Review ‘Squish Rabbit’s Pet’ by Katherine Battersby

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The New York Times says ‘Hopelessly cute…’ and they are right.

Squish is just a small rabbit, but he dreams big.

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Two friends read their favourite book ‘Squish Rabbit’s Pet’.

Squish dreams of many things including having a pet.

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Squish Rabbit is a lively little character.

Squish makes a long list—a puppy would be perfect.

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Squish Rabbit makes a list of many things.

Squish’s best friend Twitch helps him along the way.

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Squish Rabbit’s best friend Twitch helps make an ‘almost’ pet.

Squish thinks important thoughts about friendship and his future pet.

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Squish Rabbit has two other adventures you can read.

Squish waits and waits to meet his new pet—who is more wonderful than he ever dreamed.


REVIEW:  There is an art to creating good children’s books and with her clear illustrations and succinct text, Katherine Battersby has shaped a beautiful story.  ‘Squish Rabbit’s Pet’ is a picture book which combines thoughtfulness, fun and friendship with an eggciting ending.

COMMENT:  I saw this third Squish Rabbit book at a UQP publishing event prior to its release and had to buy it.  I am familiar with Katherine Battersby’s work and have met her professionally when she journeyed from Canada to Queensland.  Happy reading!  🐨 🍁

Gretchen Bernet-Ward


Category: Children’s Picture Book, Children’s + Young Adult
Release Date: 3 April 2019
Pages: 32
Publisher: The University Of Queensland Press
ISBN: 978 0 7022 6046 9
Teacher Notes: http://www.uqp.uq.edu.au/store/images/Hi-RES/teachersnotes/1501/4157.pdf
Online: https://www.readings.com.au/products/26387171/squish-rabbits-pet

Printed with a squishy cover perfect for little hands!

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Just gift-wrapped Squish for a new baby, never too young for books!

Three Things #5

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One post with three acts READING LOOKING THINKING based on the format started by innovative blogger Paula Bardell-Hedley of Book Jotter.  

Her invitation to participate offers a change from THINKING to DOING if that suits your purpose but my TBR is backing up and I need to list seven of the books I desperately WANT TO READ—which, er, goes over the Three Things limit.  I just want to blab about these great books 😃 GBW.


These two books are side-by-side because they involve food and drink.

Todd Alexander

has written a humorous memoir of his escape to the country.  I did hear him at an author talk but he didn’t divulge the full story.  ‘Thirty Thousand Bottles of Wine and a Pig Called Helga’ is sometimes sad, sometimes gruesome but I’m hoping it’s an uplifting story of the joys of living on the land.
http://www.toddalexander.com.au/

Maria Donovan

set her novel ‘The Chicken Soup Murder’ against the backdrop of real events in 2012, a time in Michael’s life when everything is turned upside down.  Cricket, football and the seaside are woven through the story as he strives to make sense of the changes involving death, suspicious neighbours and a school bully.
https://mariadonovan.com/


This is a mixed bag of goodies sharing the same photographic background.

Sally Piper

has golden wattle on her bookcover (I’m allergic to pollen) but the inside of ‘The Geography of Friendship’ greatly appeals to me.  The blurb reads ‘We can’t ever go back, but some journeys require walking the same path again’.  I won this novel at UQP behind-the-scenes publishing event.
http://www.sallypiper.com/

David Malouf

is an Australian icon.  I couldn’t begin to details his many and varied works here but his poetry is brilliant.  The ‘An Open Book’ flyleaf reads ‘Malouf reminds us of the ways poetry, music and creativity enrich our lives . . . about the dynamics of what escapes and what remains’.
https://en.wikipedia.org/wiki/David_Malouf

Simon Cleary

lives in my city of Brisbane.  He has written two novels about war and its devastation.  ‘The War Artist’ . . . ‘tackles the legacy of the Afghanistan war and the crippling psychological damage of PTSD’ and follows the shattered life of Brigadier James Phelan when he returns to Australia.
http://www.simoncleary.com/

Katherine Battersby

writes the most adorable children’s picture books.  I have been a fan of Squish Rabbit since his first appearance and assisted Katherine at one of her library book launches.  Forty children were expected and 140 turned up!  ‘Squish Rabbit’s Pet’ is my favourite so far; profound and endearing.
https://katherinebattersby.com/


I love bold bookcovers which alone tell a tiny bit of the story.

