre hoping to sell their nicely displayed wares.  Yes, cash and I were soon parted.

State Library has many rooms but this room is stunning with a mirrored ceiling and one end open to the balmy night breeze.  The permanent wall display cases are crowded with valuable antique tea cups and saucers.

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GenreCon 2019 featured a smorgasbord of leading names in Australian and international genre fiction. They had a spectacular line up of panels, workshops, author talks and special events where you could join over 200 writers, editors, agents and publishers for three days of celebrating genre plus Night Market, Costume Gala, GenreCon Badge and Conference Pack https://genrecon.com.au/

The venue filled up and was buzzing from 5pm-9pm but unfortunately nobody knew there was a Meet & Greet in another section with food and wine, so by the end of the night we were famished.

Early on, a cup of hot coffee had spilled across our table.  It soaked a lovely tablecloth which had to be discreetly removed.  I scored a beverage-damaged book which I shall enjoy reading even if the aroma of caffeine tingles my tastebuds.

No book sales for our table but it was a night of lively conversation and I handed out several SWWQ membership leaflets.

Your Bonus Reading

Being an exponent of public transport on both occasions I travelled to and from the venues in council buses.  Waiting at a city bus stop on a Friday night can be an interesting experience.

I saw the drunk staggering along the pavement and I hoped he and his wildly waving bottle of spirits would keep going.  No, he lurched to a stop in front of me.  To attract my attention, he bellowed “Hey, hey darlin” and leaned forward.  His voice dropped.  “I jus wanna say that’s a lovely dress ya wearin.”  He let out a cackle and stumbled away, only to stop again.  I refused eye contact but I knew he was looking back at me.  He shouted in triumph “Bet ya didn’t expect that!”  I gave a tiny smile then jumped up and practically ran to my bus.Draw-a-Bus Cartoon 07

Guess what?  The bus driver was new, took a wrong turn and actually got his whole busload of passengers lost!  I didn’t notice until I looked up and had not the foggiest idea where we were.  Neither did the bus driver.  The bus meandered through the night while we muttered to each other.  Thankfully a school teacher-type woman gave him directions on how to get back on route.  Good old human navigation.

I’ve no complaints because it was an almost magical Harry Potter experience being somewhere unrecognisable, going down steep streets, swerving around wide corners, passing twinkling cafes and glittering nightclubs.  The woman who got us back on track left the bus before me.  Eventually I arrived at my stop, none the worse for an unscheduled detour.  As I alighted I experienced a twinge of regret for not raising my voice and saying “Thank you” to the woman for her calm control of the situation.

Gretchen Bernet-Ward

Meet Me At The Paragon – A Greek Café Experience #slqGreekCafes

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I attended a special viewing of the Greek café phenomenon ‘Meet Me At The Paragon’.  This new exhibition features the history of Greek milk bars in Queensland and their importance within local communities.

When I entered the Heritage Learning Collections Room on Level 4 of State Library of Queensland, I was greeted by a table laden with food, from savoury snacks to desserts like baklava and sugar-powdered shortbread with drinks on the side.  Heaven!

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Evocative neon. Instead of the usual rows of seats, there were café chairs at round tables, such a nice touch. Guests were also given take-home gifts, and in my first photo you can see a fridge magnet, postcard and a traditional small paper bag of mixed lollies.

‘Meet Me At The Paragon’ explores the creation of American-style cafés which helped Greek migrants of the early to mid-1900s to start a new life in such a different land. The Paragon Café in Dalby, Queensland, was a meeting place for all ages to enjoy a malted milkshake or a sweet treat. The State Library of Queensland invited me to experience The Greek Café Phenomenon and learn true stories of the families who owned and operated them.

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This old poster is pretty self-explanatory. When I was small, I remember my mother buying me a small ‘brick’ of Peter’s ice-cream wrapped in white wax paper and sandwiching it between two square wafers. Crunchy and creamy at the same time! I think that Smak ice-cream stick is hilarious; at first I thought it said Smoke because it looks rather like a cigarette.

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Isn’t this incredible! When I was a kid, we owned a small single milkshake mixer with an aluminium cup. We had paper straws so needed to drink fast before the straw started to collapse. The taste was cool, creamy and delicious. This machine can mix times-three!

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My memories of drinking in a milk bar are hazy but I recall tall glasses of foaming milk and strawberry ice-cream.  This photograph of Christie’s café (Brisbane) spanned a whole wall and people took selfies which looked like they were really there #slqGreekCafes

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Here is the informative Curator who guided us around the exhibits.  In this room there is a cute waitress’ pinafore preserved in a glass case.  It appeared to be made of heavy white cotton and in excellent condition considering its age.  I doubt the wearer managed a full day’s work without getting a small stain or two!

