Giant Wallabies

Wallaby 01

My short story mentions a rural event known as a show.
Alternate names can be exhibition, county fair or agfest.

Looks of disbelief washed across the children’s faces.  Robbo’s face shone with a self-satisfied smile.  Next to his work boots lay Dugger, his Labrador dog, who raised an eyelid then went back to sleep.
A snort came from school teacher, Miss Evelyn, and all eyes turned to her as she gathered up her patchwork squares.
“What a lot of nonsense,” she said as she stuffed sewing material into her carrybag.  “Brookfield Show eve and you’re going to fill their heads with fantasy.”
One of the younger children put his hand up.
“Did it really happened, Robbo?”
Robbo said “Yes” at the same time Evelyn snapped “No” and the young boy retracted his hand in disappointment.
“Can you prove it?” asked Angela, an older girl with jet black hair and thoughtful eyes.  She was one of many third generation Brookfield students whom Miss Evelyn had known from babyhood.
“Hmm,” Robbo said thoughtfully.  If he had a beard, he would have stroked it in contemplation.  “I reckon I can try.”
Robbo was a well-known local figure, a carpenter by trade who could turn his hand to any odd job around the residences in the area.  He and Dugger were a volunteer Story Dog team at the local school.
Today they had veered off topic and instead of the slow readers reading, Robbo had tantalised them with an opening salvo to his tale.
“Start from the beginning,” Miss Evelyn sniffed “so we can get into the right mood.”
The children chuckled nervously and settled themselves back on the kindergarten cushions.  Some of the older boys had objected to being in the kindy room but the seating arrangements were more comfortable than their classroom, currently overflowing with paintings and craft waiting transfer to the Show pavilions.
Miss Evelyn settled herself down again like a kookaburra shuffling her feathers.  A couple of the young ones inched closer to her, hoping for motherly support should the need arise.
“Okay,” Robbo rubbed his hands together.  “Here goes!”  He leaned forward and rested his elbows on his knees.  A security thumb or two was popped in, soft toys were hugged and someone let off a smell.
“It wasn’t a dark and stormy night, in fact, it wasn’t dark but there was a rain cloud,” began Robbo, lowering his voice, “and two small brown wallabies grazing in a paddock near the Showgrounds.”  His eyes roved the attentive audience.  “A large crow was sitting high in a nearby gumtree when––”  Robbo clapped his hands and everyone jumped.  “A bolt of lightning struck the gumtree and the crow flew away.  The lightning had ignited the tree and fire was crackling fiercely through it branches before someone in the general store rang the fire brigade.”
Everyone wriggled then settled again, eyes just that bit wider.  “The flames had reached the ground and were burning towards the Brookfield Showgrounds at a furious pace.”  Robbo looked around.  “Where are those two wallabies?”
A hand shot up and the timid voice of Frederick of the smells said “They ran away to safety.”
Robbo shook his head.  “No, they were still there.  And you know what?”  He raised his calloused hands high in the air above his head.  “They had turned into giant wallabies.”  Then, for extra emphasis, he stood up and reached for the ceiling.  His fingers almost dislodged a butterfly mobile but it added to the atmosphere as they fluttered wildly around his uncombed hair.
“These were energised wallabies, they had super powers and were big enough to roll the Ferris wheel away.”
The group froze; Frederick crouched ready to run.
An older boy scoffed “Yeah, but what can they do about the fire?”
Nodding heads inspired him to add “Maybe the crow flew to get help?”
Robbo pulled a face and told them the crow was another story.  Sitting down, he attempted a sage storyteller voice.