Hank Green

was recommended to me by a librarian with hair dyed pink, orange and green.  A reader of quirky books like me (although my hairstyle is more conservative) she advised that this book is a bit different.  And, yes, he’s the brother of John.

I have to say I have no idea what is in store for me with ‘An Absolutely Remarkable Thing’ so I will just leave you with the quote ‘In Hank Green’s sweeping, cinematic debut novel, a young woman becomes an overnight celebrity when her YouTube video goes viral . . . but there’s something bigger and stranger going on’.
https://www.hankgreen.com/


printable-times-new-roman-alphabet-stencilRight, that’s it, the seven books I’m going to read—not counting those on my ereader—now comes the wait until I post my book reviews.
Ciao for now!

Gretchen Bernet-Ward

The Year of Living Duckishly

Did you know that?  In the spirit of The Duck Pond, here’s a heads up from author Jen Storer of Girl & Duck.

Exciting times!  Jen’s SCRIBBLES CREATIVE GROUP (writing and illustration) is having a FLASH SALE on 30th September 2018.  Join now!

Yay! That’s 30% off their signature online course – 30% off on the 30th.  Ink it in, okay?

 Then the SCRIBBLES CREATIVE WRITING AWARDS open on 1st October 2018.

Have you got an awesome picture book manuscript or a junior fiction story you think might fly in the competition?  Middle grade?  An exciting storyboard?  There are FOUR categories and I bet you’ve got something creative worth entering!

To read all about the inaugural SCRIBBLES CREATIVE AWARDS plus prizes and how you can win a manuscript assessment and one-hour Skype coaching call with published author Jen Storer of Girl & Duck CLICK HERE.

Clarrie's Pig Day OutJen, creator of Truly Tan series and other children’s books, says “I hope this post flips your lid.  But only in a good way!”

#keepscribbling  #stayinspired
To keep up with all the news (and all the pretty pictures) follow Jen on Instagram.

Visit the website Girl & Duck and ask to join Jen, Zoe, Dulcie, Geek Duck (and me, and the other Duckies from around the world, talking children’s literature and stuff) in The Duck Pond, the most unique and supportive online kidlit group around – then join SCRIBBLES for even more fun!  I will definitely be entering the Awards competition!

All the links you’ll ever need to write and illustrate brilliant kids books:

https://girlandduck.com/
https://girlandduck.com/online-courses/scribbles/
https://girlandduck.com/scribbles-creative-writing-awards/
https://girlandduck.com/online-courses/the-girl-duck-institute/

Gretchen Bernet-Ward

What is Dads Read?

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This post will bore anyone without children in their lives.

Dads Read recognises that fathers reading to their children strengthens literacy, models positive reading behaviour and builds children’s self-esteem around reading, especially for boys.

Dads Read is an early childhood literacy initiative, developed by State Library of Queensland in 2010 and launched statewide in 2012 as part of the National Year of Reading, to promote family literacy.  The program continues to expand and is now being delivered throughout Queensland and South Australia and plans are underway in Tasmania.

You can host your own event with their resources.  I’ve seen this program in action with a dedicated group.  Children choose a book, a slice of pizza and sit with their fathers to read.

Discrimination doesn’t apply, the Dads Read message is based on the simple but true premise that reading 10 minutes a day to your children is not only quick but also essential.

Dads Read aims to:
  • Raise awareness of the important role fathers play in their children’s development.
  • Inform fathers of the importance and benefits of reading to children from their early years, even before they start school.
  • Promote reading as a family.
  • Encourage fathers to read to their children and promote the value of reading.
  • Provide fathers with the tools to give them the confidence to read with their children.

My father was my reading mentor, instilling interest in books, and Dads Read program follows research which highlights the importance of dads reading to their children during their early developmental years.  As little as 10 minutes a day improves children’s literacy levels and stimulates creative and critical thinking.

‘Investment in early childhood is the most powerful investment a country can make’.
World Health Organization, 2007.

