Indigenous Literacy Day


Indigenous Literacy Day 2018


You have the month of September to sign up to the new Indigenous Literacy Day fundraising campaign and fill your virtual shelf with books for children in remote communities.  Participate in the launch on Wednesday 5 September and discover how to fill a bookshelf for children in the remote Australian outback.

It’s something new, something a little different, something the Indigenous Literacy Foundation believes you’ll enjoy sharing with your friends and family, and something that gives you the opportunity of ensuring kids in remote communities have access to quality, new books.

Commencing on Indigenous Literacy Day (5 September 2018) the new ‘Fill a Bookshelf’ fundraising campaign aims to raise $300,000 to help ILF gift 30,000 new books to schools and service organisations in remote communities where books are scarce.

How does it work? The idea is simple…

  1. Sign up online to create a fundraising page and receive an empty virtual bookshelf.
  2. Ask family, friends, colleagues to donate a virtual book to your page (in the form of a donation)
  3. Fill your virtual bookshelf!
  4. Change the lives of Indigenous children.

Your donations will help buy new, carefully selected books for children who have none.  To put it quite simply – without your support, in a very real sense – bookshelves in remote Indigenous communities are empty.

All children in Australia deserve the same opportunities – in education, employment, health and wellbeing.  Evidence shows that literacy is the pathway to CHOICE for these opportunities, and BOOKS are the building blocks for literacy.  If you believe this too, sign up today!

I BELIEVE – SIGN ME UP  ‘Fill a Bookshelf’ and celebrate Indigenous Literacy Day!

The Indigenous Literacy Foundation
PO Box 663 Broadway NSW 2007
AustraliaIndigenous Literacy Foundation


Indigenous Literacy Day is a national celebration of Indigenous culture, stories, language and literacy.  Indigenous Literacy Day aims to raise awareness of the need to support literacy in remote and isolated Indigenous communities of Australia.


Indigenous Childrens Book Moli Det BigiBigi
‘Moli det bigibigi’ (Molly the Pig) a new children’s picture book written by Karen Manbulloo, from the remote Binjari community near Katherine in the Northern Territory. Written in Kriol and English, ‘Moli det bigibigi’ is a story based on a real-life pet pig of the Binjari community, found in the bush by Karen’s brother.

Gretchen Bernet-Ward

The Ekka: Agricultural Extravaganza

On arrival, I did the obligatory Ekka walk through the Cattle Pavilion, holding my nose but still loving those pretty Ayrshire dairy cows.  I recall turning a corner and stumbling upon a huge Brahman bull standing on a concrete slab while the farmer hosed shampoo off his shiny hide.  However fascinating, I bet it’s out-of-bounds now.  Other memories waft through, of sitting in the Woodchop Arena, the thunk of the axe and the smell of pine as I eat a Chiko roll with hot chips and drink cold lemonade.  Where are the jam doughnuts?  Afterwards, the lengthy queue for the toilets becomes a good opportunity to study the Ekka guide.

Ekka Strawberry IceCream ConeApart from retaining the obvious things like farm livestock, sideshow alley and wood-chopping events, the Ekka has changed greatly over the years.  It shrunk in size yet the slide expanded and just when the drought-stricken man on the land needs the most support he takes a back seat to fashion parades, Fine Art and strawberry sundae ice-cream cones.  Time to reflect…

A Brisbane institution since 1876, the Ekka (a slang term for Exhibition) is officially known as Royal Queensland Show run by RNA The Royal National Agricultural and Industrial Association of Queensland.  It is held in Brisbane for ten days each year at the beginning of August.  Dates at the time of writing are 10-19 August 2018.  The permanent Brisbane Showgrounds venue is situated in Bowen Hills and the State Library of Queensland holds an extensive collection of materials from past exhibitions which show many changes around the old grandstand building.  Still, it does hold a special place in the hearts of Brisbanites.

  I make no apologies for the length of this retrospective, my stream-of-consciousness dictated the terms, I’m satisfied with what I have written and I hope you understand my sentiments.

