Ethel Turner Wrote More Than Seven Little Australians

King Anne by Ethel Turner was published in 1921 and my great aunt gifted this novel to her sister, my paternal grandmother, at Christmastime in 1922 after she had first read it. Many years passed by and when Grandma thought the time was right she passed King Anne on to me.

Unfortunately at that time I was not the least bit interested.

British-born Australian author Ethel Turner (1870-1958) was a novelist and children’s literature writer. She wrote over 30 books and collections of short stories and verse, mostly centred around girls and for girls. King Anne was Turner’s thirty-sixth published work.

Perhaps because I didn’t quite get into her first novel, the epic family saga Seven Little Australians (1894) of which NSW State Library holds the original hand-written manuscript, I therefore gave pseudo-royal King Anne’s weighty tome (as it seemed to me at the time) a wide detour.

The bookcover faded and King Anne languished for many, many years on the family bookshelves, sandwiched between ancient copies of Kidnapped, Pilgrims Progress and Wind in the Willows, and enduring several moves until by some quirk of fate I reached for it today February 2022 when my great aunt and grandmother would have read it one hundred years ago. (Shivers)

I have no memory of the storyline. Now I WILL have to read it!

First I shall create a pictorial and some background information—

The book has foxing and is not in good condition but you can see the etiquette of the time. Written in brackets underneath ETHEL TURNER is the abbreviation Mrs coupled with her husband’s name thus Mrs H. R. Curlewis. Herbert Raine Curlewis was a judge.

The frontispiece and three illustration plates are beautifully rendered, showing family life at the time. They are miniature works of art in their own right, sometimes removed and framed by the book owner. The far right image was adapted and embossed on the front cover of King Anne.

The artist has not been acknowledged and from online booksellers information you can take your pick. Possibly Harold Copping, and it seems A.J. Johnson‘s small-format illustrations were later replaced by full page works from J. Macfarlane. Each had illustrated books for Ethel Turner.

Inside the back leaves of King Anne (you leaf through a book because the pages are called leaves) under the heading Charming Stories by Isabel M Peacocke – another author of similar genre – there is a rather ambiguous book review of My Friend Phil (1915) from a Queensland Times reviewer which reads “… without doubt the best since Ethel Turner took the reading world by storm with her ‘Seven Little Australians’…” poor Isabel M Peacocke.

The difference between the size and weight of these two books was misleading until held in my hands. Natasha Pulley’s The Kingdoms is a slimmer volume with a lighter bookcover and thinner pages compared to Ethel Turner’s bulky King Anne with its fabric-over-cardboard bookcover, cotton stitching and stiff parchment-like pages. The modern publication is 200g heavier.

Australian author Ethel Turner booklist:

Seven Little Australians (1894)
The Family at Misrule (1895)
Story of a Baby (1895)
Little Larrikin (1896)
Miss Bobbie (1897)
Camp at Wandining (1898)
Gum Leaves (1900)
Three Little Maids (1900)
Wonder Child (1901)
Little Mother Meg (1902)
Raft in the Bush (1902)
Betty & Co (1903)
Mothers Little Girl (1904)
White Roofed Tree (1905)
In the Mist of the Mountains (1906)
Walking to School (1907)
Stolen Voyage (1907)
Happy Hearts (1908)
That Girl (1908)
Birthday Book (1909)
Fugitives from Fortune (1909)
Fair Ines (1910)
An Orge up to Date (1911)
Apple of Happiness (1911)
Fifteen & Fair (1911)
Ports & Happy Havens (1911)
Tiny House (1911)
Secret of the Sea (1913)
Flower O’ the Pine (1914)
The Cub (1915)
John of Daunt (1916)
Captain Cub (1917)
St Tom & The Dragon (1918)
Brigid & the Cub (1919)
Laughing Water (1920)
**King Anne (1921)
Jennifer, J. (1922)
Sunshine Family (1923)
(with Jean Curlewis her daughter)
Nicola Silva (1924)
Ungardeners (1925)
Funny (1926)
Judy & Punch (1928)
**King Anne is Number 36 on this list and according to the list in my book (photo above) this was her 21st novel.

Ethel Turner’s literary works have been largely forgotten but she, and a handful of other women writers, paved the way for Australian books for Australian children. My grandparents were educated with, and read, British books, so I admire Ethel Turner’s achievements. The following websites make interesting reading – GBW.