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Lollies is an Australian word for sweets. Bulgarian Rock, Peanut Toffee, Turkish Delight, all kinds of confectionery were arrayed in long glass cabinets to dazzled customers as they walked into a Creek café. Can you imagine the delicious aroma! Most cafés used their own ice-cream for their sodas and sundaes.
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This looks like a scientist’s portable lab! These tiny bottles of Blue Ark Essences are housed in a briefcase-style case. The essences were concentrated fruit flavours and used in soda drinks, milkshakes and confectionery.

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This Golden Gate Café had a quaint yet welcoming shopfront.  In the Golden Gate Café in Winton, Australia, a passing sailor left behind a macaw which became the lifelong companion of the proprietor.  Or so the story goes.  Brisbane, Australia, was a base for American servicemen during World War II and signs like this made them feel welcome.

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Aren’t these three dudes handsome!  Unfortunately I did not get the gentlemen’s names nor do I know where their portrait was taken.  I viewed them in the White Gloves document section of the exhibition.  Later I discovered one fellow is the uncle of Chris Zavros.

I met Greek women  who shared their own delightful stories, and I strolled along rows of black and white photographs of beautiful Greek weddings and Greek families at work and play, a long time ago.  The country towns which had Greek cafés ranged throughout Queensland.  It would have been nice to say all the buildings are still standing several generations later—still, it is wonderful to see donated ephemera, to have their legacy remembered today.

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‘Meet Me At The Paragon’ runs for six months and there are more Curator talks planned (see website below) and a Brisbane Greeters walking tour.

Of course, many more items are on display, including monogrammed crockery and audio and video information I enjoyed the memorabilia which fuelled my inner historian.  This exhibition is suitable for everyone!  It would appeal to Greek genealogists, those interested in café culture trends, and anyone who has ever sipped a milkshake.

Gretchen Bernet-Ward

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Brochures resemble café menus on the polished wood table of a banquette where people can sit and reminisce about burgers and banana sundaes.

Find out more from State Library of Queensland
https://www.slq.qld.gov.au/whats-on/meet-me-paragon
and
http://blogs.slq.qld.gov.au/jol/2019/10/02/american-bar-brisbane/

Toni Risson Greek Cafes in Australia Aphrodite Bookcover

Further reading from curator and author Toni Risson
https://tonirisson.wordpress.com/
and
https://greekcafesinbrisbane.wordpress.com/author/tonirisson/

Brisbane Writers Festival Notes Part 3

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‘The World Turns’ by Michael Parekowhai. In his bronze casts, the small native water rat, the kuril (seen near the 5-metre tall elephant) is the hero. Along with the traditional Aboriginal custodians, the kuril is one of the caretakers of the land on which Gallery of Modern Art and this sculpture stand beside the river.

Sunday morning dawned bright and clear.  First, Jasper Fforde ‘Book Club’ up close and personal on the River Deck at State Library of Queensland, commencing at the civilised time of 10am.  I only managed one rather dull photograph because I didn’t feel comfortable breaking the reverent atmosphere.  Other times, it’s just not polite.

I waited with a friendly group of fans (all with different favourite books) as savoury snacks, cheeses, fresh fruit and small packs of mixed nuts were being put on low tables between an eclectic selection of chairs.  I watched the bar staff setting up with wine and soft drinks.  Scatter cushions were put on long low bench seating and I had my eye on a nice cosy corner.

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Left to right – book reader guest, Jasper Fforde, moderator, on the River Deck at State Library of Queensland looking across the Brisbane River towards the city.

Guest-of-honour Jasper Fforde talked about his 20-year career working in the film industry with some big names before he decided to write full-time.  He has 14 books under his literary belt.  These books are called post-modern, sort of parallel universe crime novels; he takes our world and tweaks it.  For example, Spec-Ops Thursday Next lives and works inside books, and in ‘Early Riser’ the Welsh population hibernate throughout winter with strange dreams and unsettling encounters.  Have a read of this New York Times review.  Jasper discussed his writing style, his books, and forthcoming standalone ‘The Constant Rabbit’.