A long-held tradition is a visit to the Showbag Pavilion which is always packed to capacity and resembles an apocalyptic movie set.  Staring eyes seeking Valhalla, the perfect showbag, the one packed with the most goodies at the lowest price.  Showbags are half-full of sample merchandise in small packets, mainly chocolate and unhealthy food, with a plastic kids game, latest movie trivia or blow-up hammer to whack your friend over the head with every two minutes until he agrees to go on a ride.  In Sideshow Alley, instead of dodgem cars you choose a huge twisty, jerky ride.  Ultimately it’s not a good idea because he vomits over the side of the ride, down onto a girl trying to score a prize with a wonky tennis ball.

Ekka Poultry Bird PavilionVarious outbuildings to explore; one overheated and smelling of sawdust accommodates Poultry, aisles of chickens and fancy birds in wire cages, biding their time until they are awarded a ribbon or packed off home to the henhouse.  Outside there are flocks of people from all walks of life, all ages and every nationality clutching the latest silly novelty.  Or wearing the latest silly hat, the ultimate in fast fashion, only ever worn once––thank goodness.

Babies in prams sleep through the pushing and shoving and manoeuvring to get into the Animal Nursery and, rudely awakened by a squealing piglet, find themselves eye to eye with a billy goat.  The pedigree dog and cat judging is amazing, especially the cats because they actually like being groomed within an inch of their lives and they fluff up like puffer fish.  I seem to remember sheep shearing rivalry, big blokes welding buzzing clippers, denuding a sheep in a couple of well-placed blows.  The sheep is pushed outside and its woolly coat is flung onto a pile of other woolly oily off-white fleece.

If you can’t wrangle a seat in the Fashion Pavilion or would prefer not to ride a swaying gondola on the Ferris Wheel, there’s usually adequate seating on wooden benches around the Main Arena.  Animals are good at ignoring schedules so this is where most of the unscripted action takes place.  There’s high-speed chariot races, tent pegging, beef cattle judging, showjumping, Clydesdale draught horses and children with Shetland ponies––a recipe for disaster every Ekka and always good for a shocked squeal or belly laugh.  A disgruntled animal can pull away, chariots have scraped walls and riders have fallen off their horses.  Alternatively, breakaway sheep from the sheep dog trials have been known to bolt for the exit.

Ekka JetPack ManYears ago, with the space race wasting trillions of dollars, another venture wasted trillions of dollars; the Jet Pack.  A man dressed like an astronaut strapped on a jet backpack with handles (not actual image) revved it and rose into the air.  He cruised from one side of the arena to the other and then slowly landed.  The noise was horrendous!  The sound decibels of a jet engine taking off.  Unfortunately the power was nothing like it.  The hype wasn’t worth the wait and I can understand why jet packs never became a form of transport for the daily commute.  It guzzled more fuel than V8 Utes and monster trucks arena race.

Ekka Fireworks

The nightly fireworks spectacular creates a photographer’s paradise and teenagers cuddle in the grandstands, saying ooh and aah at each burst of light but feeling queasy from all the Caramello Koalas they’ve consumed.  Behind them sits giggling siblings who always want to tag along.  The announcer’s comments jar, hardly necessary and often distorted, until the music takes over and tries to conquer the exploding light show.  I feel a pang for the beasties trying to get comfortable in a strange stall so far from home.

Ekka People's Day CrowdThe Wednesday in the middle of Ekka week is an official public holiday known as ‘People’s Day’.  It is best to avoid Wednesday if you hate crowds.  School children are granted alternate days off in the vain attempt to stop truancy although, more often than not, families take a long weekend.  The side pavilions are busy on Wednesday, 550 exhibitor stands, and they house agricultural equipment and all manner of things like the latest farmhouse gadgets, trucks, harvesters, even fish tanks.  Displays change with trends, one year healing crystals, next year heat packs and another organic drinks.  Face-painting is perennial yet the children cannot see the artwork on themselves.

