Kookaburra with yabby crayfish claw, Crows Nest, Queensland 2022
The Laughing Kookaburra can be identified immediately by both plumage and call. The cackling laugh is often used in scary jungle movies.
Laughing Kookaburras are found throughout eastern Australia. They feed mostly on insects, worms and crustaceans (like the yabby crayfish above) although small snakes, mammals, frogs and birds may also be eaten. Prey is seized by pouncing from a convenient perch. The meal is eaten whole, but larger prey is killed by bashing it against the ground or tree branch.
The kookaburra photograph (above) was taken at Crows Nest, located 44km north-east of Toowoomba on the Great Dividing Range, Queensland. It is one of the larger members of the kingfisher family with a wingspan 64cm-66cm (25in-26in).
I have always loved keen-eyed, stocky little kookaburras. Suburban kookaburras living in parkland sometimes loiter around barbecue cooking areas. They are not dangerous birds and rather stand-offish but I would not encourage them with human food. That powerful beak is better suited to nature’s diet.
Laughing Kookaburra feathers are generally off-white below, faintly barred with dark brown, and brown on the back and wings. The tail is more rufous, broadly barred with black. There is a conspicuous dark brown eye-stripe through the face, like an old-fashioned burglar mask.
My grandfather was an artist, woodcarver and bespoke furniture maker, and he designed and cast this laughing kookaburra (above) in a plaster mould. After hand-painting the kookaburra, he framed it in the minimalist style of 1960s. Both he and my grandmother (a needleworker extraordinaire) created Australian designs when many things were influenced by British and European artisans.
The kookaburra’s scientific name is Dacelo novaeguineae but the name ‘kookaburra’ is generally believed to be derived from the original term ‘grab a stick’ or ‘gougou garrdga’ in Kamilaroi/Euhlayi language.
Group kookaburra calls are best heard in early morning and at dusk, and are crazy loud if you are standing under their tree.
A group of kookaburras is called ‘a riot of kookaburras’ because of the raucous noise.
Studies have shown that kookaburras pair for life. The nest is usually a bare chamber in a naturally occurring tree hollow. The breeding season is August to January and every bird in the family group shares parenting duties. The ideal set-up really.
The literary equivalent of a supernova, sheer plotting brilliance, mind blown!
The Trolls are looking hungry and humans are on the menu. In besieged Cornwall, unhealthy scenarios are playing out and Jennifer Strange, Court Mystician to the Kingdom of Snodd, does not like it one bit.
Jennifer is always cool under pressure and prepares to take action, indeed it is her destiny. She is joined by her best friend Tiger, the sword Exhorbitus, a VW Beetle with links to her past, and a Quarkbeast. Meanwhile megolomaniac Mighty Shandar is a sorcerer out to conquer the world and needs another Quarkbeast to do it.
Jennifer hopes the Button Trench will hold back the ravenous hordes and that Mighty Shandar will back off. He ain’t gettin’ her Quarkbeast that’s for sure.
The Last Dragonslayer novels by Jasper Fforde missing the last book!
Unfortunately even regular characters Lady Mawgon and sorceress Once Magnificent Boo are floundering to find ways to thwart the ever-expanding evil. Drooling Trolls are multiplying daily and Mighty Shandar’s over-inflated ego expands by the minute.
In the mix are—Royal Princess Shazine Snodd in a commoner’s body whom glamour boy Sir Matt Grifflon is keen to marry; Mighty Shandar’s obsequious assistant Miss D’Argento; the two delightful reconnaissance dragons Feldspar and Colin (I learned how dragons make flames) plus integral quirky characters throughout. The likes of Kevin Zip and Full Price add to the story and you will probably recognise their personalities whether or not you have read the other books. But as the ubiquitous footnotes hint, read the other books!
Just as The Big Bang Theory song says “Maths, science, history, unravelling the mystery…” this book has it all, from subtle throwbacks, movie references, intertextuality, the Chrysler Building, to a very different type of submarine Bellerophon. I was surprised by an unexpected, unnamed Special Guest appearance—breaking the fourth wall—I would love to say who and why but in respect to spoilers I will abstain.
Over the years, author Jasper Fforde’s signature wit has given his readers a slightly skewed look at locations in Wales but this time it’s Penzance where Bergerac TV actor John Nettles has become an icon, venerated with a bronze statue in the town square. Jennifer ponders her life as she strolls through beautiful Morrab Gardens.