The Dads Read program has helped:
  • Address a real and significant issue which is at the core of our wellbeing as individuals, families, employers and communities: the need to be literate.
  • Support literacy development and help to develop the skills of Australia’s future workforce by building everyday skills for sustainable communities.
  • Build literacy levels among our younger generation while promoting family literacy and boosting the ability of reading in adults.
  • Connect families and communities in a cost effective and invaluable way.

Visit the SLQ website for some great book ideas and age-appropriate reading:
http://dadsread.org.au/reading-to-your-child/must-reads/

Gretchen Bernet-Ward

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Grandfathers can read too…

‘The Incredible Book Eating Boy’ by Oliver Jeffers

My picture book review
My bonus picture book lesson
My link to Just Awesome Picture Books


THE REVIEW:

Book Sliced Up on Plate with KnifeHenry is a boy who likes eating books.  He absorbs knowledge as he happily munches his way to becoming the smartest boy on earth.  Everything goes well until there’s an internal rebellion.  Share Henry’s journey as he discovers something better than eating books.

Award-winning Oliver Jeffers’ concept is clever and I found his plot madly appealing.  The illustrations are unique and show creative grunge like an old diary or well-used notebook.  For me, although the story has the potential to be scary, it is handled in an adventurous way with Henry supported by believable characters which adds intertextuality to an otherwise imprudent tale.

I think The Incredible Book Eating Boy is best suited for small group readings or child-and-parent because there’s a lot happening and the visual literacy may need some explanation for younger children.

All in all, a praiseworthy picture book with a good message for 4 – 8 years range to which I give a 5-Star rating.  GBW.


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I discovered this book on Just Awesome Picture Books! Check the website https://justawesomepicturebooks.com/

THE LESSON:

In my opinion, less is more!  Wordy picture books tire the reader and the listener.  The illustrations should highlight the uncluttered wording.  The words push the narrative forward and the child uses their imagination from the visual cues.

It’s a common fallacy that picture books are easy to write.  This is far from the truth because the very minimalist nature of picture books means that every single word has to be perfectly rendered.  Learn more about writing for children from author Jen Storer of Girl & Duck.

As a general guide, here are some basics:

A children’s picture book is 32-pages but 8 pages are used for endpapers and book information.  The story is over 24 pages or 12 spreads of text and illustrations which span two opened pages at a time.  These pages can be half-page spreads, single-page spreads, double-page spreads or vignettes.  A number of vignettes are used in The Incredible Book Eating Boy.

There is symmetrical, complementary and contradictory illustration approaches and I think The Incredible Book Eating Boy is approached in a complementary manner.  Oliver Jeffers plays around with the location of text to good effect.

Board books, pop-ups and novelty may have no words, just illustrations.
Young picture books are aimed at 2 to 5-year-olds with 200 to 400 wordcount.
Trade (general readership) picture books are suitable for 3 to 8-year-old children with 500 to 600 wordcount.
Picture story books for older children 6 to 10-year-olds with 1000 to 3000 words are often non-fiction.
Chapter book fiction over 3500 words are suitable for competent readers, with a sliding age range due to small sketches and quirky touches often added between the pages to enhance the reading experience.
YA (young adult) are the more tailored books suitable for older teenagers.

Something different.  A theatre performance video of the book at The Joan, Penrith’s premier performing arts centre The Incredible Book Eating Boy production.  The cast use song, movement and puppetry to bring Oliver Jeffers’ much loved story to life on stage.

Enjoy eating, er, reading this picture book with that special little someone.

Gretchen Bernet-Ward

Q&A Katrin Dreiling Children’s Illustrator

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Katrin Dreiling went from language teacher to illustrator and received prestigious recognition for her picture book illustrations in “The World’s Worst Pirate”.  This book, written by Michelle Worthington and published by Little Pink Dog Books, has been awarded Notable Book of 2018 by Children’s Book Council of Australia.

Willkommen! Welcome!

It’s wonderful to have you here, Katrin, I love your beautiful art techniques and I’m excited to learn about your journey as a children’s book illustrator.  First, here’s a sneak peek at this special pirate story:

William is The World’s Worst Pirate so does that suggest he’s rude and nasty?  Read on…

“Pirates are swashbuckling, treasure hunting, buccaneers of the seven seas.  But if your mother is the Pirate Captain and you can’t stand on deck without getting seasick … that makes William The World’s Worst Pirate.”  However, young William does have a special talent.  Can he use it when the ship is under attack?  Save the day, me hearty!