Horticultural garden displays are magnificent, themed and fragrant, and it’s taken for granted everyone haggles over which one should have won the Grand Prize.  Actually, all blue ribbons throughout the Ekka are haggled over by crowd upon crowd of weary viewers with their own ideas of a prize-winner.  In search of a favourite, people used to trudge passed stalls, either declining a leaflet or, in the case of the beekeeping section, taking a free honey sample.  Then they would head to the Dairy Hall and the Butcher’s sausage-making display for a bit more sampling.  Is that still going?

One of my favourite displays, and possibly the most spectacular, was the Produce section of fruit and vegetable art.  Stacked high to the ceiling of a huge brick and corrugated iron shed sat row upon row of themed green-grocery: fruit ‘n’ veg in pictorial format.  From the front to the back, bleachers sloped up and away, loaded with colourful mosaics of farm produce, patterns featuring a banana grower, a town or shire, an historic area or rural landscape in Queensland where produce is grown.  Not all regions were represented and some were mixed goods, like pineapples and cotton and ubiquitous Bundaberg Rum sugar cane.

Throughout this kaleidoscope of colour, items of interest had been planted to explain a viewpoint, a nod to the growers or transporters of fresh food.  It wasn’t all that fresh by the end of ten days but it was auctioned off or given away.  I recollect struggling home on the train with a weighty pumpkin.  Silly really…however, I will mention my Pumpkin Fruit Cake

Last century, people ate things like plain fruit cake, a solid dried-fruit filled affair which makes a great base for wedding cake white icing.  Alternatively, fruit cake was popular baked loaf-style in a bread tin with glacé cherries and almonds on top.  A rich dark slice of home-made fruit cake was enough to sustain you throughout the afternoon or hiking for hours in the mountains.  Baking runs in my family, I tried my hand at a dense fruit cake moistened with mashed pumpkin.  It was a huge round thing, placed in a glass cabinet with an Entry Number plaque, surrounded by other Ekka cooking exhibits until heat and bright lighting eventually dried them out.  It earned me a ‘Commended’ and I was proud of its success.  Some cakes were sunken in the middle and I wondered why they were even entered.

Competition is fierce in the ‘domestic’ Craft exhibitions; patchwork quilting, floral arranging, cake decorating, painting and drawing.  There’s also a Children’s Section with displays of school-made arts, crafts and beautifully hand-penned documents.

The Photography section always captured my imagination, so much so that I entered a Kodak Ektachrome slide (a small cardboard-framed transparency) taken while on holiday in England.  It appeared in slideshow format on a huge screen in a darkened room and I was so pleased.  In any photography competition, it was always disappointing when a perfect photo won First Prize.  Deep down I knew it was taken by either a professional photographer or someone with heaps of money and expensive darkroom equipment.  Digital has certainly altered that scene.

When gawping at human endeavour grew tiring, or you had ten showbags in each hand and had to catch the train, there was an overhead chair lift which transported you from one side of the Ekka to the other.  This was scary fun, swinging way above the crowd; tempting too.  A good time to forage in showbags for Bertie Beetles, fairy floss and toffee apples, and I guess many a sticky glob was accidentally dropped.  Due to safety issues, or perhaps an uncool image, the chair lift was recently dismantled and removed.  I’ve got to admit I was disappointed but I never liked walking underneath it.

Umbrella The Adelaide Show BagsAugust is the end of winter in Brisbane and during the daytime the Ekka weather is warm and mainly dry, often with westerly winds, but at night the temperature drops considerably.  A hat, a jacket and a water bottle are necessary items.  If you’re so inclined, you can chill out at the Stockmen’s Bar and Grill, but parents and caregivers are usually seen overloaded with supplies to the point of distraction.  I found a ladies wallet left behind on a low wall and handed it over to the police Lost Property room.  It’s one of those things you later hope had been claimed.  At the time I didn’t give it a second thought––nearby was the Fire Brigade display with handsome fire fighters selling their latest hot-bod calendar.

A day at the Ekka is tiring yet it leaves you with an exuberant feeling and plenty to chat about next day.

