The Ten Penners ‘Backyard Beasts and Curious Capers’ Review Highlights Blog Tour & More

The Ten Penners have created an anthology of magical creatures and mysterious moments. Young humans took me on their humorous and enlightening adventures involving broomstick riding, crystal balls, a backyard concert, a magic mirror, intrepid Pixie P.I. Dandelia Oakleaf, frogs, friendships and more—read on!

The Ten Penners latest anthology Backyard Beasts and Curious Capers contains imaginative reading for that age group of children who love a good giggle at preposterous things. Or are they preposterous?

BOOK LAUNCH

Book launch at BOOKS ETC, Paradise Centre, Surfers Paradise
Saturday 21st October 2023 – 11.00am to 2.00pm
“Come and have your book signed by a Witch called Floriece, a Pixie, and Jeremy the Spaceman.”

https://thetenpenners.wixsite.com/the-ten-penners

BLOG TOUR & BOGGLE COLOUR-IN COMPETITION
DETAILS BELOW

Perhaps making a rocket is not such a strange idea?

‘Jeremy Albatross’ by Marion Martineer highlights the delight and disaster of making a backyard 🚀 rocket. This story is both funny and a health and safety warning during an action-packed BBQ for Dad’s birthday.

‘The Trees are Alive!’ by Jill Smith (of Poo Boom Cat fame) is a tale about Maggie and Caleb who get ‘a cubby house and a living garden’ during the school holidays when they rejuvenate an old tree 🌳 and receive benefits in return. Part awareness, part ecological, a story of nurturing and working with nature.

‘Wizardo’s Spell’ by Jennifer Scicluna involves Simon digging in the backyard with his father. Or not digging in the backyard with his father “Who wants to plant boring 🌸 begonias?” Simon relents and with a whack of his spade he falls through the earth into Muderoon where he meets irascible Agrim Kateus.

Only a quick glimpse at three Ten Penner author tales but you can discover a brave cat, a sensitive tree, a blue Quoggle and a fright night sleepover. In fact, twenty inventive short stories for young readers. Here’s the list:

Ten Penners, twenty stories! Always imaginative and highly readable, their newest anthology Backyard Beasts and Curious Capers contains fantasy and fun with cool character illustrations, kooky critters and silly stuff which appealed to me. Apologies if I’ve left out your favourite. There’s much more including a wakeboarding octopus and an old fairytale reimagined. Ideal for 8-12 year old readers and group reading. Story length would also suit reading before bedtime, or reading in your favourite tree. Just don’t laugh too hard!

Gretchen Bernet-Ward

The Ten Penners – Saturday 14th October 2023
https://thetenpenners.wixsite.com/the-ten-penners/blog
Tour dates and launch details announced.
Sunday 15th October – Jill Smith
https://authorjillsmith.wordpress.com
Jill on her role as coordinator, what it involves, and a bit
about our happy writing group.
Monday 16th October – Romi Sharp
https://www.justkidslit.com/blog/
Romi interviews Jill Smith, Ten Penners’ coordinator.
Tuesday 17th October – Marion Martineer
https://marionmartineer.wordpress.com/
Marion on being the former coordinator of The Ten
Penners, and a long-term member of the group.
Wednesday 18th October – Gretchen Bernet-Ward
https://thoughtsbecomewords.com/
Gretchen is a blogger and reviewer.
Thursday 19th October – Katharine R. Pepper
https://katharinerpepperauthor.wordpress.com
Katharine on putting the book together, her other published novels and works in progress.
Friday 20th October – Jennifer Scicluna
https://jenniferscicluna.wixsite.com/artscape/jennifers-blog
Jennifer on her experience illustrating the book and cover.
Book Launch!
Saturday 21st October 2023
https://thetenpenners.wixsite.com/the-ten-penners/blog
Books Etc, Paradise Centre, Surfers Paradise, Queensland
11.00am to 2.00pm and Colour-In competition.

BOOK LAUNCH & QUOGGLE COLOUR-IN

Saturday 21st October—BOOKS ETC.
Paradise Centre Surfers Paradise 11 am to 2 pm.
Saturday 28th OctoberBig B Books 10 am to 12 noon outside the shop.
Saturday 4th November—The Ten Penners monthly meeting (near Melbourne Cup)
Saturday 18th November—Gold Coast Writers book launch/promotion 15 mins confirmed.
Saturday 2nd DecemberUpper Coomera Library 1 hour 10 am to 11 am (then their Christmas Party lunch at the café)
Saturday 9th December-Bookness, Mudgeeraba (to be confirmed) Draw the Quoggle colour-in competition winner!
NOTE:
The Prize Activity Pack will include more of their characters to colour-in. A badge. A Word Search. A copy of Backyard Beasts & Curious Capers, signed by the authors, and more.
Please send your entry via email to thetenpenners@gmail.com
Or hand them to The Ten Penners at their presentation.
CONTACT:
The Ten Penners look forward to your feedback on their new book so please visit their WIX site, become a member and make a comment: https://thetenpenners.wixsite.com/the-ten-penners/blog

📚 HAPPY READING 📘

Why do we care so much about shortlists? And I am on one!