“They bounded over a fence to Moggill Creek and began drinking lots and lots of water.  It tasted a bit like dirt and leaves and stuff but they guzzled until they were full.  It was difficult for them to walk so they sort of rolled back towards the outer fence.  It flattened and they put themselves right in the path of the oncoming blaze.  With puffed cheeks and one big blast like a wall of creek water, they hosed over the flames until they went out.”  He cleared his throat.  “Of course, the smoke made them cough and they had to wipe their eyes but all in all they didn’t even get their fur singed.”
“What happened next,” shouted two girls in unison, grabbing each other’s hands.  “Did they get a medal?  Or a free pass to the Show?”
Miss Evelyn pursed her lips and shushed them.
Robbo’s expression sobered.  “Not that simple, I’m afraid.”
Dugger shifted position on the floor and put his bony jaw on his paws, the seams of his orange vest creaking beneath him.
“The two giant wallabies heard a sound,” continued Robbo, “and turned to see that stray sparks had ignited inside the main Showground and were crackling and spitting across the dry leaves, past the arena, towards the agricultural buildings and meeting hall.  Oh no, historical buildings.”
Nobody saw Miss Evelyn trying to swallow a laugh and regain her composure.
“Surely the local fire brigade would have arrived by now?” she said.
“Their siren could be heard in the distance,” said Robbo, “and the general store had put up makeshift road blocks to stop traffic.  The store owner was hosing down the store and the giant wallabies knew if they were seen by him, their cover would be blown.  After one mighty spurt of water, they shrunk and hopped off into the distance, far away, up towards Mount Elphinstone.  There is a cave high on Mount Elphinstone where, legend has it, two wallabies sit and keep watch over the dry land.”
Robbo surveyed his listeners.  “The paint had been blistered off some buildings, and a palm tree was sooty but it survived and a quick paint job fixed the rest.”
“Phew, that’s a relief,” said one of Angela’s younger siblings and everyone laughed.  Apparently they shared similar thoughts – the cake pavilion housing their entries sitting under cling wrap on paper plates.
“And sideshow alley,” thought Miss Evelyn.
“However,” Robbo spoke at full volume, causing several children to squeak, “whenever there is lightening in Brookfield, or a barbecue out of control, you are wise to stay away from the flames because the giant wallabies will activate.”
“But,” said Frederick gravely, “they are our friends and they would protect us.”
“True, true.”  Robbo was momentarily fazed.  Even asleep, Dugger thumped his tail in encouragement.  Robbo rallied “Just don’t get in the way of giant wallabies at work.  Like flood waters, giant wallabies could unleash a wave of water which would wash you off your feet and into Moggill Creek.”
Miss Evelyn puckered her brow.  “Robbo, please.  No more scary stories.”
Robbo avoided her gaze, patting Dugger and adjusting his leather collar.
“Show’s over, kids.”
Determinedly, single-minded Angela spoke up.  “You said you had proof.”
Judging by the looks Miss Evelyn saw on the younger faces, caps nervously twisted between little fingers, they did not want proof.
“Sure,” replied Robbo with an airy wave of his hand. “If you go into the pony club grounds near the Brookfield Cemetery, you’ll spy a bleached eucalyptus tree trunk.  That’s the one which got struck by lightning.”
“Also,” piped a helpful voice from the sidelines, “I’ve seen wallabies.”
The collective chatter was enough to wake Dugger.  He got to his paws, shook his furry head and looked around.  He let out a sharp bark and ran to the open door.  With a slight pause to sniff the air, he bounded out of the room.
The space Dugger left seemed suspended, a motionless void.
“Wallabies,” whispered Frederick.
The electronic school bell sounded, breaking the spell.
“Lunch time, children.”  Miss Evelyn rose and smoothed her tartan skirt.  “After lunch we have choir rehearsal for the opening ceremony.”
As the children helped stack cushions in the corner, Miss Evelyn turned to Robbo.
“Was Dugger motivated by the aroma of tuckshop pies or something bigger?”
Robbo shrugged.  “That dog has a great sense of theatre.”
She wagged her finger.  “Giant wallabies or not, the Show must go on.”