A closing thought:  Is the 21st century bringing improvements as the older generation fades away?  On a new map, I notice a technology precinct, gourmet plaza, music stage and retail store; a bit like a shopping centre.  The Ekka land adjoins the central business district, a situation which makes it a very valuable piece of real estate.  The concept of ‘where the country meets the city’ shrinks each year, overtaken by commercialisation and globalisation, no longer a rare holiday for country families or a slice of wonderment for city children.  Will I be visiting the Ekka this year?  Perhaps the lure of an Ayrshire dairy cow or Caramello Koala showbag will tempt me.

Gretchen Bernet-Ward


Ekka RNA Show Logo
DEDICATION
:  To all my Ekka-loving friends past and present.  Special mention goes to blogging buddy Life After Sixty-Five who also has Ekka memories.


‘Curious Affection’ Hybrids of Patricia Piccinini’s Biotechnology Art

In her “Curious Affection” exhibition, world-renowned artist Patricia Piccinini and her DNA modified beings, credible and strangely familiar, invite us to find beauty in a transgenic social order not ruled by ideas of normality or perfection.  I was hesitant about visiting this curious collection but enjoyed the experience.

INTRODUCTION:  On a grand scale, the creations of Patricia Piccinini occupy the entire ground floor of Gallery Of Modern Art, Brisbane Australia, with a retrospective of her most recognisable works from the past 20 years.  It is Piccinini’s most ambitious solo exhibition to date, running from March to August 2018, with a collection of wall art and immersive multisensory installations – including new works like Heartwood (featured above) and a large-scale inflatable sculpture Pneutopia (not shown) exclusively conceived for the Gallery which rises effortlessly through an opening to the floor above.

* SOME VIEWERS MAY FIND THESE IMAGES DISTURBING *

TAP OR HOVER OVER IMAGES TO READ MY PICTORIAL COMMENTS.  Of course, this doesn’t convey lighting or sound effects!  My photographs are by no means exhaustive, there were many more art works and hybrid creations going about their daily lives.

Our guide explained most models are made of silicone, fibreglass, polyurethane and human hair – for a deeper understanding, Patricia Piccinini has recorded video stories and GOMA blog shows the exhibition conception to completion.

CLOSING:  Like most art, there is more to it than meets the eye.  Patricia Piccinini’s works are complex.  We are asked to think about our place in a world where advances in biotechnology, genetic engineering, organ harvesting and digital technologies are challenging the boundaries of humanity.

The more I learned about this exhibition, the more I understood the science, the pathos and the dangerous waters we may sail into one day, much the same as the internet was launched on a naïve world.  With intelligence and compassion we may learn to create something new without destroying the old.

Gretchen Bernet-Ward

NAIDOC Week ‘Because of Her, We Can’

NAIDOC Week 2018 Poster

Artwork:  tarmunggie-woman
Artist:  Cheryl Moggs

The 2018 National NAIDOC Poster was designed by Cheryl Moggs, a Bigambul woman from Goondiwindi, Queensland.  Cheryl drew on the history, courage and resilience of Aboriginal and Torres Strait Islander women to educate others.  The artwork (tarmunggie – woman) has three overlaying images, connecting dreamtime, culture and knowledge.

BECAUSE OF HER, WE CAN!

Theme:  NAIDOC Week 2018 celebrates the invaluable contributions that Aboriginal and Torres Strait Islander women have made – and continue to make – to our communities, our families, our rich history and to our nation.

“This artwork portrays the courage and resilience of Aboriginal and Torres Strait Islander women.  From the ripples of fresh water and salt water, across the travel pathways and song lines of our traditional lands and skies”.

NAIDOC WEEK 8-15 JULY 2018

Background:  NAIDOC Week celebrations are held across Australia each July to celebrate the history, culture and achievements of Aboriginal and Torres Strait Islander peoples.  NAIDOC is celebrated not only in Indigenous communities, but by Australians from all walks of life.  The week is a great opportunity to participate in a range of activities and to support your local Aboriginal and Torres Strait Islander community.

Origin:  NAIDOC originally stood for ‘National Aborigines and Islanders Day Observance Committee’.  This committee was once responsible for organising national activities during NAIDOC Week and its acronym has since become the name of the week itself.  Find out more about the origins and timeline history of NAIDOC Week.  Find out the history of the Australian Aboriginal flag and the Torres Strait Islander flag under Australian Flags.