Tea With Ethel Turner by author blogger Rowena (link below) is exceptionally well written and researched. On my own research, so far I have found scant reference to King Anne.

https://teawithethelturner.com/category/seven-little-australians/

https://biblio.com.au/king-anne-by-turner-ethel/work/1139377

https://adb.anu.edu.au/biography/turner-ethel-mary-8885

https://www.fantasticfiction.com/t/ethel-turner/

https://australianwomenwriters.com/

Important Addendum: Australian Women Writers Challenge The Early Years is concentrating on past Australian women writers of all genres who were published then faded away. AWW have restructured their blog to highlight the writing of earlier Australian women; works published 50+ years ago. If you happen to find and read a forgotten gem, AWW would be interested in your book review.

I will be posting my King Anne review in due course. In the meantime, perhaps YOU might find another first edition little-known Ethel Turner on your bookshelf?

Classics deserve to be read again!

 Gretchen Bernet-Ward

Ethel Turner’s first home ‘Woodlands’ NSW as it was in 1892. Ethel is pictured on the right side of the verandah, her older sister and fellow author Lillian is on the left. The gentleman on the horse is unnamed, possibly Herbert Curlewis. The residence has been added to and greatly altered over many years. Picture: Mrs Phillipa Poole

‘Woodlands’ (circa 1884) information and photographs compiled by Alison Cheung, writer and real estate reporter.

‘Avenel’ (circa 1906) compiled and posted by David Carment Lost Mosman from various sources with his photographs and others courtesy of Mosman Library.

Book Review ‘Sweet Jimmy’ by Bryan Brown

Background orchids image © Gretchen Bernet-Ward 2021 and photographed at The Tropic Gardener of Brisbane https://thetropicgardener.com.au/

I was absorbed and entertained all the way through this book.  Pared down storytelling, laced with moral ambiguity, shouting Australian crime noir.  Does author Bryan Brown know these blokes, hear good stories down the pub, or possess a very robust imagination?

Love his unabashed style ‘Clinton buys himself a pepper pie and a chocolate milk’.

Australians need no introduction to Bryan Brown, an actor of many characters in many movies around the world yet he remains true to his homeland (see ABC1 TV series ‘Old School’) and this new book of short stories highlight his considerable talent as an author.

It is refreshing to read a book of short stories which speaks to my generation of Australians: relationships, morals, turn-of-phrase, scenery, all genuine and if you can’t keep up that’s your problem – work on it.

Even if short stories are not your thing, be surprised at how well these work in such a compact way.

‘Sweet Jimmy’

Professor Leong asks why Frank missed his last counselling appointment.  ‘It gets in the way of my revenge,’ says straight-forward Frank. My favourite!

These men love their families yet, like Frank, they show questionable behaviour to avenge them.

The bookcover image, a Phalaenopsis orchid, ties-in with a story where both sides of the law are involved.

Alert – Sexist comment ahead…

From a woman’s perspective I thought Typical Males but I think from a male’s point of view the characters could be genuine mates in a bad place.  Not their fault, they scheme, they seek revenge.  They plot their way through sad, unjust or criminal situations which end with a tenebrous finale.

Also, there is one story I consider to be a Stephen King homage.

This compilation encapsulates the essence of crime fiction. Reminiscent of Peter Corris’ Cliff Hardy series, Bryan Brown plays it low-key but maybe one of his laconic blokes will soon score their own book. 

Gretchen Bernet-Ward

New Zealand Mystery ‘Cardamine’ by Jennifer Barraclough

The year is 2019, and backpacking tourist Kate explores the sights of Auckland in New Zealand’s North Island, sampling food and wine pre-Covid, unaware she will become involved in a mysterious incident. It all starts on a vineyard wine-tasting tour when Kate meets Vivian Anderson, an eccentric and wealthy older man who talks in great swathes of dialogue.  When calamity strikes, causing Kate to miss her flight back home to UK, Vivian suggests a stopover in his country residence ‘Cardamine’.   

Kate appears naïve but weighs up the pros and cons and accepts Vivian’s offer of accommodation which certainly makes her holiday more enjoyable.  However, not everyone is happy with this open-ended arrangement. Outspoken housekeeper Elly thinks her boss Vivian is yet again being taken advantage of by a woman, namely Kate.