Gretchen Bernet-Ward

Wallabies Ferris Wheel

AUTHOR NOTE:  This short story is dedicated with love and respect to Kookaburra Kat of KR, a long-time friend who supports and encourages my literary endeavours and is a passionate wildlife warrior, nurturing and caring for all creatures.  GBW.

 

‘Don’t Keep History A Mystery’

Read a story which is thousands of years old.  I’d like to share the email I received from Mr Miller on National Sorry Day and to commemorate National Reconciliation Week––

“My name is Glen Miller, I am a Board Director of the Indigenous Literacy Foundation and a descendant of the Butchulla people of the Fraser coast (Queensland). Today we acknowledge the 10th anniversary of National Sorry Day, a milestone in Australia’s history. This National Day of Healing is at the heart of our steps towards reconciliation. Tomorrow marks the beginning of National Reconciliation Week and we reflect on this year’s theme: ‘LEARN, SHARE, GROW – DON’T KEEP HISTORY A MYSTERY’. Here, we are invited to explore our past as a country; learn, share and acknowledge the rich histories and cultures of the First Australians; and develop a deeper understanding of our national story.

“Today I would like to share a story that is thousands of years old, that has been passed on from one generation to the next, and nearly came to be lost…

ILF Legends of Moonie Jarl Banner

“For many thousands of years the Butchulla people have been travelling between Queensland’s K’Gari (Fraser Island) and the mainland; catching winter mullet in stone fish traps set along Hervey Bay and trading with the mob up around the Bunya mountains. There are three laws that the Butchulla people live by: 1) What’s best for the land comes first, 2) If you have plenty, you must share, and 3) Do not touch or take anything that does not belong to you.

“While these were the laws that were taught to the children, they were also told stories that describe the origin of the land: The Legends of Moonie Jarl. These stories tell how the wallaby got its pouch, how the boomerang was invented, and how the little firebird came to have that bright scarlet spot on its back. These stories were told to me as a boy by my uncle Wilfy in the The Legends of Moonie Jarl. The year was 1964 and it was the first Aboriginal children’s book published and authored by Aboriginal people.

“Three years after its publication, Indigenous people were finally recognised as Australian citizens and 50 years on the stories continue to be shared among the Butchulla people. In 2014, our Foundation re-published The Legends of Moonie Jarl so now the stories are available to share with all Australian children.

Indigenous Literacy Foundation“A book isn’t just for reading; it’s more powerful than the information it provides. Reconciliation Week is an opportunity to look at the truths that need to be told and  celebrate our stories. This National Reconciliation Week I invite you to learn and share these rich histories and cultures of Indigenous people, and develop a deeper understanding of our national story. Please support the work of our Foundation by purchasing a copy of The Legends of Moonie Jarl or making a donation.”

Glen Miller
ILF Board Director
May 2018

“It was written by Uncle Wilf Reeves and illustrated by my mother Olga Miller” – Glen Miller.

Indigenous Literacy Foundation
PO Box 663 Broadway NSW 2007
Australia
info@ilf.org.au

Gretchen Bernet-Ward

Sisters in Crime 25th Scarlet Stiletto Awards

The 25th Scarlet Stiletto Awards have been launched – with a body or two in the library – and I have reblogged the exciting news:

Sisters in Crime Australia’s 25th Scarlet Stiletto Awards were launched by Dr Angela Savage at Melbourne’s Athenaeum Library on 27 April, 2018. Almost $10,000 is on offer in prize money.

The event included dramatic readings of three winning “body in the library” stories – “Jane” by Narrelle M Harris (read by Jane Clifton), “Caught on Camera” by Jenny Spence (read by Susanna Lobez) and “Brought to Book” by Kath Harper (read by Leigh Redhead).

Dr Savage (below), the 2011 shoe winner and now Director of Writers’ Victoria, declared the awards “a milestone for Australian crime – at least of the literary persuasion”.

The awards, she said, had “spring-boarded the careers of many writers, including myself. To date, 3084 stories have been entered with 23 Scarlet Stiletto Award winners –including category winners – going on to have novels published.

“Like many of Sisters in Crime’s best ideas, it sprang from a well-lubricated meeting in St Kilda when the convenors debated how they could unearth the female criminal talent they were convinced was lurking everywhere.

“Once a competition was settled on, it didn’t take long to settle on a name – the scarlet stiletto, a feminist play on the traditions of the genre. The stiletto is both a weapon and a shoe worn by women. And of course, the colour scarlet has a special association for us as women. And they were right – talent is lurking everywhere, sometimes in the most unlikely places!”

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The success and longevity of the Awards have been hugely dependent on the generosity of Australian publishers, booksellers, the film and television industry, authors and other parties.

Sisters in Crime had been uncertain that the launch would go ahead because, at the eleventh hour, the First Prize Sponsor, Bonnier/Echo Publishing, was closed down by its overseas arm. Luckily, Swinburne University and the ever-resourceful Dr Carolyn Beasley, Acting Chair of the Department of Media and Communication, stepped into the breach.

Sisters in Crime spokesperson, Carmel Shute, said, “We were also lacking a Young Writer Award sponsor because Allen & Unwin pulled out last year after more than 20 years of sponsorship. We were chuffed to get support at the last minute from Fleurieu Consult run by South Australian member Jessie Byrne, who is researching her creative PhD exegesis on Sisters in Crime Davitt Awards for best books.”

There are two brand-new awards on offer this year: Writers Victoria Crime and Punishment Award ($660) for the story with the most satisfying retribution (the winner gets a three-month spell in prison in the guise of a studio residency at Old Melbourne Gaol) and the International Association of Forensic Linguistics (IALF) Award for Best Forensic Linguistics Story ($1000).

IALF President, Dr Georgina Heydon (left) from RMIT, told the crowd that the award was designed to foster understanding of forensic linguistics which uses a scientific approach to language analysis in legal and criminal investigations.