+Jasper Fforde will be in North Cornwall for the Book Festival 24-25 September 2022+
I think Royal pomp and circumstance take a bit of a pounding in this Dragonslayer plot, so the unscheduled appearance of Molly the Troll is a zany twist. As Jennifer says “I can’t think of much that isn’t weird about all this.” The wizard Great Zambini says “Bigger and bolder than anything you can imagine” and he’s right. Jennifer knows a reconnoitre is needed so she and the dragons set off on a dangerous mission with devastating results and further repercussions.
Great quotes emerge from The Great Troll War.
For instance the soulless sorcerer Mighty Shandar outlines his evil plan “A conscience is as much a barrier to knowledge as biology is to eternal life.”
But he doesn’t hear these words:
“Shandar knows that while utter ruthlessness is a useful skill for taking power,” said Mother Zenobia, head of the Sisters of the Lobster Orphanage, “it’s overrated when it comes to keeping power… it’s amazing how quickly subjects tire of their tyrant once the mass murder begins.”
The Great Troll War is the ingenious fourth and final book in The Last Dragonslayer series promoted at young adult readers but I believe it sits nicely in that unique niche reserved for novels devoured by all age groups. Those interested in a retro-present-day twist on believability, tweaking the norm and perhaps even glimpsing into the future while grounded in the everyday.
Find out the truth about the orphanage and Jennifer’s absentee parents, what role buttons play, and how not to recruit warriors. Oh, yes, stay away from creepy Hollow Men. I loved the chunks of humour and lightbulb moments as strategies are worked out amid the ever-present whiff of disaster and universal annihilation.
At the heart of The Great Troll War Jasper Fforde has written a relatable fantasy sci-fi story about the power of friendship and trust, with strong messages on clear-thinking and using available knowledge to work out the best, most logical and kindest way to end a war before it starts.
Jennifer certainly has a tough job.
♥ Gretchen Bernet-Ward
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The Last Dragonslayer synopsis for the series below:
The Last Dragonslayer (2010) In which we meet Jennifer Strange, learn about Kazam and a Dragon is despatched but not without magnificent events that lead on to a Big Magic.
The Song of the Quarkbeast (2011) The King wants to control magic and use it for his own ends, but Jennifer and Kazam will not let that happen, and we learn what may happen if Quarkbeasts collide.
The Eye of Zoltar (2013) Jennifer goes on what is emphatically not a quest in the Cambrian Empire. She finds the mysterious Eye of Zoltar and also learns a thing or two about Jeopardy Tourism.
The Great Troll War (2021) A ramshackle band of humans hold out against the Troll invaders led by Jennifer Strange. An evil mastermind is plotting a dastardly plan, and all seems hopeless. Or is it?
Special Features section on the website has details about each book, places to order it, and a host of extra information. None of Jasper Fforde’s books have a chapter 13. You can read more on his website: FAQ
Addendum: I often recommend Jasper Fforde’s books (one reviewed for Reading Wales #dewithon) and have always admired his inventive out-there writing style. Try the series Thursday Next or Nursery Crimes, or one of his stand-alone novels like The Constant Rabbit. GBW.
Some of the nominees are dinosaurs. My family has always been fascinated by dinosaurs. From books, movies, kids series to figurines, they have loomed large in our home for many years. Now Queenslanders of all ages have the opportunity to help choose the 10th official State emblem, a fossil—it doesn’t have to be a dinosaur.
Choosing a Fossil Emblem
There are 12 fossil candidates lined up for the honour of being our State’s newest emblem. “Did you know in the Early Cretaceous Period, inland seas covered much of Outback Queensland? This means that Queensland has some of the most exciting fossil museums, dinosaur trails and discovery centres in the world, including the internationally renowned fossil sites of the Riversleigh World Heritage Area.“
“Outback Queensland towns like Hughenden, Richmond and Winton are on Australia’s Dinosaur Trail, and many other Outback areas such as Eromanga, Eulo and Quilpie regularly attract fossil hunters and dinosaur lovers.”
All Shapes and Sizes
I am surprised that as well as featuring large prehistoric creatures, the endearing platypus is on the list, and Lovellea wintonensis, the oldest known permineralised fossil flower (which dinosaurs munched on).