I am honoured to be on the Shortlist in such esteemed company.
Here’s Jen Storer telling us all about shortlists… Gretchen Bernet-Ward

WordPress Scribbles Girl and Duck Awards Shortlist 2018 02

CWA_badge_SHORLIST-2018

girlandduck's avatarGirl and Duck

Someone recently asked, what’s the big deal about a shortlist?
 
What’s the big deal?
 
A shortlist groups together the best!
 
 It acknowledges the most accomplished of a long and always healthy collection of entries.
 
It’s also how we make competitions like the Scribbles Creative Writing Awards, manageable — both for the judges and for the competitors.
 
Imagine if we only gave out two prizes, two ‘nods’, per category. Judges would tear out their hair. Creators would feel jaded and demoralised. And rightly so!
 
shortlist pre-announcement

A shortlist gives more people a chance to shine. It spreads the love a little further.
 
Yes, indeedy. To be on a shortlist is a great honour. And a great thrill.
 
Not only can it boost us emotionally, psychologically and creatively, it can also boost our career.
 
Publishers and agents care about shortlists. Funding bodies care about…

View original post 106 more words

Yes, Margaret Atwood Has Written Children’s Books

Who’d have thought it?  Margaret Eleanor Atwood (1939- ) author of The Handmaid’s Tale, Alias Grace, The Blind Assassin and more than forty other books of fiction, poetry, critical essays and a graphic novel has written children’s books.

Margaret Atwood also wears various hats, from activist through literary critic, inventor, environmentalist and award-winner with honours and degrees, yet for me this news was surprising.  Not so surprising is the quirky nature of her children’s stories!


 

♦  With grateful thanks to online friend and blogger BookJotter Paula Bardell-Hedley for alerting me to these little gems within a comprehensive list of Margaret Atwood’s literary output—

Up in the Tree (1978)
Anna’s Pet (with Joyce Barkhouse) (1980)
For the Birds (1990)
Princess Prunella and the Purple Peanut (1995)
Rude Ramsay and the Roaring Radishes (2003)
Bashful Bob and Doleful Dorinda (2004)
Up in the Tree (facsimile reprint) (2006)
Wandering Wenda and Widow Wallop’s Wunderground Washery (2011)
A Trio of Tolerable Tales (illustrator Dušan Petričić) (2017)

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Being a kidlit fan, I immediately wanted to read several of those earlier Atwood books but found they (like this non-fiction For The Birds) were no longer in print, or libraries, but may be available through state archives or second-hand book merchants.  I will track down her first children’s book Up in the Tree (with her own illustrations and hand-lettering, quite possibly written for her young daughter) because the story intrigues me.

 

Along the way, Wandering Wenda and Widow Wallop’s Wunderground Washery was adapted into the children’s television series The Wide World of Wandering Wenda aimed at early readers with different adventures using words, sounds, and language.

Happily, in 2017, three of Atwood’s books were re-published, printed and bound in Canada into one compilation A Trio of Tolerable Tales.  I was able to buy a new copy with Serbian Dušan Petričić gorgeous drawings.  Atwood’s alliteration is absolutely awesome!

  Here are my reviews of these alliteration-filled, tongue-twisting tales…read on….

Margaret Atwood 05

  Rude Ramsay and the Roaring Radishes

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The reader follows the adventures of Ramsay and Ralph the red-nosed rat as they traverse various repulsive obstacles to find a round, Roman-vaulted rat hole leading to food nirvana – round red radishes ready to be devoured.  The radishes revolt and start to attack but thankfully owner Rillah comes on the scene.  She forgives their trespass and shows them around her romantic rectory, rotunda, rococo artworks and rumpus room.  There’s a bit of a ruckus with Rillah’s relatives Ron, Rollo and Ruby, so Ramsay & Co beat a hasty retreat back outside and romp rapturously under a radiant rainbow.  There is a very clever twist regarding the radishes and how they repel intruders!  A fun story which needs patience on the part of the reader, especially reading it out aloud for small children.  Laughs are guaranteed and you will marvel at how many ‘R’ words exist in the English language.  GBW.