“Typically, a forensic linguist is engaged to analyse the authorship of an anonymous document, to determine what was said and by whom in a covert recording, to identify coercive or oppressive questioning by police, or to determine the need for an interpreter. It’s not to be confused with the analysis of hand-writing styles.”

The full list of awards is:

  • The Swinburne University Award: 1st Prize: $1500
  • The Simon & Schuster Award: 2nd prize: $1000
  • The Sun Bookshop Award: 3rd Prize: $500
  • The Fleurieu Consult Award for Best Young Writer (18 and under): $500
  • The Athenaeum Library ‘Body in the Library’ Award: $1000 ($500 runner-up)
  • International Association of Forensic Linguists Award: $1000 for Best Forensic Linguistics Story
  • The Every Cloud Award for Best Mystery with History Story: $750
  • Kerry Greenwood Award for Best Malice Domestic Story: $750
  • Writers Victoria Crime and Punishment Award: $660 (studio residency, Old Melbourne Gaol) for the Story with the Most Satisfying Retribution
  • HarperCollins Publishers Award for Best Romantic Suspense Story: $500
  • Scarlet Stiletto Award for Best Financial Crime Story: $500
  • Clan Destine Press Award for Best Cross-genre Story: $500
  • Liz Navratil Award for Best Story with a Disabled Protagonist Award: $400
  • ScriptWorks Award for a Great Film Idea: $200

Nine collections of winning stories are available from Clan Destine Press.

Closing date for the awards is 31 August 2018. Entry fee is $20 (Sisters in Crime members) or $25 (others). Maximum length is 5000 words. The awards will be presented at a ceremony in Melbourne in late November.

To download an entry form, pay the entry fee and read the FAQs, click here

Sisters in Crime Awards Judith Rossell 01
Recent winners of the affiliated Davitt Women’s Crime Book Awards https://www.sistersincrime.org.au/the-davitt-awards/

Media comment: Carmel Shute, Secretary and National Co-convenor, Sisters in Crime Australia:
0412 569 356 or
admin@sistersincrime.org.au

Visit the Sisters in Crime website and sign up for their newsletter.
It would be criminal to miss out on this great opportunity!

Gretchen Bernet-Ward

Monica McInerney’s Writing Regimen

Monica McInerney Bookcover 02

An interview extract on the writing regimen of Monica McInerney, best-selling Australian-born, Dublin-based author of twelve novels, Monica was voted into the top ten of Booktopia’s “Australia’s Favourite Novelist” poll 2014, 2016 and 2018.

The following quote is from Books+Publishing Q&A and Monica mentions two of her earlier novels which I can highly recommend:


Q:  Could you describe your approach to writing and your working regimen?

A:  “I spend about six months plotting in my head before I sit at the computer and start writing.  There’s usually an overlap between my books.  I had the idea for ‘At Home with the Templetons’ about three months before I finished ‘Those Faraday Girls’.  Similarly, I had the idea for what will be my next book halfway through writing the ‘Templetons’.

I aim for 2,000 words a day minimum in the early stages of writing, getting very attached to the word-count button.  A day always comes when the word count is irrelevant, when all I want to do is be at the desk writing.

The final six months are usually seven days a week.  I edit as I write, and also show the manuscript to two people in the early stages, my husband, who is a journalist, and my younger sister, who is an editor.  I completely trust their feedback, and their encouragement keeps me on track until the manuscript is as polished as I can make it before sending it to my publishers.  I also love deadlines.  They terrify me into finishing.”


Monica McInerney Author

Author http://www.monicamcinerney.com/
Interview Books+Publishing https://www.booksandpublishing.com.au/
Booktopia https://www.booktopia.com.au/

 


Synopsis of Monica McInerney’s latest novel ‘The Trip of a Lifetime’

“I always thought memories were unchangeable. Set in stone, shaped by the years. But there are always others too, ones you haven’t let yourself remember ...”
The wilful and eccentric Lola Quinlan is off on the trip of a lifetime, taking her beloved granddaughter and great-granddaughter with her.  More than sixty years after emigrating to Australia, she’s keeping a secret promise to return to her Irish homeland.  But as she embarks on her journey, the flamboyant Lola is still hiding the hurtful reasons she left Ireland in the first place. What – and who – will be waiting for her on the other side of the world?
Books by Monica McInerney:
  •    The Trip of a Lifetime
  •    Hello from the Gillespies
  •    The House of Memories
  •    Lola’s Secret
  •    At Home with the Templetons
  •    All Together Now
  •    Those Faraday Girls
  •    Family Baggage
  •    Alphabet Sisters
  •    Spin the Bottle
  •    Upside Down Inside Out
  •    A Taste For It