Select your preference for Queensland’s newest fossil emblem—
Visit the website View the illustrations Read the history Click a million years in the making!
Postscript: I m-i-g-h-t have voted for a dinosaur…
NEWS FLASH
19th January 2023 – Queensland’s State Fossil Emblem is the Muttaburrasaurus langdoni.
The Muttaburrasaurus has been chosen by Queenslanders as the State’s fossil emblem. The intact dinosaur fossil was found in Muttaburra, Central Queensland, by a local cattle grazier in 1963.
Queensland’s Newest State Fossil Emblem is the Muttaburrasaurus langdoni
Many people read more than one book at a time and I have been doing this for several years. If one book is slow or doesn’t capture my immediate interest, I switch to another one. Plots and characters never seem to get confused because I usually read different genres.
And I always like to finish a book!
Watch out for a special blog post for my 100th Book Review. This milestone took me by surprise. I have many more reviews on Goodreads but I personalise my blog post reviews.
Have a quick look at Fantastic Fiction, my favourite go-to resource:
“Water Dragons are one of our most frequently encountered lizard species here in South East Queensland. They thrive just about anywhere, particularly around water sources of varied descriptions where they usually can be found in good numbers and they don’t mind the presence of people.”
“They feed primarily on small spiders and insects but will take other small vertebrates on occasion.”
Anzac Day commemorations will take place on Monday 25 April 2022 across Australia, and at the Australian War Memorial’s Sculpture Garden, marking the 107th anniversary of the landings at Gallipoli.
This Anzac Day also marks the 80th anniversary of Anzac Day commemorations at the Memorial.
This year’s commemorative program will include:
5.30 am Dawn Service 9.30 am RSL (ACT Branch) Veterans’ March 4.45 pm Last Post Ceremony
Heads up… Brisbane’s longest-running Book Fair is coming soon! The UQ Alumni Book Fair will be spread over four glorious days in April/May 2022 with heaps more than text books.
This annual fundraiser is a much awaited event for Brisbane booklovers. Based at the University of Queensland, St Lucia campus, there is something for every reader and collector.
I’ll be going with a BIG carry bag!
The Book Fair is organised by volunteers who harness their love of books and generously donate their time to help raise funds to support researchers, educators and residential scholarships for UQ students.
Come along to the Book Fair for a huge range of—-
Pre-loved books of every genre for every age group
Magazines
Sheet music
DVDs
Videos
CDs
Vinyl records
Occasional photographs, print or piece of memorabilia
Special Family Day for young readers
The Rare Book auction is biennial and next event is 2023
Register now White Gloves talk on rare Australian books at UQ Fryer Library.
My special guest Cate Whittle, author, teacher, speaker, offers her advice and experience on how to fine-tune your manuscript before submission to a publisher.
Cate’s literary expertise covers workshops, writing courses, book launches, school visits and video tutorials—watch out below for her special MANUSCRIPT ASSESSMENT offer—but first sit back, relax, read
‘On the Fine Art of Sending Your Book Baby Out into the World’
Congratulations! You’ve made it—from those first tentative words that broke the curse of the blank page, to the carefully woven ending—you’ve finished your book!
What now?
First – bask.
This is an important moment and really deserves celebrating. So many would-be writers never get this far. So celebrate.
While you are celebrating, the manuscript is resting.
You know that.
And you know that you come back to it with fresh eyes to read through and self-edit to make it the best you possibly can. And you know that there will be a multitude of drafts before you say, ‘This is it!’
And then you send it out to the likeliest looking publisher or three?
Bzzt. Wrong.
This can be the falling point for soooo many little fledgling books.
For its first forays out of the nest, there are so many things you can do before you subject it to the scrutiny of an actual publisher.
Allow me to make some suggestions.
Let me call this Levels of Editing.
It is up to you whether you employ all or some of these levels of editing—or whether you feel happy to trust to yourself in some regards—and certainly, you will be editing with your publisher if your work is acquired by a traditional publishing house, but it is always good to be close to all the way there before you approach a publisher. And if you are self-publishing… you’d be well-advised to spend the money.
One:
Was your self-editing.
Focus in on structure and consistency, make sure your opening grabs the reader and your writing flows easily and is paced well. Look at tension and relief. Are your characters believable? Does the setting work? Is your ending satisfying—and does it work for your genre?
Two:
Might be your Mum or a Trusted Other.
