Australian Editors and Publishers Set Bar Too High
I have come to the conclusion that the Australian publishing industry and its associated editors and reviewers have set the bar way too high for Australian writers. Emerging authors have a pretty slim chance of being published with huge odds against hitting the big time.
Strong-willed literature-controlling gurus rule our domestic market like school teachers from the 1950s. They seek perfection, the best book of the year, often cerebral stuff ignored by half the population, and they disregard perfectly serviceable down-to-earth Aussie authors. Also, when did parochialism creep in, e.g. Melbourne is the hub of all things literary? Let’s focus on inclusive Australian content. Oh, and stop changing words to suit international readers, they’re cool, they can work it out.
Publishing houses receive thousands of unsolicited manuscripts each year and the selection process is fierce. Only a handful of authors are chosen, gather a following, write more books and hopefully make money. The untried crime writer, for example, may not appeal to the literati judges, but, hey, there’s always that coterie of readers who will love them. The way it is now, their work may never see the light of day. Dive deep into that slush pile!
Sure, there’s always the internet, WordPress, e-books, self-publishing, writing competitions (see below) and a gazillion non-traditional ways to be seen but nirvana is a publishing deal with a real-deal publishing house.
“Relax,” I say to publishers from my seat of ignorance. “The shock of ebooks has faded, so forget micro-niche and churn out those books, get those names in print.” What? Too much of a risk, not financially viable? Yeah, I guess that’s right. Nobody wants risk in business. I say “Lighten up, people, offer a broader spectrum of books to the general public”. Stop book snobbery because, meanwhile, mediocre books with typos are flooding in from overseas and I’m getting a bit sick of it.
Did I hear our aspiring authors cannot compete with the overseas calibre? Our readers are not savvy, interested or sincere enough to try a reasonably good newbie? Come off it! Peel back those layers. An Australian author or reader is as good as the next person but needs the exposure, the push, the shove, the necessary connections and circumstances to make it work.
Chips on shoulders, the need to prove we Australians are well-read, has past. Forget the Cultural Cringe, dismiss ‘benchmark’ literary awards and too perfect prose and embrace the mass production of typically Australian-written and illustrated books and be proud of them.
♥ Gretchen Bernet-Ward
FURTHER READING: https://journals.uic.edu/ojs/index.php/fm/article/view/3353/3030 with quote taken from “Non-Traditional Book Publishing” by Jana Bradley, Bruce Fulton, Marlene Helm, Katherine A Pittner in “First Monday” Journal and, although somewhat passé, it shows foresight. EVEN FURTHER READING: https://www.theliftedbrow.com/liftedbrow/2017/11/22/keep-your-eyes-on-the-prize-unpublished-manuscript-competitions-and-you The Lifted Brow is a not-for-profit literary publishing organisation based in Melbourne, Australia, and Martin Shaw’s article explains an awful lot about the hidden terms and conditions of competition entry.
{NB. Gretchen has reviewed books, worked in the library industry and reads extensively. As an aspiring writer, she may have shot herself in the foot}



Writing: I finally finished Truly Tan: Baffled! (book seven) and delivered it to my publisher on time (working right up until December 15, the day it was due). Phew! Next year I’ll be waaaay more organised. Ahem.
Receiving: I received a Christmas card from a Tan reader. The letter attached said, I know you like wolves. So here’s a card with a fox on it. God, I love my readers.









The yellow rabbit always thought it strange how the humans ate with tools. They doled out piles of food and delicious salads with forks and scoops and ladles. Then they sliced succulent pineapples with large knives and chopped it into chunks. The strangest thing he’d ever seen was when they would cut the sides off mangoes and grid the luscious inner flesh before turning the skin inside out. At least the young human consumed large portions of her meals with her fingers. This meant that the female of the warren would continually wipe the fingers and face of the little fluffle. The yellow rabbit was now watching for this small fluffle, a young girl who always wore a yellow and white striped dress. She strolled outside holding a glass bowl, spooning egg custard into her mouth without watching the spillage. Her bright eyes were scanning for him. It didn’t take long for her to see him crouched down in a tray full of marigold seedlings. He twitched his long ears. She brushed a curl out of her eyes. He wiggled his nose. She gave a wiggle of her fingers then turned away, disappearing back inside. Out came the male and hung a wire cage on a fancy hook. The canary inside the cage started singing. The male started to set the table with yellow spotted plates and serviettes with sunbeams on them but seemed more interested in taking long swigs from a bottle of amber liquid he had left on the open window sill. The little girl reappeared and behind her trailed several yellow balloons on long shiny strings. She was wearing a cardboard hat decorated with sprigs of wattle which tangled in her blonde hair. The female emerged from the kitchen door with a bunch of daffodils in one hand and an empty honey jar in the other. She put the flowers in the jar and placed it in the middle of the table while talking to the male.
The yellow rabbit shuddered and averted his eyes from the hot metal plate where the male had just thrown raw meat. Even the smell of fresh lettuce couldn’t stop him feeling slightly nauseated. After a few minutes, the little girl looped the balloon strings around the handrail and skipped down the verandah steps. She was coming straight towards him. Instinctively he shrunk low into the cool earth and tensed his muscles. She was swinging her arms casually and appeared to be looking over his head at a light catcher made from shimmering pieces of tinfoil clipped to a branch. The yellow rabbit blinked in surprise. She walked right by. However, quick as a wink, she flipped something out of her pocket and into the seedling tray. It was a carrot! Joy swelled in the yellow rabbit’s heart. He snatched up the fresh carrot in his big front teeth and leapt out of the seedling tray. He landed on the grass and bounded for the back fence. He knew it was ungracious of him, but he didn’t turn around to acknowledge the young girl. Biting hard on the carrot, and with a bit of pulling and tugging, he managed to crawl under the fence without getting stuck. He hopped off across the paddock with his tasty prize. The young girl trailed slowly back to her parents. They had soft smiles on their faces. With a happy nod, the young girl sat down at the table where a chunk of pineapple was waiting. As the sticky juice ran down her hands, she listened to her parents tell the familiar story of how they had been shown the nearby rabbit colony when they were her age. The yellow rabbits were a family tradition but nobody knew why they were yellow. Strangely, most of the bits and pieces in the homestead were the same colour, a shade her grandmother called sunshine. Legend says the yellow rabbit always appears on bright sunny days.

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A. 


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SEND: There’s pleasure in finding and choosing suitable postcards and stamps uniquely representative of your own location. Clever members can match a postcard to followers hobbies. It took a couple of weeks for the first postcard to hit my letterbox but I could start mailing out straight away.
Right down to the different shapes of the stamps, and in some cases, distinctly long addresses, I was hooked on the fun.
Postcrossing friendships are possible via their blog, forum and meet-ups. Due to work commitments, I closed my Postcrossing account and gave many of my postcards to a collector. I kept a few colourful ones to wistfully gaze at on a quiet day.