Gretchen Bernet-Ward

Ioan Gruffudd Stars in ‘Harrow’ Forensic Drama Series

ABCTV Harrow Ioan Gruffudd
Image courtesy of The Australian newspaper

Actor Ioan Gruffudd stars as the boat-dwelling Dr Daniel Harrow in the new TV forensic drama series ‘Harrow’ filmed in Brisbane, Australia.  The goal for this intellectual forensic drama, featuring an unorthodox and edgy forensic pathologist who lives aboard an untidy boat on the Brisbane River, was achieved by the combined talents of ABC Studios International and Hoodlum Entertainment.

Welsh actor Ioan Gruffudd, whose recent screen credits include movie ‘Fantastic Four’, TV series ‘Liar’, ‘Forever’ and earlier ‘Hornblower’, is now 44 and says he has more life experience to get under the skin of somebody like the flawed, smart and sarcastic Dr Harrow.  Ioan, who also filmed ‘San Andreas’ in Queensland, fell in love with Brisbane, swimming with dolphins, attending theatre productions and an Ashes test cricket match at the Gabba stadium which unfortunately ended with treatment in hospital for heat stroke.

Leigh McGrath, executive producer of the 10-episode season of ‘Harrow’, says “Brisbane has got the tropical heat and humidity which I think adds a different feel to this forensic drama.  Normally they are cold, they are Scandi noir, whereas we went the opposite.”

To quote The Australian newspaper journalist Justin Burke “The pilot episode presents an exquisite personal test for Harrow: does he quit his career and sail to Bora Bora as promised with his troubled, thieving, drug-addicted daughter? Or does he heed the professional challenge of grieving father Bruce Reimers (Gary Sweet), who is begging Harrow to reopen the investigation into his daughter Olivia’s death?”
and
“In addition to the procedural, crime-of-the-week element of the show, there is an overarching mystery that we are presented with in the opening scenes. Someone is seen dusting a body with concrete and throwing it off a small boat into the Brisbane River in the middle of the night. Who and why will be revealed in good time.”

ABCTV Harrow Ioan Gruffudd 02

If you click Ioan’s name (further on) you will see video footage of ‘Harrow’ filmed around inner Brisbane.  Dr Harrow, a senior medical examiner, is based in the Queensland Institute of Forensic Medicine which in real life is the heritage-listed Brisbane Dental College near City Hall.  Postmortems are not as easy on the eye as handsome Ioan Gruffudd.

This series is like reading a crime book with my home town in the background, I love picking out familiar landmarks and wondering how the film crew recreated a gruesome scene.  The Brisbane River (Maiwar) stars but there are several familiar supporting actors to spice things up, e.g. Anna Lise Phillips, Remy Hii and Robyn Malcolm.

Keri Lee, boss of Disney’s ABC Studios Intl, is negotiating with global networks so hopefully this major drama series will be made internationally available.  Meanwhile Australian viewers can watch ‘Harrow’ on ABC1 on Fridays 8.30pm 2018 or all complete episodes on iView.

ABCTV iView LogoABCTV LogoHarrow ABCTV Crime Series 2019 02

http://www.abc.net.au/tv/programs/harrow/
https://iview.abc.net.au/collection/harrow

Well worth watching!  And Season Two hit Australian screens in February 2021.

Gretchen Bernet-Ward

Q&A Katrin Dreiling Children’s Illustrator

Katrin Dreiling World's Worst Pirate 04

Katrin Dreiling went from language teacher to illustrator and received prestigious recognition for her picture book illustrations in “The World’s Worst Pirate”.  This book, written by Michelle Worthington and published by Little Pink Dog Books, has been awarded Notable Book of 2018 by Children’s Book Council of Australia.

Willkommen! Welcome!

It’s wonderful to have you here, Katrin, I love your beautiful art techniques and I’m excited to learn about your journey as a children’s book illustrator.  First, here’s a sneak peek at this special pirate story:

William is The World’s Worst Pirate so does that suggest he’s rude and nasty?  Read on…

“Pirates are swashbuckling, treasure hunting, buccaneers of the seven seas.  But if your mother is the Pirate Captain and you can’t stand on deck without getting seasick … that makes William The World’s Worst Pirate.”  However, young William does have a special talent.  Can he use it when the ship is under attack?  Save the day, me hearty!