Also, Elly doesn’t have a good word to say about Vivian’s ‘mail order’ wife Tatyana who suddenly vanished, leaving everything behind. The big question is ‘Where did she go?’  When exploring the house and grounds, Kate sees an abandoned pond at the bottom of the garden which strikes her as being rather peculiar.

Thirty year-old Kate texts and writes on-again off-again emails to her boyfriend Orlando who would like her to come home.  Kate is undecided on this, having developed a crush on Silvio who works in the local Red Lotus café.  She seems to fall on her feet meeting nice people like the café owner Lawan who fills her up on food and local information. 

It’s all glorious beaches and swimming with Silvio, driving an Aston Martin and playing a baby grand piano, but Kate does appreciate Vivian’s hospitality. At one stage she overhauls the kitchen cupboards and makes him wholesome meals instead of the usual pre-packaged deliveries, thus cooking becomes her daily task.

Vivian enjoys Kate’s company and talks like an endearing encyclopaedia, causing her to suspect he may be on the autism spectrum. He obviously misses his wife Tatyana. Kate grows inquisitive and decides to investigate Tatyana’s disappearance. Events heat up and nasty things happen which lead the impulsive Kate into a messy and dangerous situation.

‘Cardamine’ is suitable for a general audience, but for me the overall tension could have been stronger, particularly with the themes of xenophobia, drug references and immigration fraud. In parts of the story, telling is used instead of showing (e.g. pohutukawa tree?) and I think greater use of the five senses would not have gone amiss—then along comes a glowing chapter like Kate’s first hot southern climate Christmas. Worth reading!

An intriguing combination of travelogue and cosy mystery, author Jennifer Barraclough has created an excellent cast of characters with a neat plot twist and unexpected ending. GBW

With more to explore, perhaps there is a possibility of further NZ adventures for Kate.

Gretchen Bernet-Ward

BACKGROUND https://jenniferbarraclough.com/2021/11/03/writing-as-an-englishwoman-in-new-zealand/

Quote “Most novels contain elements of autobiography and the setting for this one was informed by my own memories of visiting New Zealand for the first time, discovering the beautiful beaches and countryside, the enticing vineyards and coffee shops. Several North Island locations – Waiheke, Browns Bay, Riverhead Forest, Muriwai – are featured in the book.”

My thanks to author Jennifer Barraclough for a review copy of ‘Cardamine’.

WEBSITE AND BLOG https://www.jenniferbarraclough.com

‘CARDAMINE’ is available in either paperback or Kindle formats from your local Amazon website.

AMAZON AUTHOR PAGE https://www.amazon.com/Jennifer-Barraclough/e/B001HPXGZI

PREVIOUSLY REVIEWED ‘You Yet Shall Die’ https://thoughtsbecomewords.com/2020/04/19/review-you-yet-shall-die-by-jennifer-barraclough/

Book Review ‘Apples Never Fall’ Liane Moriarty

Photograph © Gretchen Bernet-Ward 2021

Years ago, I wrote on the office whiteboard “Big Little Lies by Liane Moriarty is going to be huge.”  And it was. Now comes Apples Never Fall, another exceptional addition to the Moriarty canon, an enthralling novel of thought-provoking misdirection, a blueprint of interior family life, a drama so emotionally complex that I thought it was either a memoir, or years of studying suburban families.

In this case it’s the Delaney family with their tennis fixation, the obsessive training and competition of tennis, and its aftermath soaking into decades of their family relationships.

I followed the sudden arrival of stranger Savannah Pagonis, a cooking wiz, into the unsuspecting Delaney household, and discovered how Joy and Stan Delaney handle this peculiar arrangement while coping with retirement and the dysfunctional lives of four Delaney children now adults.

When matriarch Joy mysteriously disappears, the overarching plot hinges on “Joy, dead or alive?” and is set in present time with flashbacks. Husband Stan and deceptive Savannah are under suspicion, and here clues are planted, the trail of breadcrumbs laid for the observant reader.

Sprinkled throughout the story are friends, neighbours and comic relief from police duo DC Christina Khoury and PC Ethan Lim who struggle with their missing person investigation.

