ANZAC Park in Toowong

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RECENTLY I was fortunate enough to take a pleasant stroll in a modest yet important piece of parkland.  From 1916 to the present day, ANZAC Park is one of the oldest ANZAC parks in the world – a war memorial and a green space for everyone.

I HAVE visited ANZAC Park on and off for many years and have seen some old trees removed and new ones planted, the circular roadway improved, a dog park installed, children’s area expanded, the duck lagoon which overflows or dries up depending on the seasons and, of course, enjoyed many picnics sitting on a tartan rug on the sloping hillside away from the hum of the city.

APPROXIMATELY 15 minutes or 7km from Brisbane CBD, in times gone by it was a day’s outing at the end of the tram line.  It is opposite the significant landmarks of Toowong Cemetery and Mt Coot-tha Botanic Gardens, linked by the Toowong pedestrian and cycle bridge recently named Canon Garland Overpass.

More on Canon Garland further down . . .

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ANZAC is the acronym formed from the initial letters of the Australian and New Zealand Army Corps.  This was the formation in which Australian and New Zealand soldiers in Egypt were grouped before the landing on Gallipoli in April 1915 during the First World War.


THE CONFLICT commemorated in ANZAC Park is the First World War 1914–1918 and memorial types were Garden/Avenue/Tree.  Inscriptions within the park consisted of small brass and metal plaques located in front of memorial trees, bearing the details of local men from the district who died at Gallipoli and on the Western Front.  No plaques remain today nor is there a stone monument.

YEARS of petitioning from a community-based campaign to honour the memory of Anglican clergyman and military chaplain Canon David Garland, the Queenslander who gave ANZAC Day to the world, culminated in the renaming of the pedestrian and cycle bridge which crosses the busy Western Freeway.  Officially named Canon Garland Overpass, it pays tribute to the man who championed the formation of “ANZAC Day” as our nation’s “All Souls’ Day”.

This photo was taken as I walked across the bridge – a safe yet disconcerting experience.

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Canon Garland Overpass for pedestrians and cyclists across Western Freeway at Toowong, Brisbane, looking towards Mt Coot-tha — the camera was held straight — View shows the enclosed AU$5.4 million overpass constructed between 2008-2009 and later renamed “Canon Garland Overpass” after the man who pioneered ANZAC Day. The bridge provides a safe way for pedestrians and cyclists to cross the busy Western Freeway with links to and from ANZAC Park to Mt Coot-tha Botanical Gardens, historical Toowong Cemetery, Western Freeway Bikeway, main bus routes and local cafes. The overpass features a 60 metre-long freeway-crossing, 160 metres of elevated structure and fully enclosed screen protection — https://garlandmemorial.com/2019/10/09/canon-garland-overpass/

AFTER A LIFETIME of service to the community, Canon Garland (1864–1939) was buried across the road in Toowong Cemetery, not far from The Stone of Remembrance and The Sword of SacrificeThe official unveiling of these two memorials makes stirring reading.  On 25 April 1924, they were unveiled by the Governor-General as Australia’s first “national” ANZAC Memorial, thanks to the tireless efforts of Canon Garland.

FROM ITS POSITION on the corner of Wool Street and Dean Street, and Mt Coot-tha Road, Toowong, ANZAC Park has easy access to places mentioned above as well as bushland walks and picnic areas within Mt Coot-tha Reserve.

Friends of ANZAC Park have beaut photographs on their website.
Queensland War Memorials insight includes planting an honour avenue of palms.


JUST TO CONFUSE things, an ANZAC monument stands in Toowong Memorial Park, a heritage-listed memorial park at 65 Sylvan Road, Toowong, City of Brisbane, Queensland, Australia.  The Toowong War Memorial is composed of brown Helidon freestone and was built to commemorate those men of the district who died in service or were killed in action in World War One.  It was designed by George Rae and built c.1922 by Toowong monumental stonemasons Andrew Lang Petrie & Sons.  It was added to the Queensland Heritage Register in September 2007.  This monument sits on a hill and has twelve small stone pillars around it.


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Sandwiches — cheese and tomato, egg and lettuce, corned beef and salad, chicken and mustard mayonnaise.

I am writing this post on 1st September 2020, the first day of Spring, so time to get outside and breathe that fresh air – don’t forget the picnic rug!

Gretchen Bernet-Ward

My Monoprinting Experiment

French artist Paul Gauguin (1848 – 1903) used monoprinting to created beautiful works of art.  Most were not acknowledged in his lifetime but I had the opportunity to try his technique.