Q&A illustrator background

Katrin Dreiling, originally from Germany, loves to come up with quirky creations that inspire children to get creative.  She enjoys giving colourful and messy art classes and says “Children are the true perfect grown-ups. Their hearts and minds are pure and good and it is important to nurture this – I strive to do that with art.”  On the studious side, she provided the characters for animated University lectures and Government staff coaching videos that attracted over 320,000 views worldwide.  In her free time, Katrin relaxes with her husband, three children and their Golden Retriever.


Katrin Dreiling World's Worst Pirate 02Q1. What is your favourite part of “The World’s Worst Pirate”?

Thank you, Gretchen, for this interview! My favourite part text-wise is when the Kraken attacks and everyone is supposed to run for their lives. Then there is a silence and Will quietly throws a cupcake to tame the beast. I like the contrast between noise and quietness and that it is such a peaceful, gentle approach. In terms of illustrations I think I like the cover the best. I just really enjoyed doing those ocean waves.

Q2. Of all your creations, who is your best loved character so far?

That would be Anton the Pig. This character has been in the works for a while now and so I really got used to him being around. He is also very sweet-hearted and funny and reminds me of a certain someone…

Q3. Where did the inspiration for this character come from?

Anton and his world are certainly inspired by my German background. The region I grew up in is known for their excessive bicycle riding because it’s very flat. So Anton is a passionate cyclist but I merged the landscape with a lot of ideas I picked up while living in Brisbane, Queensland. The inspiration for Anton’s story, though, came from years of working with children at school and my own three kids.Katrin Dreiling World's Worst Pirate 08

Q4. How would you describe your creative process on an average day?

My working day usually starts with a good walk with my Goldi to keep him happy and clear my head. Then I usually work down a list of things I have to do for my illustrating business. Once this is done I start creating. This can include simple sketching, commission work or extending my portfolio.

Q5. Do you like working in a group or home-office environment?

I am very happy to work by myself from home but I do seek professional input from other industry professionals on a regular basis. There is the Brisbane Illustrators Group where I made many good friends, WriteLinks and our local SCBWI group. I think it is very important to stay connected in which ever way you prefer, be that online or in real life.

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In costume The World’s Worst Pirate book launch

Q6. Was it enjoyable working with writer Michelle Worthington?

Absolutely loved working with Michelle Worthington and would always choose to do so again. She is professional, smart and supportive and I felt very appreciated in my illustrating.

Q7. What is it like collaborating with an editor and publisher?

In the case of Little Pink Dog Books it was the perfect synergy between author, publisher and illustrator. Kathy and Peter Creamer were very inspired to keep this project a creative process which involved everyone in the same measure, and I believe the result reflects this very well. When I worked with other publishers it was a different, yet also enjoyable experience. I had to meet more firm requirements and learned new things along the way. I think you have to be adaptable as an illustrator in order to deliver the best possible outcome for the project.

Q8. Do you like to work with artistic freedom or a strict deadline?

I can do both 😊

Q9. Have you stayed up past midnight to finish an assignment?

Yes. I have worked through nights but if the work does not feel like work it is not a problem.

IMG_20180422_234859Q10. Have you ever received harsh criticism for your work?

I have been very lucky so far and mostly received constructive criticism which I value a lot. It’s easy to get too complacent and lose distance to your work. This is why I regularly book in for portfolio assessments with editors to get a fresh perspective on my work.

Q11. What is your favourite medium to work with and why?

I mix a lot of media together because I enjoy many things at the same time. I seem to always come back to ink in some form, though.

Q12. What colour would you be if you were an extra pencil in the box?

Black.

Q13. What are your thoughts on hand-painted vs computer generated artwork?

It works really well TOGETHER if you know how to.

Katrin Dreiling The Princess and The Pea 02Q14. Who are your favourite artists and have they influenced you?

Absolutely adore the work of Beatrice Alemagna. She has inspired me to go my own way, like she did. Then there is the quirky and unconventional style of Russell Ayto that I love. I think both artists truly work to delight and inspire children.