In the case of Savannah and the Delaney siblings Amy, Troy, Logan and Brooke, as youngsters they never seemed to trot off to school. Perhaps an alert teacher could have helped. However, I am sure readers will recognise their fraternal traits as grown-ups.  Character-wise I think son Logan is great, followed by unfathomable dad Stan.

Seventy-one domestic drama chapters unfold in all their glory; chapter 52 is cataclysmic, chapter 53 almost poetry.  At times the plot framework showed, the screenwriting element intruded, and I did not particularly like the odd use of “Troy’s father” or “Amy’s mother” instead of their names but these are minor points; the dialogue pulsates and glows.

Liane Moriarty writes breathtaking dialogue and suspenseful moments leaving no stone unturned on this rocky domestic landscape.

“Apples Never Fall”

The sense of place is strong and even though there is a lot going on, Moriarty has written an intimate narrative of social and relationship enlightenment which got me recalling my own younger life, the missed cues and insights the older me now recognises.

As the innermost workings of the Delaney family are laid bare, Moriarty’s writing transcends game, set and match, particularly relating to Joy and motherhood.  Wow, I could read out pages of Joy and defy any woman to say she hasn’t felt the same at some point in her life.

I thoroughly enjoyed reading this novel.

Gretchen Bernet-Ward

Rating “Apples Never Fall”

Rating: 5 out of 5.
Shape poetry source unknown

Book Review ‘The Others’ Mark Brandi

Image © Gretchen Bernet-Ward 2021

A boy gets a diary for his 11th birthday, to help with his writing practice. What begins as an innocent account of a child’s daily life quickly becomes for the reader something much darker.

We see the world through the eyes of a child, written with masterful naivety by Mark Brandi that few authors manage to capture. The boy tells us about his daily routine, his schoolwork, the farm work he and his father do, and the names of his favourite sheep. He tells us about his father’s ‘gold tooth’ – the way he knows his father’s smile is genuine, and how he misses seeing it more because the rain hasn’t come. He tells us how he’s learnt ‘being taught something’ is different to ‘being taught a lesson’. Through our story-teller, we begin to cotton on that life on the farm is anything but normal. Our main character has only ever known this world; we know better.

The stick against the tree trunk © Gretchen Bernet-Ward 2021

The story is written in a way that drags you in and pulls you along, unwillingly at times as the brutality of nature is so vividly portrayed (and sketched) by our young protagonist. His father, stern and scarce with his affection, runs through the narrative with an enigmatic, threatening presence – the reader gets to see more than our protagonist does, which adds to the tension. We understand; his son does not.

The cast is light-on. The father and son are central, we have some animal characters, and four people mostly alluded too – his mother, and three Others. The beauty of The Others is that we don’t need anyone else; the sense of Tasmanian isolation and the terror that comes with it really makes the story.

Images © Gretchen Bernet-Ward 2021

As plots go, there isn’t the traditional rollercoaster ride of some thrillers. Instead, there is a slow rolling on of dread which grows with each secret our protagonist keeps from his father – a note, voices heard in the dead of night, a strange noise in the trees – that finally comes to a traumatic head in the final chapters. The resolution is swift, underwhelming; it leaves more questions than it answers. We puzzle together the last terrible clues and are left with a sense that life could never be the same again.

© Gretchen Bernet-Ward 2021

Only one thing let the book down for me – the voice of our protagonist changed. In the final act he goes from using the childish descriptions of a boy to a very deliberate ‘lyrical’ style of the author. Descriptions took priority and it felt jarringly unnatural from our protagonist to be spouting self-reflective prose. However, for the most part, the ‘voice’ of our main character stayed the same, without ever compromising on storytelling.

The most interesting thing for me was that names were never used. Our main character’s name – Jacob – was never said by his father; only once in a letter, on basically the last page. His father’s name was never given at all. The only character named in full was Jacob’s mother. It was a surprise for me that a story could flow so well without ever really giving itself away – we never quite find out all the details. The mystery is left open for our interpretation, and in the end, that’s the scariest part of all.

I would give The Others 4/5 stars because nothing is perfect but this gets pretty dang close.

Gretchen Bernet-Wardin collaboration with Dot Bernet.