The workshop I attended was run by Brisbane Botanic Gardens Mt Coot-tha.  Everyone met at the BCC Library and then walked down to the activity room.  Our instructors were Frances and Lee-anne and their introduction covered the evolution of Australian native plants, the background to Gauguin’s work and monoprinting.   A monoprint is a one-of-a-kind print that forms part of a series.

It was a two-hour class with about twelve people and we were itching to get started.  We couldn’t wait to peruse the beautiful and aromatic array of Australian native plants ready to make our imprints.

Here is my quick overview

 

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Beginners Guide to Monoprinting

 

  • You may have read that monoprinting is an age-old printmaking method which produces a single image.  I’d have to say that is only partially correct – the image can be reversed or added to several times, each time producing a different image.  (See my coloured prints above).

 

  • I rolled out four paint blobs (yellow and red) on an acetate pad, added a leafy tree branch and a clean sheet of paper on top before smoothing it out flat.  Peel off.  Two for the price of one!  I placed ferns and leaves with the branch, added fresh paper on top, pressing down hard.  I reversed the procedure and did ‘mirror’ images.

 

  • You may have heard that you need lino or woodcarving tools.  I used a wooden chopstick to press and draw my B&W designs.  There were several which didn’t make the grade and I tried to choose the better ones.  (See my black and white prints below).

 

  • It is thought that you need to work on a glass plate or gel plate, but a sheet of tough plastic (clear heavy acetate) works well with monoprinting paints and is easy to clean.  Of course, you can upscale your equipment when your hobby turns into a money-making enterprise.

 

  • A special roller isn’t really necessary to spread the paints, you can use a small rubber roller with a plastic handle.  No flattening press needed.  Once the overlay paper is in place, you can use your hands to smooth the paper flat, or add background patterns through the paper with the tips of your fingers.  

 

  • Pigmented paints and printing inks produce colours which look great but the traditional black-and-white looks dramatic.  I didn’t achieve any depth to my work but the middle black-and-white print (below) is reversed and the hatching in the background was done with the backs of my finger nails.

 

  • We ran out of time and I would have loved to have dabbled more.  The free class I attended supplied the equipment – plus afternoon tea – and the paper used was office A4 size.  It was porous enough and strong enough to take my amateur efforts.

 

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My words of encouragement “You have to try it, muck around with it, get messy and see what happens”

The trick is to work fast, especially in Queensland temperatures, because the paint will dry quickly.  Drying caused one of my prints to have a ghostly quality.  That was part of the fun – the results were often a surprise.

Monoprinting is a forgiving and flexible technique, experimental yet satisfying, and several participants achieved a pleasing degree of botanical detail worth framing.

Gretchen Bernet-Ward

Botanical Gardens Fresh Air and Sunshine

Coming out of a hot dry summer, March weather is beginning to soften the sky and offer the cooler, more gentle mornings of autumn.  There is no definite change of season, just a calmness, almost a feeling of relief after the insistent tropical heat.

Apart from, whack, an insect, there’s something serene and relaxing about strolling through a garden, touching leaves, sniffing flowers, following a creek and hearing the splash of a small waterfall through the trees.

To quote Rudyard Kipling “The Glory of the Garden it shall never pass away!” so…

Here’s what I experienced one lovely morning…

Arriving early at the Brisbane Mt Coot-tha Botanic Gardens, I strolled through a cool, green gully and thought it was strange to be in a capital city yet hear no traffic sounds.  I floated along, enjoying the stillness, until my personal calm was shattered when the garden crew came on duty and the leaf- blowing brigade roared into action.  I had to wait until one fellow walked out of shot to photograph Xanthorrhoea australis, the Grass-trees (below; left).  The atmosphere shuffled its feathers and tranquility returned.

Wooden bridges and flowing streams…

Leisurely, I followed the meandering paths across bridges and green lawns, enjoying the mild sunshine.  Strolling down a slope, I came to a bracken-lined watercourse then walked up a gentle incline towards king ferns, piccabeen palms and towering hoop pines.  I’ve never fully traversed the 56 hectare (138 acre) area which displays mainly eastern Australian plants.

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You can spot Eastern Water Dragons (lizards) and geckos as they scurry out of sight or get a giggle watching the many varieties of water fowl, ducking and diving in the lake.  Feeding wildlife is not allowed and I couldn’t entice them into an appealing photograph.

Sculptural features are ‘casually’ placed throughout the gardens and I think the most alluring is a silver fern seat (below; left) with interesting support.