Q15. Are you involved in teaching workshops for children?

Yes, I will be giving workshops with Michelle Worthington to children at selected libraries in Brisbane during school holidays in July 2018.  Also I give workshops for both children and grown-ups at a bookstore in Red Hill, Brisbane, as well as giving regular extra-curricular art classes once a week at New Farm State School.

Q16. Do you have a special creative goal for this year or is it a secret?

For my Anton the Pig story, I’d like to finish the manuscript and illustrations completely. Also getting published by one of the ‘big’ publishing houses has always been my dream and I’m still working towards this goal.


And this Q&A draws to a close

My sincere thanks, Katrin, for your personal insights into the world of picture book illustrating.  I am sure you will reach your goal and I look forward to reading all about Anton!

Hey, is anyone else left wondering who that 'certain someone' is and why Katrin would be a black pencil...

Gretchen Bernet-Ward

Katrin Dreiling World's Worst Pirate 05Information:
Katrin Dreiling Illustrations https://www.katrindreiling.com/
Instagram https://www.instagram.com/katrinartworks/
Facebook https://www.facebook.com/katrinartworks/
Twitter https://twitter.com/dreiling_katrin

My Elusive Career as an Aspiring Writer

Attention span of a puppy? Pushed for time? “Publishing is a long game. As they say, you have to be a stayer if you want to be a player. Even if your book is only 500 words!” said Jen Storer, children’s author and chief inspirationalist at Girl & Duck.com when discussing the pitted path to publishing.  I intended writing a three-part posting on my literary travails but here they are in one glorious chunk.

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PROLOGUE After reading countless children’s picture books for Storytime in a public library, it became obvious to me what worked and what didn’t with a live audience. I thought it was about time I tried to write my own children’s book.

WARNING – THIS IS A LONG BLOG POST WHICH RAMBLES OVER EIGHTEEN MONTHS OF MY WRITING LIFE – CAFFEINATED BEVERAGE RECOMMENDED.

 

CHAPTER ONE The Plan. Work up slowly with a picture book maximum of 500 words for age 0-5, step into small chapter books for age 6-8 with 20,000 words, graduate to a decent sized book of 25,000 for teenagers then launch myself into young adult. Well, perhaps not young adult, could get a bit messy in the emotions department. Hopefully, maybe, I could consider penning a series. Something humorous and fun, with a good plot and memorable characters. An attention-grabbing theme, a zany bookcover and before you can say Harry Potter, I’m flying high, riding the wave of published author!

Er, right.  The truth of the matter is that I knew full well I had no experience.  Career shattered before it began?IMG_20170531_184235

In steps the many writer’s workshops and online courses available to the newbie.  Or as they say in the trade “emerging author”.  Plus a local writer’s club SWWQ, State writers centre, Facebook groups and a conference or two.  (List of website links at end of page). Not forgetting the self-help books – anyone who’s ever written a book and had it published with moderate success seems to qualify as an adviser on the subject of literary rules. The do’s and don’ts, the routines, the voice, the need for originality, the best way to grab an editor’s attention, grammar, plot structure, plotter or pantser, show don’t tell, how to sell yourself, and the list goes on.

CHAPTER TWO First up, I enrolled in an expensive online course which certainly got me motivated but not by the moderator or the tutor. The other participants were withdrawn and really didn’t share. And the course notes were a little outdated. Yes, I know “Where The Wild Things Are” is a classic but hundreds of good, if not better, books have been published since then, with far more appeal. And I don’t really like the artwork.

Ah, artwork. You can write the words for a picture book but you can’t have it illustrated by an artist of your choosing. The publisher does that. And we all know we have different ideas when it comes to imagination and imagery. If you write and illustrate your own picture book, it has to be of exceptional standard. I can do pen and pencil drawings but they wouldn’t cut it. I’m much better with basic colour-in stuff. Which doesn’t sell.

Click link Saving

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Grandpa’s Tree

Then came the face-to-face classroom workshops which were fun. Lots of buzzing people with buzzing ideas and questions. Isn’t it surprising that when it comes to reading out your own work, people clam up? Not me. I always read out my stuff and one story was later fleshed out into a decent read “Saving Grandpa’s Tree”. However, it hasn’t attracted anyone’s attention yet.