 

 

  Bashful Bob and Doleful Dorinda

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Bashful Bob was abandoned in a basket outside a beauty parlour and nobody claimed him.  There is a neglected dog park across the street and the resident dogs are Bob’s best buddies.  There is a beagle, a boxer and a borzoi who believe “We must be benevolent” and they look after young Bob.  On the next block lives Doleful Dorinda.  She’d been dumped with despicable relatives who say “Dorinda is a dope” and make her sleep beside biohazard material.  Her food is awful and she is treated like a slave.  Finally Doleful Dorinda runs away and meets Bashful Bob on the vacant block.  You will have to read this story to find out how their names were turned into Brave Bob and Daring Dorinda but it makes a jolly rollicking tale especially if you like dogs!  The plot and resolution are more conventional, even with the proliferation of ‘B’ words.  A flowing, tangible fairytale and I found it easy to absorb.  GBW.

 

 

  Wandering Wenda and Widow Wallop’s Wunderground Washery

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Wenda is a willowy child with wispy hair and wistful eyes.  Her parents are whisked away by a weird whirlwind and thereafter Wenda wanders aimlessly.  She makes friends with Wesley woodchuck and they share food scraps and wodges of wieners until one day they are kidnapped by Widow Wallop.  She takes them to her Wunderground Washery to “wash whites whiter than white” every day.  Between the drudgery, they feel sorry for Widow Wallop’s white Welsh ponies and three other waifs, Wilkinson, Wu and Wanapitai.  Together they plot their daring escape, only to encounter wolves along the way.  How will they evade Widow Wallop’s clutches now?  There is an unexpected reveal at the end!  I think some of the scenes may disturb younger children, particularly those with separation anxiety.  Older readers will chortle at the profuse ‘W’ words and idiosyncratic wordplay.  GBW.

 

Gretchen Bernet-Ward

 


QUOTATION:  “Comfort with reading begins in childhood, when parents or other loving adults read to children.  It creates a ‘safe’ place where — nevertheless — dangers can be explored (and, in children’s books, hopefully, overcome)…. I think my children’s books function as protected spaces for me.  I look at darker things quite a lot, but the kind of children’s books I write are light, and have happy endings…. That’s a relief, when I can manage it.”
—Margaret Atwood, author.


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♦  The interior of this book is printed on paper that contains 100% post-consumer recycled fibres, is acid-free and is processed chlorine-free so there’s nothing to worry about, Wenda.

‘Wakestone Hall’ A Scary Magical Finale

Stella Montgomery Bookcover 02

“Stella Montgomery is in disgrace.
The awful aunts, Aunt Condolence, Aunt Temperance and Aunt Deliverance, have sent her to Wakestone Hall, a grim boarding school where the disobedient are tamed and the wilful are made meek.
But when a friend disappears, Stella is determined to find her – no matter what danger she encounters.
Soon Stella is thrown headlong into the mysteries surrounding Wakestone Hall.
Will Stella save her friend in time? And will she discover – at long last – where she truly belongs?”

Stella Montgomery and Wakestone Hall – the intrigue draws to an exciting close!

Wakestone Hall is Book 3 in the Stella Montgomery Intrigues and this series has captured my imagination.  My inner child responded to the mysterious and creepy goings-on in the first two books, beautifully complemented by author Judith Rossell’s own illustrations of the Victorian era.  The third book is out now with a book launch due in a couple of days.  I can’t wait to read it!  GBW.

Stella Montgomery Three Book Series
On Sunday 28 October 2018 at 3pm The Little Bookroom, Melbourne, is proud to launch WAKESTONE HALL the third book in the Stella Montgomery trilogy by author and illustrator Judith Rossell.

InformationHarperCollins Publisher
Published:  22 October 2018
ISBN:  9780733338205
Imprint:  ABC Books – AU
Number Of Pages:  280
For Ages:  8+ years old
Children’s, Teenage & educational / Fantasy & magical realism (Children’s – Teenage)


SUGGESTION : READ THE FIRST TWO BOOKS BEFORE YOU SNEAK-A-PEEK AT THE CONCLUSION––read some Wakestone Hall pages here––
https://www.booktopia.com.au/wakestone-hall-judith-rossell/prod9780733338205.html

Gretchen Bernet-Ward

Stella Montgomery Book Banner

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Read the book and find out the significance of the purple ribbon.

Stella Montgomery Paperback Compilation
COMING SOON – STELLA MONTGOMERY IN PAPERBACK 2019

The Year of Living Duckishly

Did you know that?  In the spirit of The Duck Pond, here’s a heads up from author Jen Storer of Girl & Duck.

Exciting times!  Jen’s SCRIBBLES CREATIVE GROUP (writing and illustration) is having a FLASH SALE on 30th September 2018.  Join now!

Yay! That’s 30% off their signature online course – 30% off on the 30th.  Ink it in, okay?

 Then the SCRIBBLES CREATIVE WRITING AWARDS open on 1st October 2018.

Have you got an awesome picture book manuscript or a junior fiction story you think might fly in the competition?  Middle grade?  An exciting storyboard?  There are FOUR categories and I bet you’ve got something creative worth entering!