This is usually good for a feel-good glow (which is great for your confidence), but do not pressure this relationship with a request for honesty. Do not. Enjoy the feel-good glow and move to the next stage.
Three:
Your critique group.
Yes, join one. Participate. I cannot recommend more highly this collegiate learning and sharing. Even J.R.R. Tolkien and C.S. Lewis (peripherally Dorothy L Sayers) and those other guys who no-one remembers, all benefited from sharing their work in their Inklings literary circle.
But be aware that this, too, has its limitations. Perhaps you do not work in the same genre so they may not understand all the tropes and symbolism in your text (I speak—lovingly—from the experience of teaching my critique group friends about fantasy). Perhaps you are all learning together. Perhaps your critique partners are unwilling or unable to offer critical feedback.
Where to from here then?
Four:
Manuscript assessment.
Strictly speaking, this is NOT editing per se. This is where a reader with some experience goes through your manuscript and offers feedback as objectively as possible (although not entirely—reading anything is a subjective and individual process).
A good manuscript assessor will provide a general commentary on:
* Voice, point of view, description, and setting
* Characters
* Plot/structure
* Punctuation, spelling, grammar, and vocabulary
* Audience/market
* Anything you have specific queries about (e.g. does my opening hook work?)
A manuscript assessment can be completed on a partial text (I offer commentary on the opening three chapters and a synopsis) to keep costs down, or on a complete text. This is your impartial reader who has some experience in the field, giving you their reaction to your book.
Manuscript assessments are often offered by editors as a first pass through your story, to let you know whether you are ready to go further. Published writers, or established teachers or librarians with a strong background in the literary process.
It’s a good starting point without investing a huge amount in the early stages of polishing your text. You should come away with some good ideas about how to develop your work further. Sometimes you can enter into a story coach arrangement with your assessor—but this is a whole extra field.
Five:
Story coach.
This is like engaging a manuscript assessor several times over a period of time, reworking and reassessing scenes together to make sure that your story is powerful and ready for the next stage of editing. Check with your manuscript assessor if they are willing to enter into such an arrangement before you start.
N.B: If you are writing non-fiction, this is the level where you might seek out a professional content editor to make sure your information is correct and presented in a way that flows.
Working with a manuscript assessor or a story coach gets you ready for the hard stuff. From hereon it can get intense!
Six:
Structural Editing.
Similar to a manuscript assessment but at a deeper level, this is usually undertaken to evaluate your characters, plot, and setting, and ensures that your narrative flows smoothly and your scenes work to move the story forward. It will look at how your chapters sit and whether they could be arranged differently to make the story more powerful.
Seven:
Line editing.
This is a skilled task that is best done by a trained professional editor. You may have already engaged an editor for your first assessment, but often this is an opportunity to let another set of eyes go through your work.
Line editing evaluates and offers corrections for the tone, style, and consistency of your work. While a good line edit will also check basic spelling, punctuation, and grammar, for a more complete overview of these mechanics of writing you would be moving to a copy edit.
Eight:
Copy editing.
Again, this is a job for a professional editor. This is all about your spelling and punctuation. This is all about getting your grammar correct. This is all about your word choices (do you need adverbs or will a stronger verb make your writing tighter?), how you lay out your text (paragraphing), minimising repetition or jargon, and weeding out redundancies.
All without losing your voice.
Nine:
Proofreading.
Except proofreading is also NOT editing. By the time you are proofreading all that is done. This is like a final going over to make sure you have dotted all your Ts and crossed all your Is…
This is checking formatting and consistency one final time, and finding those last minute, glaring typos. You can stick to your professional editor for this—or find yourself a professional reader. Your manuscript assessor might be good for this, but make sure they know it is a proofreading exercise. Now is NOT the time to come up with suggestions for a whole different structure.
Ten:
Okay, breathe.
While all this has been happening, I’m sure you have been researching your publishers for the right fit. Don’t forget to check their submission guidelines and follow their rules—and now you can press GO.
Good luck! May your fledgling fly true and straight and find a home out there (whether you go via a traditional publisher or decide to go Indie).
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Thank you, Cate, for such enlightening information! ♥ Gretchen Bernet-Ward
SPECIAL OFFER
Personal note from Cate
In the spirit of celebrating 61 Years Since 1961, I’m currently offering manuscript assessments at only 61% of my usual going price.