CHAPTER THREE The big thing among creatives is to attend a yearly conference or festival in another State, necessitating a weekend away. I think a conference is meant to be more serious than a festival with serious lectures, serious note-taking and serious editor appraisals.  I have a small green notebook riddled with notes. A festival has all manner of literary people chatting on stage, with microphone feedback, showing wonky PowerPoint slides, supplemented with drinks and nibbles and a lot of networking.

Daily Things Egg Bookmarks Kookaburra (3)
Just like anywhere else, unless you are seen as someone who has “made it” you are not worthy of a business card exchange. And bookmarks, phew, I could wallpaper my room with all the industry bookmarks floating around.

 

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At these displays of verbose literary knowledge (excluding The Duck Pond – see below) I always wear my name badge. Nobody remembers my name and I don’t remember theirs but we compare notes, likes and dislikes and complain about the way the event is organised and the length of the queues. Usually the food tastes as good as it looks.  Of course, the better the quality, the quicker the goodies are consumed. Never cram your mouth because someone will ask you a question, and never spill anything down your front because you will be asked to step up the front to speak.

I’m going to pen a small piece on the Judith Rossell weekend writers retreat I attended at historic Abbotsford Convent in Melbourne, Victoria.  Amazing vibe!  We don’t have many older buildings in Brisbane with such history.  I have organised, promoted and hosted author talks and, believe me, not all are created equal.  Will save that story for another time.

CHAPTER FOUR For well over a year, I submitted children’s picture book manuscripts to a myriad of publishers in Australia and overseas and have received only two rejections. I think the silence is worse than those two polite rejection letters. Surely, in this day and age, it wouldn’t take two seconds for the office junior to email a rejection to the poor, desperate writer at the other end.

RequiremeManuscripts.nts Of Submission occasionally want physical copies and I’ve gone the old A4 paper route, Times New Roman (no glitter in the envelope, big no-no) with clean easy-to-read layout and still not heard a word. Does that mean I’m no good or the publishing houses are totally swamped? Harking back to that office junior, who didn’t send me an email, I could get bitter. They are the first readers of unsolicited manuscripts which forces me to cry “What do they know? My literary reading is decades ahead of theirs.” Sadly, they know the trends. A new writer cannot predict trends. Nor can they single-handedly make them.

The scariest thing I’ve done (apart from hosting an avant-garde Shakespeare theatre troupe and judging a YA writing competition) was Literary Speed Dating; five minutes of torture in which you have to sell yourself and your manuscript.  A bell rings and, if you haven’t collapsed, you go to the next editor’s table.  And the next...and the next...A woman in my queue was eight months pregnant and the summer heat was ferocious but she coped better than all of us.  A book contract?  I hope the others were successful.  At least that woman has a baby now.

CHAPTER FIVE After becoming thoroughly disenchanted with the children’s book industry, I started up my own WordPress blog and thought “I’ll just do what I like and if anyone notices, that’s okay” but I didn’t hold my breath. Prepare to be amazed – 409 million people view more than 20.8 billion pages each month on WordPress, and users produce about 77.0 million new posts and 42.7 million new comments each month, an estimation of six new WordPress.com posts every second. Those stats have probably changed while I type, but it’s still a shedload of competition. It takes a lot to shine. Who’s going to read me and my miscellaneous Blogging Image 04ramblings? Recently I had 385 Followers but I culled the spammers and that number dropped back drastically.

I’ve discovered that personal stuff gets the most hits but specialising is not my thing.  Although I blog about many things, I still like the idea of kidlit. Notice that term? I’m getting good with the industry terms. Copy edit, structural edit, narrative arc, protagonist, antagonist … I subscribe to the newsletters of publishers, book stores, State organisations, libraries, writing groups, children’s literary charities and other book-reading bloggers like Paula Bardell-Hedley (see below). So far, I’ve come across a lot of WordPress book reviewers and enjoy their commentary. Personal opinion is a great thing, just not something I always agree with when it comes to books. Honesty compels me to admit that my leisure reading is not nursery rhymes, it’s a good crime novel.