To read all about the inaugural SCRIBBLES CREATIVE AWARDS plus prizes and how you can win a manuscript assessment and one-hour Skype coaching call with published author Jen Storer of Girl & Duck CLICK HERE.

Clarrie's Pig Day OutJen, creator of Truly Tan series and other children’s books, says “I hope this post flips your lid.  But only in a good way!”

#keepscribbling  #stayinspired
To keep up with all the news (and all the pretty pictures) follow Jen on Instagram.

Visit the website Girl & Duck and ask to join Jen, Zoe, Dulcie, Geek Duck (and me, and the other Duckies from around the world, talking children’s literature and stuff) in The Duck Pond, the most unique and supportive online kidlit group around – then join SCRIBBLES for even more fun!  I will definitely be entering the Awards competition!

All the links you’ll ever need to write and illustrate brilliant kids books:

https://girlandduck.com/
https://girlandduck.com/online-courses/scribbles/
https://girlandduck.com/scribbles-creative-writing-awards/
https://girlandduck.com/online-courses/the-girl-duck-institute/

Gretchen Bernet-Ward

What is Dads Read?

Dads Reading Be Their Legend 02

This post will bore anyone without children in their lives.

Dads Read recognises that fathers reading to their children strengthens literacy, models positive reading behaviour and builds children’s self-esteem around reading, especially for boys.

Dads Read is an early childhood literacy initiative, developed by State Library of Queensland in 2010 and launched statewide in 2012 as part of the National Year of Reading, to promote family literacy.  The program continues to expand and is now being delivered throughout Queensland and South Australia and plans are underway in Tasmania.

You can host your own event with their resources.  I’ve seen this program in action with a dedicated group.  Children choose a book, a slice of pizza and sit with their fathers to read.

Discrimination doesn’t apply, the Dads Read message is based on the simple but true premise that reading 10 minutes a day to your children is not only quick but also essential.

Dads Read aims to:
  • Raise awareness of the important role fathers play in their children’s development.
  • Inform fathers of the importance and benefits of reading to children from their early years, even before they start school.
  • Promote reading as a family.
  • Encourage fathers to read to their children and promote the value of reading.
  • Provide fathers with the tools to give them the confidence to read with their children.

My father was my reading mentor, instilling interest in books, and Dads Read program follows research which highlights the importance of dads reading to their children during their early developmental years.  As little as 10 minutes a day improves children’s literacy levels and stimulates creative and critical thinking.

‘Investment in early childhood is the most powerful investment a country can make’.
World Health Organization, 2007.

The Dads Read program has helped:
  • Address a real and significant issue which is at the core of our wellbeing as individuals, families, employers and communities: the need to be literate.
  • Support literacy development and help to develop the skills of Australia’s future workforce by building everyday skills for sustainable communities.
  • Build literacy levels among our younger generation while promoting family literacy and boosting the ability of reading in adults.
  • Connect families and communities in a cost effective and invaluable way.

Visit the SLQ website for some great book ideas and age-appropriate reading:
http://dadsread.org.au/reading-to-your-child/must-reads/

Gretchen Bernet-Ward

Men Reading Books 36
Grandfathers can read too…

‘The Incredible Book Eating Boy’ by Oliver Jeffers

My picture book review
My bonus picture book lesson
My link to Just Awesome Picture Books


THE REVIEW:

Book Sliced Up on Plate with KnifeHenry is a boy who likes eating books.  He absorbs knowledge as he happily munches his way to becoming the smartest boy on earth.  Everything goes well until there’s an internal rebellion.  Share Henry’s journey as he discovers something better than eating books.

Award-winning Oliver Jeffers’ concept is clever and I found his plot madly appealing.  The illustrations are unique and show creative grunge like an old diary or well-used notebook.  For me, although the story has the potential to be scary, it is handled in an adventurous way with Henry supported by believable characters which adds intertextuality to an otherwise imprudent tale.

I think The Incredible Book Eating Boy is best suited for small group readings or child-and-parent because there’s a lot happening and the visual literacy may need some explanation for younger children.

All in all, a praiseworthy picture book with a good message for 4 – 8 years range to which I give a 5-Star rating.  GBW.


The Incredible Book Eating Boy 01
I discovered this book on Just Awesome Picture Books! Check the website https://justawesomepicturebooks.com/


THE LESSON:

In my opinion, less is more!  Wordy picture books tire the reader and the listener.  The illustrations should highlight the uncluttered wording.  The words push the narrative forward and the child uses their imagination from the visual cues.

It’s a common fallacy that picture books are easy to write.  This is far from the truth because the very minimalist nature of picture books means that every single word has to be perfectly rendered.  Learn more about writing for children from author Jen Storer of Girl & Duck.