Awards:  Each year there is a different focus city for the National NAIDOC Awards Ceremony.

  • Lifetime Achievement Award
  • Person of the Year
  • Female Elder of the Year
  • Male Elder of the Year
  • Caring for Country Award
  • Youth of the Year
  • Artist of the Year
  • Scholar of the Year
  • Apprentice of the Year
  • Sportsperson of the Year

This year the focus city of Sydney will start NAIDOC Week with the 2018 National NAIDOC Awards announced at a black tie ceremony and ball.  National NAIDOC Poster Competition and the NAIDOC Awards recipients are selected by the National NAIDOC Committee.

Websitenaidoc.org.au
Facebook:  facebook.com/@NAIDOC
Twitter:  #NAIDOC2018 #BecauseOfHerWeCan

To learn more about NAIDOC Week activities in your area, contact your nearest Regional Office.

Gretchen Bernet-Ward

NAIDOC Poster Facebook Banner 2018

NAIDOC Week Statement 01

Sisters in Crime 25th Scarlet Stiletto Awards

The 25th Scarlet Stiletto Awards have been launched – with a body or two in the library – and I have reblogged the exciting news:

Sisters in Crime Australia’s 25th Scarlet Stiletto Awards were launched by Dr Angela Savage at Melbourne’s Athenaeum Library on 27 April, 2018. Almost $10,000 is on offer in prize money.

The event included dramatic readings of three winning “body in the library” stories – “Jane” by Narrelle M Harris (read by Jane Clifton), “Caught on Camera” by Jenny Spence (read by Susanna Lobez) and “Brought to Book” by Kath Harper (read by Leigh Redhead).

Dr Savage (below), the 2011 shoe winner and now Director of Writers’ Victoria, declared the awards “a milestone for Australian crime – at least of the literary persuasion”.

The awards, she said, had “spring-boarded the careers of many writers, including myself. To date, 3084 stories have been entered with 23 Scarlet Stiletto Award winners –including category winners – going on to have novels published.

“Like many of Sisters in Crime’s best ideas, it sprang from a well-lubricated meeting in St Kilda when the convenors debated how they could unearth the female criminal talent they were convinced was lurking everywhere.

“Once a competition was settled on, it didn’t take long to settle on a name – the scarlet stiletto, a feminist play on the traditions of the genre. The stiletto is both a weapon and a shoe worn by women. And of course, the colour scarlet has a special association for us as women. And they were right – talent is lurking everywhere, sometimes in the most unlikely places!”

MASTER-175-LOGO

The success and longevity of the Awards have been hugely dependent on the generosity of Australian publishers, booksellers, the film and television industry, authors and other parties.

Sisters in Crime had been uncertain that the launch would go ahead because, at the eleventh hour, the First Prize Sponsor, Bonnier/Echo Publishing, was closed down by its overseas arm. Luckily, Swinburne University and the ever-resourceful Dr Carolyn Beasley, Acting Chair of the Department of Media and Communication, stepped into the breach.

Sisters in Crime spokesperson, Carmel Shute, said, “We were also lacking a Young Writer Award sponsor because Allen & Unwin pulled out last year after more than 20 years of sponsorship. We were chuffed to get support at the last minute from Fleurieu Consult run by South Australian member Jessie Byrne, who is researching her creative PhD exegesis on Sisters in Crime Davitt Awards for best books.”

There are two brand-new awards on offer this year: Writers Victoria Crime and Punishment Award ($660) for the story with the most satisfying retribution (the winner gets a three-month spell in prison in the guise of a studio residency at Old Melbourne Gaol) and the International Association of Forensic Linguistics (IALF) Award for Best Forensic Linguistics Story ($1000).

IALF President, Dr Georgina Heydon (left) from RMIT, told the crowd that the award was designed to foster understanding of forensic linguistics which uses a scientific approach to language analysis in legal and criminal investigations.