Unfortunately I do not remember the name of our moderator, I know she taught creative writing.  She kicked off the Q&A session for us but we were a rather sedate bunch so no fierce debates ensued.  I asked Jasper about the gender ambiguity of Charlie Worthing in ‘Early Riser’ and how it was questioned on social media, adding it must have been difficult to write but it works.  The closest example mentioned was Virginia Woolf and ‘Orlando’ which contains gender androgyny.

As we sat and snacked and sipped, the view across Brisbane River towards the city was ever-changing.  CityCat ferries, a police patrol boat, the Kookaburra Queen paddle wheeler, and a jet boat or two cruised by, almost like a continually scrolling film.

Time was up!  All too soon it was over and I was smuggling a packet of mixed nuts into my bag for later.  I decided to get serious with the bookshop and purchased the items you see below.

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You know what happens, you go in browsing the books and next thing you are looking at all the book-related paraphernalia. Saw this book lover’s mug and couldn’t resist buying it. Happily, it features most of my favourite classics but it is a big mug and so far I haven’t been able to finish a full beverage.

Last item on my agenda, last but not least, was the Closing Address ‘This Way Humanity’.

Soon evening and 5.30pm arrived, as did the audience who piled into The Edge auditorium to hear Jasper Fforde’s closing words on a pretty heavy topic.  He delivered a personal 40-minute speech, going straight to the heart of the matter, raising pertinent questions on our future.  He gave examples about past, present and Little Daisy as yet unborn but what of her future.  Thoughts on where humanity is headed and the universal importance of literacy and book-reading and how we must dare to ignite and explore our imagination.

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The Edge auditorium, the audience hushed as Jasper Fforde delivered his 40-minute closing address entitled ‘This Way Humanity’.

To be honest, I couldn’t absorb all of the closing address, a thought-provoking mixture of insights and humour, and I’m hoping it will be available online for everyone to read.

By now I was getting hungry.  After a stroll through South Bank Parklands with family, we dined at the delightfully casual South Bank eatery Hop & Pickle where I had a super-duper fresh fish supper.

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After the Closing Speech, a stroll through South Bank Parklands and a relaxed dinner at Hop And Pickle on Little Stanley Street. “Proud purveyors of pub gastronomy”

On the walk back to the bus station, we bought sweet treats from Doughnut Time.  Yum!

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Walking back to the Cultural Centre bus station and just happened to spy the hole-in-the-wall Doughnut Time. Exotic delights with gorgeous names and way too much sugar and spice and all things nice. Yes, they did make it home before being devoured!

As you can see, I attended morning and evening events over the four days.  I travelled by council bus to and from each event.  That adds up to 10 bus trips of approximately 45 minutes duration each.  Yes, tedious, but I saved on parking fees and had a relaxing read during the journey.  Sometimes the bus was almost empty and on the last night it was packed so I stood up the whole way.

My visits were concentrated on one author (as you would have deduced!) yet each event was varied in presentation and content and I am very happy with the outcome.

I started my journey in the early morning with a smokey orange sky over the city.  Here is the same spot four days later looking twinkly in the late evening as I say goodbye to Brisbane Writers Festival for another year.  Safe travels, Mr Fforde.

Gretchen Bernet-Ward

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The Ending – nightlife – view from South Bank footbridge, looking across the river towards Brisbane City.

Brisbane Writers Festival Notes Part 2

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The Beginning – dust haze – view from South Bank footbridge, looking across the river towards Brisbane City.

This morning dawned an apocalyptic orange, heavy with outback smoke and dust.  Gone was the bright blue of springtime.  As I neared the city, gusty winds swirled around, making it difficult to know whether earth particles were coming in or being blown away.  Blinking dry eyes, I photographed the pallid light which struggled to illuminate the city skyline.

I was pretty annoyed at the weather’s bad timing.  With thousands of people, both local and international, converging on South Bank for the Brisbane Writers Festival, it made outdoor conditions uncomfortable.  I spared a thought for the farmers and those suffering terribly as bushfires rage across Queensland. We need our wet season now!

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View of Brisbane City from council bus window, the morning light seemed lifeless, glazed in outback dust as the 2019 drought worsens.

I was trying not to hurry.  I could taste the dust as it rasped in and out of my lungs.  Nerves and excitement made me shallow breathe, this was the first morning event at Brisbane Writers Festival.  After a quick swig from my water bottle, I headed towards State Library.   “Slow down”, I chided.  “Take a photo of the whales”.