As a general guide, here are some basics:

A children’s picture book is 32-pages but 8 pages are used for endpapers and book information.  The story is over 24 pages or 12 spreads of text and illustrations which span two opened pages at a time.  These pages can be half-page spreads, single-page spreads, double-page spreads or vignettes.  A number of vignettes are used in The Incredible Book Eating Boy.

There is symmetrical, complementary and contradictory illustration approaches and I think The Incredible Book Eating Boy is approached in a complementary manner.  Oliver Jeffers plays around with the location of text to good effect.

Board books, pop-ups and novelty may have no words, just illustrations.
Young picture books are aimed at 2 to 5-year-olds with 200 to 400 wordcount.
Trade (general readership) picture books are suitable for 3 to 8-year-old children with 500 to 600 wordcount.
Picture story books for older children 6 to 10-year-olds with 1000 to 3000 words are often non-fiction.
Chapter book fiction over 3500 words are suitable for competent readers, with a sliding age range due to small sketches and quirky touches often added between the pages to enhance the reading experience.
YA (young adult) are the more tailored books suitable for older teenagers.

Something different.  A theatre performance video of the book at The Joan, Penrith’s premier performing arts centre The Incredible Book Eating Boy production.  The cast use song, movement and puppetry to bring Oliver Jeffers’ much loved story to life on stage.

Enjoy eating, er, reading this picture book with that special little someone.

Gretchen Bernet-Ward

Giant Wallabies

Wallaby 01

My short story mentions a rural event known as a show.
Alternate names can be exhibition, county fair or agfest.

