Bernard Shaw says…

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Bernard Shaw (he disliked his first name George) was not a good scholar but developed a wide knowledge of music, art, and literature from his mother’s influence and his visits to the National Gallery of Ireland.

In 1876 Shaw resolved to become a writer and he joined his mother and elder sister, by then living in London.  Like most creatives in their 20s, Shaw suffered continuous frustration and poverty.  He depended upon his mother’s pound a week from her husband and her earnings as a music teacher.

I love a good rags-to-riches story

Shaw’s early days were spent in the British Museum reading room, writing novels and reading what he had missed at school… eventually he became an internationally known and celebrated playwright, producing more than sixty plays.  His work is still performed today, the most well-known from 1912 is ‘Pygmalion’ aka ‘My Fair Lady’, and in 1925 he was awarded the Nobel Prize for Literature.

The rest of Shaw’s long and remarkable life can be found in Britannica—
https://www.britannica.com/biography/George-Bernard-Shaw

Gustavo’s blogspot has the original source of Shaw’s quote
http://shawquotations.blogspot.com/2014/08/the-power-of-acute-observation-is.html

Film Camera Lights Action MovieNOTE:  Britannica shows a film clip of Bernard Shaw (in his 70s) speaking on the marvels of Movietone and the novelty of technology; excerpt from a Hearst Metrotone newsreel (c. 1930), (29 sec; 2.6 MB)  J. Fred MacDonald & Associates.

Gretchen Bernet-Ward

Bill Bailey – Earl of Whimsy

Bill Baily Actor Comedian

I love searching for theatre performances out-of-town.  Just the ticket!  British actor, writer, musician, comedian Bill Bailey will bring his inimitable style to Queensland in the historic Empire Theatre in Toowoomba.

A thriving rural town with fine old buildings, a genteel air and beautiful gardens, Toowoomba is situated on the top edge of the Great Dividing Range so the weather is more temperate than Brisbane.  And they have successfully resurrected the art deco splendours of the Empire Theatre.

Bill Baily Actor Show Empire Theatre

Bill Bailey has appeared in various TV series including ‘QI’ and ‘Have I Got News for You’ and his most memorable character was Manny in ‘Black Books’.  The following details are all about his newest stage show––

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“After his 2016 sell-out tour, ‘Larks in Transit’, the UK’s very own straggle-haired polymath, Bill Bailey, returns to Australia in 2018 with his new comedy and music extravaganza, ‘Earl of Whimsy’.

“Bill describes himself in his own words, an Earl of Whimsy.  Whatever his title, this might be Bill’s cleverest, daftest, most eccentric show yet.  Quote from The Guardian ‘Scales the peaks of sublime silliness…this is a foray into Bailey’s magpie mind…a delightful place to spend time.’

“While the world tumbles into a seemingly more chaotic place by the minute, find a moment of calm in the chaos with a trip round Bill’s mind, described recently as ‘A huge, lavishly decorated and nicely untidy place… its contents spill out with an infectious enthusiasm during this wonderful show’.  This I gotta see!

“The show has Bill’s trademark blend of satire and surrealism, stories and dismantled jokes, crowd singalongs, weird instruments and musical showstoppers.  But there’s a distinctly historical feel.  With its tales of Britain’s fortunes past and present, of ancient Viking battles, of Shakespeare’s contribution to comedy, and Bill’s own ancestry, this is both a mockery and a celebration of national identity.

“It’s also a journey of discovery.  We find out where Knock Knock jokes came from, how we got days of the week.  And why Nicky Minaj rejected a puffin sample for her latest single.  (That last sentence means nothing to me!)  There are lively audience discussions, a mass German singalong, and even some Cockney crab-dancing.  Something for everyone.”

For more information on Bill’s extravaganza on Monday 15 October 2018, 8pm and other shows at the Empire Theatre, click What’s On.

Vacy Hall Historic Boutique Hotel 03
Hmm, I think dinner and a show is likely and perhaps an overnight stay at historic boutique hotel Vacy Hall. Love that place!

Thank you to local blogger Fiona Ryan of Tiffin who has images of the Empire Theatre art deco delights on her website http://www.tiffinbitesized.com.au/2015/02/13/art-deco-delight-the-empire-theatre-toowoomba/

Gretchen Bernet-Ward

‘Kitty Peck Music Hall Murder Mysteries’ Kate Griffin Book Review

London winter 1880, Limehouse, and chorus girls are disappearing from music halls in Paradise, the criminal precinct run with ruthless efficiency by the ferocious and opium addicted Lady Ginger aka The Lady.

Kitty Peck and the Music Hall Murders
Published 2013
(First book in the Kitty Peck series)
A novel by Kate Griffin

Seventeen-year-old Kitty Peck, a seamstress at The Gaudy, is summoned by The Lady and blackmailed to perform a hair-raising act every night to uncover vital information about the missing girls.  Kitty is taunted by The Lady who withholds the truth about her family, particularly her beloved brother Joey.  Before long Kitty becomes the talk of London with her daring show and the plan begins to work.  Gradually she’s drawn into the world of high society ‘toffs’ and embroiled in depravity and murder.  With only her two friends Peggy and set painter Lucca for support, Kitty is shocked to find herself facing an adversary more horrifying than The Lady crime baron.

First of all, the pace and atmosphere is superb throughout the books.  Immediately I was right in the action and swept along on a very dark ride.  The characters evolve nicely and flesh out into interesting and tortured human beings who find themselves in rather bizarre circumstances.  They have subplots with much to hide, emotions seesaw as their personal history gradually unfolds.