________________________________

AUTHOR PROFILE

Mark Brandi’s bestselling novel, Wimmera, won the coveted British Crime Writers’ Association Debut Dagger, and was named Best Debut at the 2018 Australian Indie Book Awards. It was also shortlisted for the Australian Book Industry Awards Literary Fiction Book of the Year, and the Matt Richell Award for New Writer of the Year. His second novel, The Rip, was published to critical acclaim by Hachette Australia in March 2019. Mark published The Others in 2021.

Mark had shorter works appear in The Guardian, The Age, the Big Issue, and in journals both here and overseas. His writing is also sometimes heard on ABC Radio National.

Mark graduated with a criminal justice degree and worked extensively in the justice system, before changing direction and deciding to write. Originally from Italy, he grew up in rural Victoria, and now lives in Melbourne and is creating his next work of fiction.

PRAISE FOR THE OTHERS

“Spare yet emotionally sumptuous… laced with page-turning suspense, and a creeping sense of dread that turns into something excruciatingly claustrophobic as it builds to its heart-pounding crescendo”

SIMON MCDONALD, POTTS POINT BOOKSHOP AND WORDPRESS BLOGGER

Review ‘The Emporium of Imagination’ Tabitha Bird

Image © Gretchen Bernet-Ward 2021

A tale of love, loss, grief and healing wrapped in magical realism and suitable for a wide range of readers.  Families in this story have lost loved ones and are either handling their grief, not handling it, or ignoring it.  They carry suppressed fears, squashed desires, and unfulfilled dreams but The Emporium of Imagination is here to help.  And help it does, in the strangest of ways.  I know the town of Boonah (and the camel farm) and felt an affinity as the story unfolded but apart from Story Tree café and Blumbergville Clock in High Street, similarities ended there.

A man, a cat and a key arrive with The Emporium and set up shop in the main street of Boonah, offering special ‘phones’, strange notes on scraps of paper and the ability to hear human grief in all its stages.  Although this may sound gloomy, at worst depressing, the characters keep things moving, offering the reader many POVs and scenarios ranging from timidity to teen humour, guilt to anger, regret, and worse case scenarios like replaying the death of a loved one.  The narrative often has dreamlike suspension of disbelief but the heartache is real.  

The iconic clock mentioned in the book is named after the original Blumbergville settlement in Boonah and is made out of old farming and industrial equipment. In 2014, Boonah artist Christopher Trotter created the clock with Boonah clock-maker David Bland designed to mark the town’s rural heritage.

The Emporium’s former custodian, Earlatidge Hubert Umbray, gives way to a new curator who decides not to answer the special ‘phone’ but believes the townspeople of Boonah deserve hope ‘I can’t take that away from them’ although cynical me wonders if it would give false hope?  Surely a nicely worded pep talk about getting on with your life and following those cherished dreams would work?  However, the story is more restrained than that and gently imparts the whys and wherefores of coping with grief. 

I felt the inside of The Emporium was a bit Disney-movie.  While I tried to put my own emotions into a character, the practicable side of me could not relate to uncertain concepts.  Would a final ‘phone call’ to the recently deceased help the person in mourning, or would it tip them over the brink?  Items include Ladybird lollipops (nobody pays for goods); special connections to memorabilia; a notebook which turns up in the oddest places for select clientele; and a subtle cat with an unsubtle name.

In the last pages of the book I found the experiences of author Tabitha Bird just as moving as the characters in the book (poor dear Enoch) but that’s just me.  There is an end page headed The Owner’s Guide To Grieving in keeping with The Emporium’s roving notebook, offering the opportunity to write in ‘A quiet space to simply be’. I read a new library book so abstained from writing on the page—I bet someone does.

Now I’m off to bake Bedtime Muffins from Isaac’s (Enoch’s dad) recipe!

Gretchen Bernet-Ward

Grantham Gatton Helidon Road vintage shop © Gretchen Bernet-Ward 2019

The Oldest Foods on Earth

The Oldest Foods On Earth cookbook photo © Gretchen Bernet-Ward 2021

‘The Oldest Foods on Earth’ introduction by author John Newton who asks ‘What do I mean by Australian native produce?’

Quote “Indigenous foods we have always eaten, e.g. oysters, crabs, rock crayfish and all the fish that swim around us… and varieties of duck and quail… but outside the familiar are an estimated 6,000 edible plants including 2,400 fruiting trees in south-east Queensland alone, and 2,000 truffles or subterranean mushrooms.  Of those, 6,000 non-Indigenous Australians currently use less than fifty.