Looks of disbelief washed across the children’s faces.  Robbo’s face shone with a self-satisfied smile.  Next to his work boots lay Dugger, his Labrador dog, who raised an eyelid then went back to sleep.
A snort came from school teacher, Miss Evelyn, and all eyes turned to her as she gathered up her patchwork squares.
“What a lot of nonsense,” she said as she stuffed sewing material into her carrybag.  “Brookfield Show eve and you’re going to fill their heads with fantasy.”
One of the younger children put his hand up.
“Did it really happened, Robbo?”
Robbo said “Yes” at the same time Evelyn snapped “No” and the young boy retracted his hand in disappointment.
“Can you prove it?” asked Angela, an older girl with jet black hair and thoughtful eyes.  She was one of many third generation Brookfield students whom Miss Evelyn had known from babyhood.
“Hmm,” Robbo said thoughtfully.  If he had a beard, he would have stroked it in contemplation.  “I reckon I can try.”
Robbo was a well-known local figure, a carpenter by trade who could turn his hand to any odd job around the residences in the area.  He and Dugger were a volunteer Story Dog team at the local school.
Today they had veered off topic and instead of the slow readers reading, Robbo had tantalised them with an opening salvo to his tale.
“Start from the beginning,” Miss Evelyn sniffed “so we can get into the right mood.”
The children chuckled nervously and settled themselves back on the kindergarten cushions.  Some of the older boys had objected to being in the kindy room but the seating arrangements were more comfortable than their classroom, currently overflowing with paintings and craft waiting transfer to the Show pavilions.
Miss Evelyn settled herself down again like a kookaburra shuffling her feathers.  A couple of the young ones inched closer to her, hoping for motherly support should the need arise.
“Okay,” Robbo rubbed his hands together.  “Here goes!”  He leaned forward and rested his elbows on his knees.  A security thumb or two was popped in, soft toys were hugged and someone let off a smell.
“It wasn’t a dark and stormy night, in fact, it wasn’t dark but there was a rain cloud,” began Robbo, lowering his voice, “and two small brown wallabies grazing in a paddock near the Showgrounds.”  His eyes roved the attentive audience.  “A large crow was sitting high in a nearby gumtree when––”  Robbo clapped his hands and everyone jumped.  “A bolt of lightning struck the gumtree and the crow flew away.  The lightning had ignited the tree and fire was crackling fiercely through it branches before someone in the general store rang the fire brigade.”
Everyone wriggled then settled again, eyes just that bit wider.  “The flames had reached the ground and were burning towards the Brookfield Showgrounds at a furious pace.”  Robbo looked around.  “Where are those two wallabies?”
A hand shot up and the timid voice of Frederick of the smells said “They ran away to safety.”
Robbo shook his head.  “No, they were still there.  And you know what?”  He raised his calloused hands high in the air above his head.  “They had turned into giant wallabies.”  Then, for extra emphasis, he stood up and reached for the ceiling.  His fingers almost dislodged a butterfly mobile but it added to the atmosphere as they fluttered wildly around his uncombed hair.
“These were energised wallabies, they had super powers and were big enough to roll the Ferris wheel away.”
The group froze; Frederick crouched ready to run.
An older boy scoffed “Yeah, but what can they do about the fire?”
Nodding heads inspired him to add “Maybe the crow flew to get help?”
Robbo pulled a face and told them the crow was another story.  Sitting down, he attempted a sage storyteller voice.
“They bounded over a fence to Moggill Creek and began drinking lots and lots of water.  It tasted a bit like dirt and leaves and stuff but they guzzled until they were full.  It was difficult for them to walk so they sort of rolled back towards the outer fence.  It flattened and they put themselves right in the path of the oncoming blaze.  With puffed cheeks and one big blast like a wall of creek water, they hosed over the flames until they went out.”  He cleared his throat.  “Of course, the smoke made them cough and they had to wipe their eyes but all in all they didn’t even get their fur singed.”
“What happened next,” shouted two girls in unison, grabbing each other’s hands.  “Did they get a medal?  Or a free pass to the Show?”
Miss Evelyn pursed her lips and shushed them.
Robbo’s expression sobered.  “Not that simple, I’m afraid.”
Dugger shifted position on the floor and put his bony jaw on his paws, the seams of his orange vest creaking beneath him.
“The two giant wallabies heard a sound,” continued Robbo, “and turned to see that stray sparks had ignited inside the main Showground and were crackling and spitting across the dry leaves, past the arena, towards the agricultural buildings and meeting hall.  Oh no, historical buildings.”
Nobody saw Miss Evelyn trying to swallow a laugh and regain her composure.
“Surely the local fire brigade would have arrived by now?” she said.
“Their siren could be heard in the distance,” said Robbo, “and the general store had put up makeshift road blocks to stop traffic.  The store owner was hosing down the store and the giant wallabies knew if they were seen by him, their cover would be blown.  After one mighty spurt of water, they shrunk and hopped off into the distance, far away, up towards Mount Elphinstone.  There is a cave high on Mount Elphinstone where, legend has it, two wallabies sit and keep watch over the dry land.”
Robbo surveyed his listeners.  “The paint had been blistered off some buildings, and a palm tree was sooty but it survived and a quick paint job fixed the rest.”
“Phew, that’s a relief,” said one of Angela’s younger siblings and everyone laughed.  Apparently they shared similar thoughts – the cake pavilion housing their entries sitting under cling wrap on paper plates.
“And sideshow alley,” thought Miss Evelyn.
“However,” Robbo spoke at full volume, causing several children to squeak, “whenever there is lightening in Brookfield, or a barbecue out of control, you are wise to stay away from the flames because the giant wallabies will activate.”
“But,” said Frederick gravely, “they are our friends and they would protect us.”
“True, true.”  Robbo was momentarily fazed.  Even asleep, Dugger thumped his tail in encouragement.  Robbo rallied “Just don’t get in the way of giant wallabies at work.  Like flood waters, giant wallabies could unleash a wave of water which would wash you off your feet and into Moggill Creek.”
Miss Evelyn puckered her brow.  “Robbo, please.  No more scary stories.”
Robbo avoided her gaze, patting Dugger and adjusting his leather collar.
“Show’s over, kids.”
Determinedly, single-minded Angela spoke up.  “You said you had proof.”
Judging by the looks Miss Evelyn saw on the younger faces, caps nervously twisted between little fingers, they did not want proof.
“Sure,” replied Robbo with an airy wave of his hand. “If you go into the pony club grounds near the Brookfield Cemetery, you’ll spy a bleached eucalyptus tree trunk.  That’s the one which got struck by lightning.”
“Also,” piped a helpful voice from the sidelines, “I’ve seen wallabies.”
The collective chatter was enough to wake Dugger.  He got to his paws, shook his furry head and looked around.  He let out a sharp bark and ran to the open door.  With a slight pause to sniff the air, he bounded out of the room.
The space Dugger left seemed suspended, a motionless void.
“Wallabies,” whispered Frederick.
The electronic school bell sounded, breaking the spell.
“Lunch time, children.”  Miss Evelyn rose and smoothed her tartan skirt.  “After lunch we have choir rehearsal for the opening ceremony.”
As the children helped stack cushions in the corner, Miss Evelyn turned to Robbo.
“Was Dugger motivated by the aroma of tuckshop pies or something bigger?”
Robbo shrugged.  “That dog has a great sense of theatre.”
She wagged her finger.  “Giant wallabies or not, the Show must go on.”

Gretchen Bernet-Ward

Wallabies Ferris Wheel

AUTHOR NOTE:  This short story is dedicated with love and respect to Kookaburra Kat of KR, a long-time friend who supports and encourages my literary endeavours and is a passionate wildlife warrior, nurturing and caring for all creatures.  GBW.

 

Q&A Katrin Dreiling Children’s Illustrator

Katrin Dreiling World's Worst Pirate 04

Katrin Dreiling went from language teacher to illustrator and received prestigious recognition for her picture book illustrations in “The World’s Worst Pirate”.  This book, written by Michelle Worthington and published by Little Pink Dog Books, has been awarded Notable Book of 2018 by Children’s Book Council of Australia.