“Typically, a forensic linguist is engaged to analyse the authorship of an anonymous document, to determine what was said and by whom in a covert recording, to identify coercive or oppressive questioning by police, or to determine the need for an interpreter. It’s not to be confused with the analysis of hand-writing styles.”

The full list of awards is:

  • The Swinburne University Award: 1st Prize: $1500
  • The Simon & Schuster Award: 2nd prize: $1000
  • The Sun Bookshop Award: 3rd Prize: $500
  • The Fleurieu Consult Award for Best Young Writer (18 and under): $500
  • The Athenaeum Library ‘Body in the Library’ Award: $1000 ($500 runner-up)
  • International Association of Forensic Linguists Award: $1000 for Best Forensic Linguistics Story
  • The Every Cloud Award for Best Mystery with History Story: $750
  • Kerry Greenwood Award for Best Malice Domestic Story: $750
  • Writers Victoria Crime and Punishment Award: $660 (studio residency, Old Melbourne Gaol) for the Story with the Most Satisfying Retribution
  • HarperCollins Publishers Award for Best Romantic Suspense Story: $500
  • Scarlet Stiletto Award for Best Financial Crime Story: $500
  • Clan Destine Press Award for Best Cross-genre Story: $500
  • Liz Navratil Award for Best Story with a Disabled Protagonist Award: $400
  • ScriptWorks Award for a Great Film Idea: $200

Nine collections of winning stories are available from Clan Destine Press.

Closing date for the awards is 31 August 2018. Entry fee is $20 (Sisters in Crime members) or $25 (others). Maximum length is 5000 words. The awards will be presented at a ceremony in Melbourne in late November.

To download an entry form, pay the entry fee and read the FAQs, click here

Sisters in Crime Awards Judith Rossell 01
Recent winners of the affiliated Davitt Women’s Crime Book Awards https://www.sistersincrime.org.au/the-davitt-awards/

Media comment: Carmel Shute, Secretary and National Co-convenor, Sisters in Crime Australia:
0412 569 356 or
admin@sistersincrime.org.au

Visit the Sisters in Crime website and sign up for their newsletter.
It would be criminal to miss out on this great opportunity!

Gretchen Bernet-Ward

Ioan Gruffudd Stars in ‘Harrow’ Forensic Drama Series

ABCTV Harrow Ioan Gruffudd
Image courtesy of The Australian newspaper

Actor Ioan Gruffudd stars as the boat-dwelling Dr Daniel Harrow in the new TV forensic drama series ‘Harrow’ filmed in Brisbane, Australia.  The goal for this intellectual forensic drama, featuring an unorthodox and edgy forensic pathologist who lives aboard an untidy boat on the Brisbane River, was achieved by the combined talents of ABC Studios International and Hoodlum Entertainment.

Welsh actor Ioan Gruffudd, whose recent screen credits include movie ‘Fantastic Four’, TV series ‘Liar’, ‘Forever’ and earlier ‘Hornblower’, is now 44 and says he has more life experience to get under the skin of somebody like the flawed, smart and sarcastic Dr Harrow.  Ioan, who also filmed ‘San Andreas’ in Queensland, fell in love with Brisbane, swimming with dolphins, attending theatre productions and an Ashes test cricket match at the Gabba stadium which unfortunately ended with treatment in hospital for heat stroke.

Leigh McGrath, executive producer of the 10-episode season of ‘Harrow’, says “Brisbane has got the tropical heat and humidity which I think adds a different feel to this forensic drama.  Normally they are cold, they are Scandi noir, whereas we went the opposite.”

To quote The Australian newspaper journalist Justin Burke “The pilot episode presents an exquisite personal test for Harrow: does he quit his career and sail to Bora Bora as promised with his troubled, thieving, drug-addicted daughter? Or does he heed the professional challenge of grieving father Bruce Reimers (Gary Sweet), who is begging Harrow to reopen the investigation into his daughter Olivia’s death?”
and
“In addition to the procedural, crime-of-the-week element of the show, there is an overarching mystery that we are presented with in the opening scenes. Someone is seen dusting a body with concrete and throwing it off a small boat into the Brisbane River in the middle of the night. Who and why will be revealed in good time.”

