Katrin Dreiling went from language teacher to illustrator and received prestigious recognition for her picture book illustrations in “The World’s Worst Pirate”. This book, written by Michelle Worthington and published by Little Pink Dog Books, has been awarded Notable Book of 2018 by Children’s Book Council of Australia.
It’s wonderful to have you here, Katrin, I love your beautiful art techniques and I’m excited to learn about your journey as a children’s book illustrator. First, here’s a sneak peek at this special pirate story:
William is The World’s Worst Pirate so does that suggest he’s rude and nasty? Read on…
“Pirates are swashbuckling, treasure hunting, buccaneers of the seven seas. But if your mother is the Pirate Captain and you can’t stand on deck without getting seasick … that makes William The World’s Worst Pirate.” However, young William does have a special talent. Can he use it when the ship is under attack? Save the day, me hearty!
Q&A illustrator background
Katrin Dreiling, originally from Germany, loves to come up with quirky creations that inspire children to get creative. She enjoys giving colourful and messy art classes and says “Children are the true perfect grown-ups. Their hearts and minds are pure and good and it is important to nurture this – I strive to do that with art.” On the studious side, she provided the characters for animated University lectures and Government staff coaching videos that attracted over 320,000 views worldwide. In her free time, Katrin relaxes with her husband, three children and their Golden Retriever.
Q1. What is your favourite part of “The World’s Worst Pirate”?
Thank you, Gretchen, for this interview! My favourite part text-wise is when the Kraken attacks and everyone is supposed to run for their lives. Then there is a silence and Will quietly throws a cupcake to tame the beast. I like the contrast between noise and quietness and that it is such a peaceful, gentle approach. In terms of illustrations I think I like the cover the best. I just really enjoyed doing those ocean waves.
Q2. Of all your creations, who is your best loved character so far?
That would be Anton the Pig. This character has been in the works for a while now and so I really got used to him being around. He is also very sweet-hearted and funny and reminds me of a certain someone…
Q3. Where did the inspiration for this character come from?
Anton and his world are certainly inspired by my German background. The region I grew up in is known for their excessive bicycle riding because it’s very flat. So Anton is a passionate cyclist but I merged the landscape with a lot of ideas I picked up while living in Brisbane, Queensland. The inspiration for Anton’s story, though, came from years of working with children at school and my own three kids.
Q4. How would you describe your creative process on an average day?
My working day usually starts with a good walk with my Goldi to keep him happy and clear my head. Then I usually work down a list of things I have to do for my illustrating business. Once this is done I start creating. This can include simple sketching, commission work or extending my portfolio.
Q5. Do you like working in a group or home-office environment?
I am very happy to work by myself from home but I do seek professional input from other industry professionals on a regular basis. There is the Brisbane Illustrators Group where I made many good friends, WriteLinks and our local SCBWI group. I think it is very important to stay connected in which ever way you prefer, be that online or in real life.
Q6. Was it enjoyable working with writer Michelle Worthington?
Absolutely loved working with Michelle Worthington and would always choose to do so again. She is professional, smart and supportive and I felt very appreciated in my illustrating.
Q7. What is it like collaborating with an editor and publisher?
In the case of Little Pink Dog Books it was the perfect synergy between author, publisher and illustrator. Kathy and Peter Creamer were very inspired to keep this project a creative process which involved everyone in the same measure, and I believe the result reflects this very well. When I worked with other publishers it was a different, yet also enjoyable experience. I had to meet more firm requirements and learned new things along the way. I think you have to be adaptable as an illustrator in order to deliver the best possible outcome for the project.
Q8. Do you like to work with artistic freedom or a strict deadline?
I can do both 😊
Q9. Have you stayed up past midnight to finish an assignment?
Yes. I have worked through nights but if the work does not feel like work it is not a problem.
Q10. Have you ever received harsh criticism for your work?
I have been very lucky so far and mostly received constructive criticism which I value a lot. It’s easy to get too complacent and lose distance to your work. This is why I regularly book in for portfolio assessments with editors to get a fresh perspective on my work.
Q11. What is your favourite medium to work with and why?
I mix a lot of media together because I enjoy many things at the same time. I seem to always come back to ink in some form, though.
Q12. What colour would you be if you were an extra pencil in the box?
Q13. What are your thoughts on hand-painted vs computer generated artwork?
It works really well TOGETHER if you know how to.
Q14. Who are your favourite artists and have they influenced you?
Absolutely adore the work of Beatrice Alemagna. She has inspired me to go my own way, like she did. Then there is the quirky and unconventional style of Russell Ayto that I love. I think both artists truly work to delight and inspire children.
Q15. Are you involved in teaching workshops for children?
Yes, I will be giving workshops with Michelle Worthington to children at selected libraries in Brisbane during school holidays in July 2018. Also I give workshops for both children and grown-ups at a bookstore in Red Hill, Brisbane, as well as giving regular extra-curricular art classes once a week at New Farm State School.
Q16. Do you have a special creative goal for this year or is it a secret?
For my Anton the Pig story, I’d like to finish the manuscript and illustrations completely. Also getting published by one of the ‘big’ publishing houses has always been my dream and I’m still working towards this goal.
And this Q&A draws to a close
My sincere thanks, Katrin, for your personal insights into the world of picture book illustrating. I am sure you will reach your goal and I look forward to reading all about Anton!
Hey, is anyone else left wondering who that 'certain someone' is and why Katrin would be a black pencil...any ideas? Let me know...
♥ Gretchen Bernet-Ward
Katrin Dreiling Illustrations https://www.katrindreiling.com/