Willkommen! Welcome!

It’s wonderful to have you here, Katrin, I love your beautiful art techniques and I’m excited to learn about your journey as a children’s book illustrator.  First, here’s a sneak peek at this special pirate story:

William is The World’s Worst Pirate so does that suggest he’s rude and nasty?  Read on…

“Pirates are swashbuckling, treasure hunting, buccaneers of the seven seas.  But if your mother is the Pirate Captain and you can’t stand on deck without getting seasick … that makes William The World’s Worst Pirate.”  However, young William does have a special talent.  Can he use it when the ship is under attack?  Save the day, me hearty!

Q&A illustrator background

Katrin Dreiling, originally from Germany, loves to come up with quirky creations that inspire children to get creative.  She enjoys giving colourful and messy art classes and says “Children are the true perfect grown-ups. Their hearts and minds are pure and good and it is important to nurture this – I strive to do that with art.”  On the studious side, she provided the characters for animated University lectures and Government staff coaching videos that attracted over 320,000 views worldwide.  In her free time, Katrin relaxes with her husband, three children and their Golden Retriever.


Katrin Dreiling World's Worst Pirate 02Q1. What is your favourite part of “The World’s Worst Pirate”?

Thank you, Gretchen, for this interview! My favourite part text-wise is when the Kraken attacks and everyone is supposed to run for their lives. Then there is a silence and Will quietly throws a cupcake to tame the beast. I like the contrast between noise and quietness and that it is such a peaceful, gentle approach. In terms of illustrations I think I like the cover the best. I just really enjoyed doing those ocean waves.

Q2. Of all your creations, who is your best loved character so far?

That would be Anton the Pig. This character has been in the works for a while now and so I really got used to him being around. He is also very sweet-hearted and funny and reminds me of a certain someone…

Q3. Where did the inspiration for this character come from?

Anton and his world are certainly inspired by my German background. The region I grew up in is known for their excessive bicycle riding because it’s very flat. So Anton is a passionate cyclist but I merged the landscape with a lot of ideas I picked up while living in Brisbane, Queensland. The inspiration for Anton’s story, though, came from years of working with children at school and my own three kids.Katrin Dreiling World's Worst Pirate 08

Q4. How would you describe your creative process on an average day?

My working day usually starts with a good walk with my Goldi to keep him happy and clear my head. Then I usually work down a list of things I have to do for my illustrating business. Once this is done I start creating. This can include simple sketching, commission work or extending my portfolio.

Q5. Do you like working in a group or home-office environment?

I am very happy to work by myself from home but I do seek professional input from other industry professionals on a regular basis. There is the Brisbane Illustrators Group where I made many good friends, WriteLinks and our local SCBWI group. I think it is very important to stay connected in which ever way you prefer, be that online or in real life.

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In costume The World’s Worst Pirate book launch

Q6. Was it enjoyable working with writer Michelle Worthington?

Absolutely loved working with Michelle Worthington and would always choose to do so again. She is professional, smart and supportive and I felt very appreciated in my illustrating.

Q7. What is it like collaborating with an editor and publisher?

In the case of Little Pink Dog Books it was the perfect synergy between author, publisher and illustrator. Kathy and Peter Creamer were very inspired to keep this project a creative process which involved everyone in the same measure, and I believe the result reflects this very well. When I worked with other publishers it was a different, yet also enjoyable experience. I had to meet more firm requirements and learned new things along the way. I think you have to be adaptable as an illustrator in order to deliver the best possible outcome for the project.

Q8. Do you like to work with artistic freedom or a strict deadline?

I can do both 😊

Q9. Have you stayed up past midnight to finish an assignment?

Yes. I have worked through nights but if the work does not feel like work it is not a problem.

IMG_20180422_234859Q10. Have you ever received harsh criticism for your work?

I have been very lucky so far and mostly received constructive criticism which I value a lot. It’s easy to get too complacent and lose distance to your work. This is why I regularly book in for portfolio assessments with editors to get a fresh perspective on my work.

Q11. What is your favourite medium to work with and why?

I mix a lot of media together because I enjoy many things at the same time. I seem to always come back to ink in some form, though.

Q12. What colour would you be if you were an extra pencil in the box?

Black.

Q13. What are your thoughts on hand-painted vs computer generated artwork?

It works really well TOGETHER if you know how to.

Katrin Dreiling The Princess and The Pea 02Q14. Who are your favourite artists and have they influenced you?

Absolutely adore the work of Beatrice Alemagna. She has inspired me to go my own way, like she did. Then there is the quirky and unconventional style of Russell Ayto that I love. I think both artists truly work to delight and inspire children.