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Life-size adult Humpback Whales and calf in the walkway of Queensland Museum, Brisbane, with complex underwater songs. The Humpback Whale (Megaptera novaeangliae) occurs in all oceans of the world. Herds migrate along the Queensland coast between winter breeding and summer feeding grounds. This species was given complete protection by the International Whaling Commission in the southern and northern hemispheres. Today, the eastern Australian Humpback Whales show signs of strong recovery from commercial whaling. “Save The Whales”

After my paper ticket was beeped, I entered the Queensland Writers Centre rooms, oh, the joy of filtered air.  I settled into a well-designed (and comfortable) white upholstered chair ready for “Writing Futures”.  Placed in front of me was a bowl of sweets to fortify and information to read.  Two people were already standing beside a whiteboard.  One was the QWC spokesperson and the other was UK author Jasper Fforde.  He was about to give us a three-hour almost non-stop workshop based on his “narrative dare” principle.  Pens, paper and iPads were certainly worked overtime!

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I tiptoed past the Zen garden so as not to wake the sleeping rocks or disturb the gravel waves.

On arrival next day, a more pleasant day, I turned the corner and there was the solid, colourful comfort of Angel’s Place, a 7.5metre high dome structure which features a print of an original artwork created by artist Gordon Hookey.  Angel’s Palace is a multi-disciplinary collaboration that represents the voice of Indigenous Australia and celebrates Aboriginal storytelling and literature in a powerful experience for audiences.

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Angel’s Place on Maiwar Green outside the Gallery of Modern Art where special performances of Carpentaria were held throughout the Brisbane Writers Festival from panel discussions to secrets of the land.
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Angel’s Place, Brisbane Writers Festival, where ancient stories are told about Carpentaria. Here lives the spirit nest of the ancient serpent, a creature larger than storm clouds, who came down from the stars. On top of the snake’s spirit nest lies Angel’s Palace, the home of Angel Day. Look closely…

While I was photographing Angel’s Place, I heard a cultured Englishman’s voice behind me, asking a question about the dome.  I recognised that voice!  Sure enough, when I swung around I saw author Jasper Fforde walking past, heading towards Gallery of Modern Art with others on the “Dream Worlds” panel.  A fanfic moment rushed over me.  Before I knew it I was following the VIP group.  Walk, click, click, walk and they disappeared inside.  The audience was ushered in shortly afterwards and we took our seats in Cinema B for some serious (and silly) stuff on sleep and dreams.

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The weather had cleared and it was much finer on the second day of Brisbane Writers Festival. The arrow points to UK author Jasper Fforde followed by “Dream Worlds” panel moderator Sarah L’Estrange of ABC Radio National which broadcast the event.
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“Dream Worlds” panel discussion (left to right) moderator Sarah L’Estrange, guest authors USA Karen Thompson Walker, UK Jasper Fforde, Australia Krissy Kneen. And I purchased each of their books.

Official link to ABC Radio National audio recording https://www.abc.net.au/radionational/programs/the-book-show/dreams-bwf/11506864

Had lunch at home prior to returning for “Early Riser: An Evening Conversation” with Jasper Fforde and hosted by John Birmingham in The Edge auditorium, State Library of Queensland.  Tough words, Jasper doesn’t swear but John does, and there were jibes, a bite to their conversation.  Jasper talked about the creation of his current book and John advised him not to give away any spoilers.

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Author Jasper Fforde and author/moderator John Birmingham at Brisbane Writers Festival 2019. I always had a good view of the proceedings and noted that the majority of attendees were women. Do women read more, are women more aware of literary diversity?

Below is what the queue looked like while I was waiting for Jasper Fforde’s autograph.  And I stood with an old work colleague I met quite by accident.  Jasper kindly signed my copy of “Early Riser”, stamped it This book has been declare SKILLZERO Protocol Approved”—an author/reader joke—and tucked a postcard inside.  I asked him what his favourite pet would be, Dodo or Quarkbeast, and he said Quarkbeast (from “The Last Dragonslayer” series) so the family was happy.

You may have noticed that I do not describe the full content of each event.  This is personal preference, I don’t want to divulge things which may be copyright.

The organisation and facilities for this experience are first-class and everything ran smoothly.  As a past volunteer at other literary occasions, I appreciated the knowledge and friendliness of the current volunteers.  Their fluorescent aqua t-shirts stood out!

Another day draws to a close.  I looked forward to tomorrow and perusing more free activities, strolling around the abundant bookshop, then chatting at author “Book Club” with drinks and nibbles, sitting on cushions in the sunshine on the River Deck at State Library.  It’s not difficult to appreciate the luxury of it all.

Ciao for now!

Gretchen Bernet-Ward