Beside the pond and beneath the trees…

The Japanese Garden (below; entrance and pond) offers soothing symmetry and a waterlily’s single bloom.  Nearby the concert bandstand has grass seating surrounded by trees with foliage of different patterns and colours.  Around me, there’s a multitude of subtropical shrubs, cycads and flowers with names I never remember.  You will notice that I do not attempted to be horticultural!  A bit further along, in the arid zone, resides a sci-fi concoction of exotic cacti.  The culinary, fragrant and medicinal herb gardens are pure indulgence.  But if herbs aren’t your thing, the pungent eucalypt is my favourite and walking the Aboriginal Plant Trail with its edible food plants.

Biodiversity and water reflections…

The stillness of the morning created pleasing reflections on the lagoon which is fed by rainwater captured from the hills.  You can choose between typical heathland or wetland regions made easily accessible for suburban folk.  The Conservation Collection includes rare and endangered species in their natural habitats and I entered the steamy, geodesic hothouse (below; left) where equatorial plants are nurtured.  My face beads in sweat, it’s not a place for humans to linger too long.  Time for an ice-cream!

Look outside the Botanic Gardens…

Outside the entry are several buildings of interest: Sir Thomas Brisbane Planetarium (below; saved from extinction by a vocal community uprising) large carpark, small art studio, specialist library and auditorium providing a variety of events.  I have booked a place in a workshop Monoprinting Australian Native Plants, so a blog post may be forthcoming.  The new Visitor Information centre offers guided walks and Gardens Café has the ice-cream.  The two white-coated fellows outside the café are entomologists, surviving statues from World Expo 88.

Pandas and children have a special treat…

The Mt Coot-tha Botanic Gardens Children’s Trail is a hide-and-seek ramble through the shady rainforest garden with special works of art dotted along the way and I couldn’t resist following it myself.  Check out the wacky weathervane!  And a log for native stingless Sugarbag bees.  Mother and baby Panda bears enjoy the bamboo; they are a special fabrication of laser-cut aluminium by Australian sculptor Mark Andrews.

Parks and gardens change with horticultural trends.  The smaller City Botanic Gardens are older and more formal, in keeping with the style of previous centuries, but I prefer the softness of Mt Coot-tha Botanic Gardens.  As the world becomes more populated and natural plant life decreases, Brisbane city dwellers like me need our botanical gardens to nourish and refresh our screen-dependant interior lives.

Gretchen Bernet-Ward

Note:  Please click or tap an image to enlarge.

You may also like to read about my visit higher up the road at Mt Coot-tha Lookout.

Let’s Have Lunch Up Mt Coot-tha

It’s a sunny, springtime day in subtropical Brisbane and we are heading towards Mt Coot-tha, the ‘mountain’ which is really a hill.  The temperature is balmy and the drive is easy, out along a flat highway which decimated countless trees and native bushland.

We cruise by the Botanical Gardens, the Planetarium, the quarry (!), the cop with a radar speed gun, the tourists in an overheating VDub Kombi-van and climb towards the summit lookout which sits atop what was colloquially known as ‘One Tree Hill’.

Plenty more trees now, well, there is at the moment but Brisbane City Council may revert to one.  The council is keen to upgrade the area, adding tourist lures like a zipline and tree-top canopy walk.  Bye-bye quiet little harmless native animals and birds who take sanctuary there from the six-lane highway below.

We reach the carpark of our destination, fluke a spot, and notice the air smells eucalyptus fresh.  It’s an interesting walk through various nationalities of smiling, picture-taking tourists.  We join the milling crowd and peruse the Summit Restaurant & Bar menu before deciding the dollars signs are for high class meals.  It is easier to tag onto the lunchtime queue at Kuta Café with its two-tiered eating decks.

I enjoy a delicious chicken salad wrap and share a huge bowl of baked potato wedges with heaps of sour cream and sweet chill sauce.  After keenly snapping views towards the river and western suburbs, Brisbane CBD, and Moreton Bay with Moreton Island sandhills way in the distance, we detour the gift shop and head back to the car.

A friendly magpie lands on the car mirror, enquiring about food, but we have none to give, so it takes off—see below for this gripping encounter.

We agree not to drive the long way, the full circuit around Sir Samuel Griffith Drive which passes leafy barbecue areas, transmission towers and headquarters of local television stations.

Heading down the hillside, the city views and far-reaching scenery becomes less and less until ground level, then the highway roundabout appears, perfectly positioned opposite Toowong Cemetery.

The City of Brisbane is growing, the traffic is growing, the drivers are getting faster.  Or am I turning into a grumpy older person?  Time for a nap!

Gretchen Bernet-Ward   

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