Q15. Are you involved in teaching workshops for children?

Yes, I will be giving workshops with Michelle Worthington to children at selected libraries in Brisbane during school holidays in July 2018.  Also I give workshops for both children and grown-ups at a bookstore in Red Hill, Brisbane, as well as giving regular extra-curricular art classes once a week at New Farm State School.

Q16. Do you have a special creative goal for this year or is it a secret?

For my Anton the Pig story, I’d like to finish the manuscript and illustrations completely. Also getting published by one of the ‘big’ publishing houses has always been my dream and I’m still working towards this goal.


And this Q&A draws to a close

My sincere thanks, Katrin, for your personal insights into the world of picture book illustrating.  I am sure you will reach your goal and I look forward to reading all about Anton!

Hey, is anyone else left wondering who that 'certain someone' is and why Katrin would be a black pencil...

Gretchen Bernet-Ward

Katrin Dreiling World's Worst Pirate 05Information:
Katrin Dreiling Illustrations https://www.katrindreiling.com/
Instagram https://www.instagram.com/katrinartworks/
Facebook https://www.facebook.com/katrinartworks/
Twitter https://twitter.com/dreiling_katrin

‘A Garden of Lilies’ Tales from Judith Rossell

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Page 39 “Peregrine was a disobedient child…”

With a knowing smile, this Victorian-style book of manners is reminiscent of the period of parenting when misbehaving children were given orders and told dire consequences would ensue if they did not obey.  Despite warnings, when a child in this book ignores an instruction, there is an aftermath of great magnitude.

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Page 28 “Jesephany and Keziah were unruly and wild…”

In “A Garden of Lilies: Improving Tales for Young Minds – by Prudence A Goodchild” children’s author and illustrator Judith Rossell has produced an atmospherically illustrated and tightly written volume.  She has also mastered the art of a left-right jab, hitting with swift endings which leave the reader breathless.

Each punchy short story closes with a judicious moral.  For example, Isadora daydreamed too much during her chores.  One day she daydreamed while idly brushing her hair.  Let’s just say she didn’t get to finish the task.  “Moral: For hair that’s glossy, clean and bright, Two hundred strokes, both morn and night”.

After Isadora’s tale, there is what appears to be a lovely page entitled “Care of the Hair” with a recipe for making Soft Soap which “…will improve both the texture and colour of the hair” until things get a bit nauseating.  Apart from kitchen scraps, the mixture must boil for hours until it forms a clear, thick jelly.

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“A Garden of Lilies: Improving Tales for Young Minds” by Prudence A Goodchild (author Judith Rossell) ABC Books Australia

Basically the stories are about kids being kids and the 21st century reader should see the endings for what they are – a sample of Victorian etiquette and psychology which we would not dream of using on children today.  Right?  Okay, explain that to your child and laugh.

This slim book is approximately sixty pages (with attractive binding and colour plates) and scattered throughout are “Interesting Facts” and helpful hints like An Economical Recipe for a Plain Cake, A Useful Compass, Parlour Games and my personal favourite, An Album of Sea-Weeds.  I will work on drying and pressing seaweed during my next holiday!  Hmm, would seaweed smell like that starfish I once brought home?

In closing, I will give a shout-out to Mr Lindon of Woolloongabba, Queensland (Page 45) who grew a giant marrow.  I think he must have read the book’s suggestion To Grow a Giant Marrow which signifies “A Garden of Lilies” is indeed a versatile volume!

I cannot give you a childproof safety rating but I think it is suitable for a sliding age scale and my own rating is 5-star.

Gretchen Bernet-Ward


Judith Rossell — Biography

Judith Rossell is the multi-award-winning author-illustrator of the bestselling Stella Montgomery series (Withering-by-Sea, Wormwood Mire, A Garden of Lilies and forthcoming Wakestone Hall).  Judith has written thirteen books and illustrated more than eighty, and her work has been published in UK, US, Germany and translated into more than twenty languages.  Before beginning her career in children’s books, Judith worked as a government scientist (not a mad scientist, a normal kind of scientist) and also for a cotton-spinning company (which made threads for T-shirts, denim jeans, mops and teabag strings).  Judith lives in Melbourne, Australia with a cat the size of a walrus.

ACCLAIM FOR WITHERING-BY-SEA AND WORMWOOD MIRE:
Indie Awards – Winner 2015, Shortlisted 2017
Australian Book Industry Awards – Winner 2015, Shortlisted 2017
CBCA Awards – Honour Book 2015, Notable Book 2017
Davitt Awards – Winner 2015, Shortlisted 2017
Prime Minister’s Literary Awards – Shortlisted 2015
ABA Booksellers’ Choice Awards – Shortlisted 2017
Australian Book Design Awards – Shortlisted 2017
Aurealis Awards – Shortlisted 2015