CHAPTER SIX In between life, I volunteer at special events and displays at State Library and offer my free time closer to home in a charity shop bookroom. What an eye opener! Certainly a book for every customer, young or old; and quite a mixture of clientele. The shelves are browsed with all the fervent devotion of a high-end bookstore in the city. Without the price tag. And a few bent bookcovers and rusty pages thrown in. Behind the scenes, the staff are just as interesting. Again, will save that story for another time.

“But what of your picture book career?” Glad you asked. Confession time. Deep down my literary urge begins to lean towards writing for adults BUT I join Creative Kids Tales, an online group for emerging authors which specialises in children’s literature.  By this time I was doubtful that this was my true calling (after all, one can only take so many unsent rejection letters) and was oscillating between adult works and the perfect kids book.  I hung in there.

Truly Tan BooksEach month CKT features a different aspiring writer with a successfully published author. One author captured my imagination, Jen Storer of Girl & Duck.com An Enid Blyton lover, Jen shows an intelligent, vibrant nature, an honest, straight forward approach to writing and I like her children’s books, especially Truly Tan series.  Jen was starting a Facebook group The Duck Pond, inviting kidlit creatives to join, and the rest is magic.

CHAPTER SEVEN I’m pretty much a founding member of The Duck Pond and recently their creatives group Scribbles was added which I also joined. Membership grows weekly, and Jen does weekly Q&Q (questions and quacks) videos on YouTube. Apart from sudden Facebook drop-ins on screen, Jen does one-hour Scribbles Live Rounds and members tune in from around the world. Kidlit help is always at hand and the expertise of members is far-reaching.  The slogan “The rule is there are no rules” is true to its word. Jen says “Do the verk”.  Immersion is the only way and I’ve learned so much about writing books and the book industry generally.

Scribbles Live Round Participant 2018

An author/illustrator, Jen Storer believes is having fun and being messy, “Mess creates clarity”. The Scribblers course is for writers and illustrators and it encourages everyone to work without restrictions.  Quell that inner critic!  There are set Modules with exercises which you do at your own pace but following the easy guidelines so that your words just flow. I’ve experienced writing freely and unfettered and being surprised and pleased with the results. Honestly, with Jen’s prompts, I’ve had so many ideas I could be writing for years. Of course, submitting a manuscript isn’t messy, it has to be refined and polished. Jen is ex-publishing house so she know those ropes.

Now, the cruncher. I adore The Duck Pond group camaraderie and "doing the verk" but I am not a fan of the circus called Facebook. Nor do I participate in other social media like Twitter, Google, Instagram, etc. “Click this, view that, Like page” get lost. In a short space of time I have witnessed two great bloggers over-extend themselves to the detriment of their output.  I like to think I am not spreading myself too thinly!

CHAPTER EIGHT I’m loving my WordPress blog, the layout, the posts, changing photos, the full control I have over my content. Which reminds me, in the past I have submitted reviews and editorials to organisations who have edited or altered my work without my prior consent, which is apparently their prerogative, but that doesn’t mean I have to like it. I don’t – especially when they muck up a sentence to make it shorter or change paragraphing. So, dear reader, this leaves me in literary limbo.

Star Twinkle Twinkle 01CONGRATULATIONS – IF YOU REACHED THIS POINT WITHOUT SKIPPING BITS.

What is next in my literary journey? Will I shine? Over 18 months, and varying lengths of commitment, I have happily entered writing competitions (two Third Place awards and shortlisted) and completed a magazine writers course, travel writing course, children’s writing, crime writing, romance writers workshop, non-fiction-fest, lampooned the Australian publishing industry, and still don’t know what genre I want to pursue. I know it’s too late to become a ‘proper’ writer, contrary to what dear Jen Storer says in her passionate YouTube video A Slap Down For An Ageist Society I think I have missed the boat. I am passed my publishable prime. It’s no good lamenting the fact that I represent Gustav Freytag’s five-part story structure. I had a younger life to live and it didn’t include lonely, lengthy periods sitting at a keyboard. It does now.

EPILOGUE Sure, I can happily write to my heart’s content but who’s interested? Don’t answer that, please. Suffice to say I will dabble, making my miscellaneous Thoughts Become Words for my own pleasure because I can’t stop writing. Basically, that’s what it all boils down to, in the end we are doing it for ourselves. If someone else likes it, that’s a hefty bonus.