There’s a heavy dose of Cockney slang which, due to an Anglophile father, I picked up quickly enough.  Some reveals are to be expected but one took me by surprise!  The novels have adult content.  However, don’t expect true romance.  It’s the Queen Victoria version of an action movie.  Grim, grimy, cold, damp London of the 19th century is a backdrop to dirty deeds done by black-hearted people and Kitty must keep her wits about her to survive.  The endings are cliff-hangers which lead into each book.

Kitty Peck and the Child of Ill-Fortune
Published 2015
(Second book in the Kitty Peck series)
A novel by Kate Griffin

Due to spoilers, I cannot reveal too much about Book Two or Three.  Certain text in the following review has been taken from the book blurb:

London’s East End, March 1881 and Kitty Peck, a spirited but vulnerable young woman, is the reluctant heiress to Paradise, the criminal empire previously overseen by the formidable Lady Ginger aka The Lady.  Kitty is now The Lady, with all that entails; servants, buildings, stock, music halls and vicious crime barons.  Far from the colour and camaraderie of the music hall where Kitty had been working, this newfound power brings isolation and uncertainty, and a disdainful lawyer Telferman.

Desperate to reconnect with Joey, her estranged brother, Kitty travels to Paris with Lucca.  She is unable to refuse the request of a handsome stranger to take a child back to London.  Within days of their return, it’s clear she has been followed by someone, and this someone is determined to kill the child and anyone who stands in their way…starting with Kitty.

There are mesmerizing and harrowing scenes throughout this book which serve to shape Kitty and her world.  More of the secondary characters emerge and betrayal rears its ugly head.  Tension builds as Kitty nears the deadline to meet the other Barons of London, merchants, jewellers, bankers, the controlling elite who are rotten to the core. Will they break her and destroy the Paradise she has inherited?

Kitty Peck and the Daughter of Sorrow
Published 2017
(Third book in the Kitty Peck series)
A novel by Kate Griffin

London, the hot summer of 1881, and the streets of Limehouse are thick with coal smoke and opium; and Kitty Peck is choking on the ever-present bitterness of evil.  At eighteen Kitty has inherited Paradise, she is The Lady of a sprawling criminal empire on the banks of the Thames.  Determined to do things differently from the fearsome Lady Ginger, she now realises that the past casts a menacing and treacherous shadow.

Plagued by city heat, haunted by a terrible secret and facing more deaths, Kitty is stalked by a criminal league intent on humiliation and destruction; she should never go out alone.  But she’s ready to fight for the future of everyone she cares for and more.  Including journalist Sam Collins?

Always difficult to review books with clever twists and turns one cannot expose.  ‘Descriptive’ and ‘gripping’ hardly does them justice.  Sense of place, POV and clothing are beautifully transcribed.  There is one minor point I noticed when reading––there is little mention of food.  Tea and gin are drunk habitually, and champagne is used as a lever, but food is not often consumed.  No matter, they are gritty stories which had me on the edge of my seat.  While it is not an era I would like to inhabit, I can highly recommend this series with a shiny five star rating.

To be concluded in Book Four – Kitty Peck and the Parliament of Shadows – Coming July 2019

“Even though Paradise was riddled with rot, I reckoned I could make it a cleaner place for the poor types who came with the dirty trades. I could make them all love me, I thought.  I was wrong about that. I’ve been wrong about so much.”  My book review to be advised.

ABOUT THE AUTHOR
Kate Griffin was born within the sound of Bow bells, making her a true-born Cockney.  She has worked as an assistant to an antiques dealer, a journalist for local newspapers and now works for The Society for the Protection of Ancient Buildings.  “Kitty Peck and the Music Hall Murders”, Kate’s first book, won the Stylist / Faber crime writing competition and she has written other genres.  Kate’s maternal family lived in Victorian Limehouse and her grandmother told her many stories of life around the docks.  Kate lives in St Albans, north of London.

Further reading  Author Kate Griffin is interviewed by Sarah Oliver  a close look at her lifestyle and writing methods.

Gretchen Bernet-Ward

Large Portions of Fast-Paced Comedy

Queensland Theatre Review “Noises Off” QPAC Playhouse Saturday 3 June 2017

Stage Door
Theatre

“Noises Off” theatre production is loud on laughs.

My first experience of Michael Frayn’s stage play “Noises Off” was in 1983 at Savoy Theatre, London, so I was keen to see how Queensland Theatre would handle a 21st century production in Brisbane.  Currently running at QPAC Playhouse, I was already attuned to the chaos about to transpire.

The Queensland Theatre cast cleverly mirror a blemished performance by a supposed theatre troupe in Weston-super-Mare.  This play within a play is an hilarious bedroom farce of abundant innuendo, silly mix-ups and a display of Libby Munro’s white underwear.  Simon Burke neatly portrays director and libertine Lloyd Dallas with a droll delivery, and Nicki Wendt and Hugh Parker evolve nicely as bemused husband and wife.  Cast flexibility is spectacular, especially athletic Ray Chong Nee who channels Roger Tramplemain, and Louise Siversen as spry housekeeper Mrs Clackett.

Strong language crops up but it appears that most dialogue, costumes and props are relatively unchanged, with crafty set design advancing the action behind-the-scenes.  Authentic director Sam Strong has handled “Noises Off” with finesse and his cast of nine prove that Brisbane audiences can absorb large portions of fast-paced comedy without losing the plot.

Gretchen Bernet-Ward

Noises Off Stage Set
Set Design