“Why should you eat these foods?  Firstly, for their unique flavours, then for their nutrient values… they are among the richest on the planet in the nutrients we need for health.

“This book is a guide on how to source, select and cook with Australian native produce ingredients.” © John Newton 2019

Published by NewSouth Publishing Australia with recipes from chefs such as Peter Gilmore, Maggie Beer and René Redzepi’s sous chef Beau Clugston. ‘The Oldest Foods on Earth’ will convince you that this is one food revolution that really matters.

Gretchen Bernet-Ward

Indigenous painting ‘Possums and Tall Trees’ an Arabana ILF children’s book by Aunty Kathy Arbon 2018

DID YOU KNOW? Former teacher Suzy Wilson, the owner of Riverbend Books in Bulimba, Brisbane, got the ball rolling in 2004 when she launched the Riverbend Readers Challenge to raise money to boost literacy levels. The Challenge grew, and then teamed up with the Fred Hollows Foundation and the Australian Book Industry to become the Indigenous Literacy Project in 2007. In 2011 it was superseded by the Indigenous Literacy Foundation (ILF), a national not-for-profit charity focussed on improving literacy levels in very remote Aboriginal and Torres Strait Islander communities.

Source https://www.indigenousliteracyfoundation.org.au/

‘Sanditon’ TV Drama Series

Jane Austen’s unfinished heroine, Charlotte Heywood, is invited to Sanditon, a small coastal village undergoing modern changes to become a fashionable seaside resort (with revolutionary sea bathing) and she soon finds herself navigating the high ambitions of its architect Tom Parker, the family affairs of wealthy benefactor Lady Denham, and the secrets of village life. There are, of course, two handsome suitors. But a very important question hangs in the air—will Sanditon be a successful venture?

Sanditon, an eight-part drama from Jane Austen’s last and unfinished novel adapted by Andrew Davies, left fans of the TV series divided by the uncharacteristic ending and the knowledge that there would not be another installment.

Production company Red Planet Pictures is a leading independent UK producer of high-end drama founded by multi-award winning British television writer Tony Jordan in 2006, and run with Belinda Campbell and Alex Jones whose recent productions include Sanditon, a dramatisation which caused much disarray in the Jane Austen fandom.

However, I read these recent quotes

“A second and third series were commissioned as part of a collaboration between PBS and BritBox in May 2021″

“Masterpiece PBS: After fans were left hanging in suspense by the first season’s finale and clamouring for more, the drama will continue to follow the high-spirited and independent heroine, Charlotte Heywood (Rose Williams) as she returns to the picturesque coastal resort of Sanditon. Charlotte’s journey is one thread of an intricate tapestry of compelling stories full of intrigue, excitement, and romance. Against the backdrop of beautiful vistas, familiar faces return and new inhabitants are introduced—all of whom will be having adventures as joyous and surprising as the seaside town itself.”

https://www.townandcountrymag.com/leisure/arts-and-culture/a30272999/sanditon-season-2/

So, the stars over Sanditon will continue to shine.

In Australia, the first series is free-to-air on ABCTV iView. I found the story very enjoyable and loved the characters. It has been a long time since I was irate about a surprise ending although I did appreciated the way the two actors handled The Moment. Generally, I felt some liberties were taken with etiquette, the background scenery was sometimes questionable but the costumes were suitably detailed and quite lavish when the need arose.

Love it or loathe it, this is another story which will join the long list of adaptations of Jane Austen’s enduring works.

Gretchen Bernet-Ward

Sanditon beach cricket and Charlotte goes into bat.

Dragon Love – Julie Kagawa

Dragon © Gretchen Bernet-Ward 2021

“I was a huge bookworm as a kid, and you could usually find me reading something with a dragon on its cover.” – Julie Kagawa.

Talon (Book #1)

“To take her rightful place in the Talon organization, young dragon Ember Hill must prove she can hide her true nature and blend in with humans. Her delight at the prospect of a summer of ‘normal’ teen experiences is short-lived, however, once she discovers that she’s also expected to train for her destined career in Talon. But a chance meeting with a rogue dragon will soon challenge everything Ember has been taught.