ABCTV Harrow Ioan Gruffudd 02

If you click Ioan’s name (further on) you will see video footage of ‘Harrow’ filmed around inner Brisbane.  Dr Harrow, a senior medical examiner, is based in the Queensland Institute of Forensic Medicine which in real life is the heritage-listed Brisbane Dental College near City Hall.  Postmortems are not as easy on the eye as handsome Ioan Gruffudd.

This series is like reading a crime book with my home town in the background, I love picking out familiar landmarks and wondering how the film crew recreated a gruesome scene.  The Brisbane River (Maiwar) stars but there are several familiar supporting actors to spice things up, e.g. Anna Lise Phillips, Remy Hii and Robyn Malcolm.

Keri Lee, boss of Disney’s ABC Studios Intl, is negotiating with global networks so hopefully this major drama series will be made internationally available.  Meanwhile Australian viewers can watch ‘Harrow’ on ABC1 on Fridays 8.30pm 2018 or all complete episodes on iView.

ABCTV iView LogoABCTV LogoHarrow ABCTV Crime Series 2019 02

http://www.abc.net.au/tv/programs/harrow/
https://iview.abc.net.au/collection/harrow

Well worth watching!  And Season Two hit Australian screens in February 2021.

Gretchen Bernet-Ward

DHQ: Wales Dewithon19

My foray into reading Welsh authors began with Jasper Fforde (Thursday Next) Paula Brackston (Shadow Chronicles) and Bill James (Harpur & Iles) and now, thanks to Book Jotter Paula Bardell-Hedley and Dewithon19, I have a wonderful list to continue reading in more depth.  “dw i’n hapus iawn!”

Find more about reading, writing, reviewing Welsh literature on Dewithon19–––

Paula Bardell-Hedley's avatarBook Jotter

#dewithon19 logo

1st to 31st March 2019

Welcome to DHQ (Dewithon Headquarters), the nerve centre for Reading Wales 2019!

The people of Wales celebrate St David’s Day annually on 1st March – the date of our patron saint’s death in 589 CE. In honour of this traditional anniversary, and also in recognition of the time of year when daffodils (the national flower of Wales) explode into bloom, we will hold the very first Dewithon – Dewi being the diminutive form of the Welsh name Dafydd (David).

Throughout March 2019 the international book blogging community will be invited to write about the literature of Wales. This will include reviews and articles about novels, non-fiction publications, short story anthologies, biographical works (by or about Welsh writers), travelogues, volumes of poetry (or single poems), essay collections, or indeed any texts with a meaningful connection to Wales.

You may write in either Welsh or…

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Earth Hour for the Environment

Are you participating in Earth Hour?  Join the largest global movement for the environment.  On Saturday 24 March 2018 switch off – then do it again every year.  Make an earth-friendly statement towards our planet’s future.  Commit to a sustainable world!

Candlelight 012

Have a cosy night in.
Light all the candles you can find.
Turn off all your lights.
Turn off the television.
Turn off the phone.
Turn off all electronic devices.
Sit in your favourite place.
Talk, laugh, eat and relax.
Be aware of the darkness of night.
Gaze into the candle flames.
Feel drowsy, feel peaceful.
One hour goes fast.
Maybe sit there a bit longer…

Gretchen Bernet-Ward


In Australia, Earth Hour will start at 8:30pm.  Join millions of people in over 180 countries who are switching off their lights for Earth Hour as a symbolic gesture to show the need for stronger climate action.  Are you ready to join the movement?  It’s time to switch off and #Connect2Earth.

Earth Hour ambassador, Lucas Handley, says “For me, Earth hour isn’t just about saving energy for that one hour – it’s a visual recognition that we are all part of an interconnected community; capable and committed to finding a more sustainable and earth-friendly direction for our society.”  Q&A with Lucas Handley

https://www.earthhour.org.au/
https://maas.museum/event/earth-hour-at-sydney-observatory-2/

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Earth Hour and WWF Logo