This offer closes on 3rd April 2022, BUT if you have something in the wings and would like to purchase an assessment at this price and take a rain check on the assessment until you are ready, just drop me a line cate@catewhittlewrites.com
I’m currently offering an assessment on the first three chapters (to 10,000 words maximum) on your Junior Fiction (which probably shouldn’t be this long!) or Middle Grade manuscript for AU$110. Alternatively you can contact me for my price schedule for a full manuscript.
Any questions? To find out more ‘On the Fine Art of Sending Your Book Baby Out into the World’ contact Cate cate@catewhittlewrites.com
Welsh author Charlotte Williams created a gripping, atmospheric crime novel of high emotion and psychological fear. Written in 2014 ‘Black Valley’ is the second book in the Dr Jessica Mayhew series, a literary symphony of tension, dark imaginings and worst possible scenarios.
A phobia I have was triggered and at times I almost stopped reading. However, I was Reading For Wales and I felt I owed it to the author and the character, psychotherapist Jessica Mayhew, to see it through to the bitter end.
Jess consults with a new patient Elinor Powell, an artist who seems fragile but in fact is quite annoyed at her twin sister Isobel, angry at her famous mother’s sudden and suspicious death, and quite demanding of Jess’s time.
Soon after the consultation, Jess’s best friend, straight-talking Mari, gives her an invitation to attend a private art viewing at the Cardiff art museum. Unwittingly Jess meets Elinor and her circle of friends from the Welsh arts scene. Particular focus is on the emergence of reclusive ex-miner Welsh Valley’s artist Hefin Morris who is touted by art dealer Blake Thomas and handsome art critic Professor Jacob Dresler as ‘the most exciting painter working in Britain today.‘ Jess queries their promotional hype.
The Hefin Morris artwork has strong depictions of the aftermath of destruction at the closure of the mines. A recurring theme echoes through the book ‘The crumbling of the infrastructure, the moral and spiritual vacuum created in the wake of that implosion, a landscape that bore silent witness to the ravages of coalmining – the heritage of the Rhondda. The abandoned landscape becomes a character in its own right’.
Jess is a newly separated single parent struggling with her estranged husband, and two daughters who live with her, but nevertheless she hits it off with Jacob Dresler. They hook up and become a couple, going out together and then away for the weekend to Twr Tal, Tall Tower, in the valley of Cwm Du, Black Valley. Atmosphere plus! But that’s when events go badly wrong and there is a death. Who is responsible for the tragedy? Jess has niggling fears that her new friends are not who they seem.
Against her better judgement, one thing quickly leads to another and Jess becomes a therapist-turned-detective. She calls DS Lauren Bonetti for guidance as she is slowly drawn into Elinor’s twin-dynamic world of manipulation. Circumstances spiral out of control while tension escalates and Jess is put in a very dangerous situation.
I was still not sure who was good and who was bad and what would be revealed as the story advanced to the final chapters. There is a section where the action is a bit contrived and I wondered if Jess would do such a silly thing considering her work ethics, but events quickly moved forward.
The ending appears inconclusive—but wait, there’s more. And it is certainly chilling how closure is drawn contrary to reader expectation. ‘Black Valley’ would suite a crime club or reading group interested in discussing trust and relationship issues.
I was saddened to read that author Charlotte Williams died of cancer prior to this book being published. It is a tribute to her writing talent. In my opinion, it sets the marker high for good quality crime novels and exposes the shallow scripting currently prevalent.
GBW22
Interestingly a second ‘Black Valley’ edition has the same bookcover as my copy and publishers Pan Macmillan have the date 2018 with Jessica Mayhew’s client as Pandora Powell not Elinor.
Throughout my copy of the book, Jacob Dresler is just called Dresler but there is a chapter inconsistency where he is only referred to as Jacob. Perhaps the book has been re-edited and re-released. Whatever: I thoroughly enjoyed this gripping narrative!
♥ Gretchen Bernet-Ward
My thanks to Book Jotter, Paula Bardell-Hedley, for instigating #Dewithon22. This is the fourth year I have participated and each time I have read eye-opening, unforgettable books set in Wales. Actually I have a couple more to read before the end of the month. Will I make it?
FYI:The House on the Cliff is the first book in the proposed Jessica Mayhew series if you are considering reading either for #Dewithon22.
Thoughts Become Words 