“As Ember struggles to accept her future, St. George soldier Garret Xavier Sebastian is tasked with hunting her down. But when faced with Ember’s bravery, confidence and all-too-human desires, Garret begins to question everything the Order has ingrained in him — and what he might be willing to give up to uncover the truth about dragons.”

Source https://www.worldsofjuliekagawa.com/page6.html#msg-box4-t

Author Julie Kagawa is a New York Times, USA TODAY and internationally bestselling author of The Iron Fey, Blood of Eden, The Talon Saga and the Shadow of the Fox series. Born in Sacramento, she has been a bookseller and an animal trainer and enjoys reading, painting, playing in her garden and training in martial arts. She lives in North Carolina with her husband and a plethora of pets.

https://www.worldsofjuliekagawa.com/

This post is for the dragon lovers in my family.

Gretchen Bernet-Ward

Alun Richards, Tom Jones, Helena Attlee on Wales Readathon #dewithon21

This year there is no set book for Wales Readathon 2021 so I have chosen subjects of Welsh origin which appeal to me, but it seems I have borrowed books with quite substantial content and I may not comfortably finish reading all of them within the month of March. 

BOOK ONE within the ‘Penguin Book of Welsh Short Stories’ edited by Alun Richards there are twenty-four famous Welsh authors.

BOOK TWO singer Tom Jones ‘Over the Top and Back: The Autobiography’ is quite a hefty volume and packed full of action.

BOOK THREE ‘The Gardens of Wales’ compiled by garden design historian Helena Attlee, photography by Alex Ramsay, is splendidly presented in true coffee-table style with absorbing information.

You can see I love a good dose of contextual facts and photographs.  

Reviews below—on with the show

PENGUIN BOOK OF WELSH SHORT STORIES
Edited: Alun Richards
First published: 1976
Second edition: August 2011
ISBN: 9780241955468
Number of Pages: 348
Publisher: Penguin Books Ltd

There are twenty-four short stories in this slim volume ‘The Penguin Book of Welsh Short Stories’ edited by Alun Richards (some have been translated from the original Welsh) and I am going to list every one even though I am only half way through—

THE FASHION PLATE  –  Rhys Davies
THE GOLDEN PONY  –  Glyn Jones
ACTING CAPTAIN –  Alun Lewis
SATURDAY NIGHT  –  Geraint Goodwin
THE LOSS  –  Kate Roberts
THE BRUTE CREATION  –  Gwyn Jones
EXTRAORDINARY LITTLE COUGH  –  Dylan Thomas
A SUCCESSFUL YEAR  –  D. J. Williams
THE TEACHER  –  Gwyn Thomas
THE STRANGE APEMAN  –  E. Tegla Davies
BE THIS HER MEMORIAL  –  Caradoc Evans
THE RETURN  –  Brenda Chamberlain
TWENTY TONS OF COAL  –  B. L. Coombes
THE SQUIRE OF HAVILAH  –  T. Hughes Jones
AN OVERDOSE OF SUN  –  Eigra Lewis Roberts
THE HOUSE IN BUILTH CRESCENT  –  Moira Dearnley
BLIND DATE  –  Jane Edwards
MORFYDD’S CELEBRATION  –  Harri Pritchard Jones
A WRITER CAME TO OUR PLACE  –  John Morgan
A ROMAN SPRING  –  Leslie Norris
BEFORE FOREVER AFTER  –  Ron Berry
HON. SEC. (R.F.C.)  –  Alun Richards
BLACK BARREN  –  Islwyn Ffowc Elis
MEL’S SECRET LOVE  –  Emyr Humphreys

Backcover information reads ‘In twenty-four short stories, written by Welsh men and women, for the most part about Welsh people, we are treated to depictions of valley and mountain, country and town, as well as offered powerful and moving insights into the nature of the people.’

MY REVIEW: The calibre and wisdom of these fiction short stories blows me away, the people of Wales and the understated passion they have for their country shines through in emotive yet precisely documented stories of their era.  I was drawn into their despair and great joy of everyday life, studied and examined but never artificial.  So far the story which touched me the most is ‘The Squire of Havilah’ by T. Hughes Jones.  Behind the tale, behind the words is a great depth of understanding about a man most of us would have met or seen once and dismissed from our mind. Daniel Jones, a 40-year-old bachelor of Rhos-y-grug, is a misjudged man who, in himself, is hopeful of a wealthy future.  After being deceived and flimflammed at a fair into paying for the deeds to twenty acres of rich mineral land in Havilah, supposedly in Mesopotamia (Iraq), Jones dreams the life of a prosperous man as his farmhouse crumbles and his land turns wild around him.  Religion plays a part and Jones cannot visit his tenure because the First World War is raging.  There are other pertinent parts to the story and lessons lurk; perhaps distrust of fairground buskers.  But everyone has something going on deep in the recesses of their mind.  If you cannot help, at least acknowledge their hopes and dreams.
GBW.