Gretchen Bernet-Ward


Paula Bardell-Hedley WP Book Blogger IN APPRECIATION – This post is dedicated to WordPress blogger Paula Bardell-Hedley for her great reviews, ideas, encouragement and super organisational skills
https://bookjotter.com/
https://thoughtsbecomewords.com/2018/04/02/dhq-dewithon19/
and I get a mention in Winding Up
https://bookjotter.com/2018/04/06/winding-up-the-week-13/


RELEVANT GROUPS AND ORGANISATIONS:
CKT https://www.creativekidstales.com.au/
AWC https://www.writerscentre.com.au/
QWC https://qldwriters.org.au/
BCC https://www.brisbane.qld.gov.au/facilities-recreation/libraries/opening-hours-locations/brisbane-square-library
CYA http://www.cyaconference.com/
KLV http://www.kidlitvic.com/
ILF https://www.indigenousliteracyfoundation.org.au/
SD https://www.storydogs.org.au/
FF https://www.fantasticfiction.com/
BWF http://uplit.com.au/
G&D https://girlandduck.com/
A&U https://www.allenandunwin.com/being-a-writer/getting-published/advice-from-a-publisher
SWWQ http://womenwritersqld.org.au/

‘I Went Walking’ by Sue Machin

I Went Walking Picture Book
Quack

This is my first children’s picture-book book review.  Legions of preschool storytime fans are hanging out for this one!  Of course, you will have to read it to them.  I could have bored you with reams (remember reams?) of lucid, erudite adult book reviews but I’ve decided to revisit an all-time rollicking favourite “I Went Walking”.

In my no-holds-barred, honest-to-goodness style, I will explore the deeper meaning of taking a walk through a farmyard.  Or maybe it’s all just good fun.

“I Went Walking” written by Sue Machin and illustrated by Julie Vivas
An Omnibus Book from Scholastic Australia
First published 1989, reprinted approx 23 times, sometimes twice in one year.

My softcover copy of this slim 32-page volume celebrates 25 years of publication so that means at the time of writing it’s now 28 years old.  I am sure the book’s huge following of under 5s will be planning a suitable 30th shindig, perhaps everyone invited to come as their favourite barnyard animal.  There could be hay bales to sit on while devouring plate-loads of themed food.  The country and western band would…sorry, got a bit off-topic there…

The front cover artwork displays a young boy talking to a quacking duck.  Open to the second page and this young boy is putting on his coat.  Pay attention to this coat, and other parts of his apparel.  Naturally the page reads “I went walking” with the response on the next page “What did you see?” and thereafter.  Without going into too much detail, he sees a black cat, a brown horse, an apple tree, a red cow who offers him a ride, a green duck and the boy sheds his first piece of clothing.

“I went walking” and “What did you see?” other sidelines like a sack of potatoes but in this instance it’s a muddy pink pig which is hosed down, necessitating the removal of wet shoes, then socks and t-shirt.  The gang of farm animals is following the boy when he bumps into a friendly yellow dog.  He marches off with all six animals following.  They do a wild dance together and that’s the end of the story.

You really have to see the pictures in this picture book to appreciate it.  The clear, colourful drawings and uncluttered storyline combine to make a five-star bedtime reading experience.

Gretchen Bernet-Ward

Draw-a-Duck 02

The Tall Table

A children’s picture book video.

When Jessie was small the table was tall.
She had to sit in a highchair to eat her meals.
One day she crawled on to the table.
But that was not a good idea.
Another time she pulled the tablecloth.
That was not a good idea.
As Jessie grew, she helped Tiny the dog on to a chair.
That definitely was not a good idea.
After dinner on Saturday, Jessie had a very good idea.
She didn’t need a chair cushion now,
And her feet could almost touch the floor.
So she helped clear the table.
She helped to wash the dishes.
Then Jessie went into her bedroom.
She tugged the top sheet off the bed.
She grabbed her favourite toys.
Jessie was tall enough to pull the sheet over the table.
It made a tent,
it made a cave,
it made a cubby,
and Jessie played until bedtime.

Words : Gretchen Bernet-Ward
Video : Mere Modicum

Tall TableCubby House Table 01