OVER THE TOP AND BACK: THE AUTOBIOGRAPHY
Author: Tom Jones
Publisher: Penguin Australia 2015
ISBN: 9780718180690
Imprint: Michael Joseph
Format: Paperback
Pages: 521 includes photographs

MY REVIEW: I will be upfront and say that so far I have not read all the chapters in the life of the inimitable Welsh singer Tom Jones.  But ‘Over the Top and Back’ has me hooked. I love reading about the lives of famous 20th century celebrities from when they came into the world until their later years.  Especially with lots and lots of old photographs like this one.  The ‘aah’ nostalgia moment happens and I remember his songs and where I was, or how old I was, when I saw him on B&W television or tuned the radio and heard his current hit.  Or bought ‘the single’ a small vinyl record. I discovered that Tom Jones adopted the name Tommy Scott for a short time but his real name is Thomas John Woodward.  In his early life, aged twelve, he contracted TB infection, not unusual in industrial Wales during that era.  He recovered after two years and wanted to be either a professional singer or a slate-faced cowboy.  He writes ‘From the kitchen of 44 Laura Street in Pontypridd in the forties, the odds of becoming one appear to be about as long as the odds on becoming the other’.  But as we know he did succeed—and what a ride—I lost track of the many famous people he met and worked with. Before knickers were tossed on stage, his raucous stage presence shone too brightly for the strict censorship laws of the time.  A censor once told him to tone himself down during the rendition of Rolling Stones song ‘Satisfaction’ because it implied sexual satisfaction. ‘Well, isn’t it?’ said Tom.  Can’t wait to read what happens when he tours America.
GBW.

THE GARDENS OF WALES
Author: Helena Attlee
Format: Hardback | 128 pages | Colour photos
Dimensions: 250 x 267 x 17.78mm | 910g
Publication: 2009
ISBN: 9780711228825
Publisher: Frances Lincoln Ltd

MY REVIEW: I have a library copy of ‘The Gardens of Wales’—like Tom Jones autobiography, it is well thumbed—and the picturesque gardens are simply stunning.  There are fine examples of unusual topiary but it’s the flights of fancy created by dedicated visionaries which I find jaw-dropping; whole gardens and parkland over untold acres with water features, profuse flowers, statues, fine lawns, hidden paths, grottoes, ancient trees, and the hard work and dedication by gardening staff.  All set against a backdrop of magnificent heritage listed Welsh homes, er, mansions, maybe castles.  Anyway, they are very grand and I hope I get to return to UK one day and visit them.  For example Wyndcliffe Court, Monmouthshire ‘Warm stone terraces, bulging topiary and a good splash of colour (plus trickling fountain and bowling green) the garden of Wyndcliffe Court bears all the hallmarks of designer H. Avray Tipping’ an artisté who loved the contrast between cultivation and natural landscape.  I admire the classical architecture of the follies, or summerhouses, often a miniature version of a stately home, fashioned for a couple to sit and partake of their view.  This book has become a bit of a rarity, however, Helena Attlee has made a career of studying and writing about spectacular gardens in many countries around the world. Both she and photographer Alex Ramsay live in Wales. Alex Ramsay’s image of the layered Orangery Terrace, Aviary Terrace and Top Terrace at Powis Castle, Montgomeryshire, is a sight to behold.
GBW.

In March 2020 last year, for the shared Wales Readathon, I ordered ‘One Moonlit Night’ by Caradog Prichard which unfortunately arrived late so I posted my review in April. It is a fascinating almost-autobiographical novel and well worth reading. But history is trying to repeat itself and the 2021 deadline is looming fast.

I will finish these books, meanwhile a halved review is better than no review, right.

See you next year, Book Jotter—darllen hapus!

Gretchen Bernet-Ward