Q&A illustrator background

Katrin Dreiling, originally from Germany, loves to come up with quirky creations that inspire children to get creative.  She enjoys giving colourful and messy art classes and says “Children are the true perfect grown-ups. Their hearts and minds are pure and good and it is important to nurture this – I strive to do that with art.”  On the studious side, she provided the characters for animated University lectures and Government staff coaching videos that attracted over 320,000 views worldwide.  In her free time, Katrin relaxes with her husband, three children and their Golden Retriever.


Katrin Dreiling World's Worst Pirate 02Q1. What is your favourite part of “The World’s Worst Pirate”?

Thank you, Gretchen, for this interview! My favourite part text-wise is when the Kraken attacks and everyone is supposed to run for their lives. Then there is a silence and Will quietly throws a cupcake to tame the beast. I like the contrast between noise and quietness and that it is such a peaceful, gentle approach. In terms of illustrations I think I like the cover the best. I just really enjoyed doing those ocean waves.

Q2. Of all your creations, who is your best loved character so far?

That would be Anton the Pig. This character has been in the works for a while now and so I really got used to him being around. He is also very sweet-hearted and funny and reminds me of a certain someone…

Q3. Where did the inspiration for this character come from?

Anton and his world are certainly inspired by my German background. The region I grew up in is known for their excessive bicycle riding because it’s very flat. So Anton is a passionate cyclist but I merged the landscape with a lot of ideas I picked up while living in Brisbane, Queensland. The inspiration for Anton’s story, though, came from years of working with children at school and my own three kids.Katrin Dreiling World's Worst Pirate 08

Q4. How would you describe your creative process on an average day?

My working day usually starts with a good walk with my Goldi to keep him happy and clear my head. Then I usually work down a list of things I have to do for my illustrating business. Once this is done I start creating. This can include simple sketching, commission work or extending my portfolio.

Q5. Do you like working in a group or home-office environment?

I am very happy to work by myself from home but I do seek professional input from other industry professionals on a regular basis. There is the Brisbane Illustrators Group where I made many good friends, WriteLinks and our local SCBWI group. I think it is very important to stay connected in which ever way you prefer, be that online or in real life.

Katrin Dreiling World's Worst Pirate 06
In costume The World’s Worst Pirate book launch

Q6. Was it enjoyable working with writer Michelle Worthington?

Absolutely loved working with Michelle Worthington and would always choose to do so again. She is professional, smart and supportive and I felt very appreciated in my illustrating.

Q7. What is it like collaborating with an editor and publisher?

In the case of Little Pink Dog Books it was the perfect synergy between author, publisher and illustrator. Kathy and Peter Creamer were very inspired to keep this project a creative process which involved everyone in the same measure, and I believe the result reflects this very well. When I worked with other publishers it was a different, yet also enjoyable experience. I had to meet more firm requirements and learned new things along the way. I think you have to be adaptable as an illustrator in order to deliver the best possible outcome for the project.

Q8. Do you like to work with artistic freedom or a strict deadline?

I can do both 😊

Q9. Have you stayed up past midnight to finish an assignment?

Yes. I have worked through nights but if the work does not feel like work it is not a problem.

IMG_20180422_234859Q10. Have you ever received harsh criticism for your work?

I have been very lucky so far and mostly received constructive criticism which I value a lot. It’s easy to get too complacent and lose distance to your work. This is why I regularly book in for portfolio assessments with editors to get a fresh perspective on my work.

Q11. What is your favourite medium to work with and why?

I mix a lot of media together because I enjoy many things at the same time. I seem to always come back to ink in some form, though.

Q12. What colour would you be if you were an extra pencil in the box?

Black.

Q13. What are your thoughts on hand-painted vs computer generated artwork?

It works really well TOGETHER if you know how to.

Katrin Dreiling The Princess and The Pea 02Q14. Who are your favourite artists and have they influenced you?

Absolutely adore the work of Beatrice Alemagna. She has inspired me to go my own way, like she did. Then there is the quirky and unconventional style of Russell Ayto that I love. I think both artists truly work to delight and inspire children.

Q15. Are you involved in teaching workshops for children?

Yes, I will be giving workshops with Michelle Worthington to children at selected libraries in Brisbane during school holidays in July 2018.  Also I give workshops for both children and grown-ups at a bookstore in Red Hill, Brisbane, as well as giving regular extra-curricular art classes once a week at New Farm State School.

Q16. Do you have a special creative goal for this year or is it a secret?

For my Anton the Pig story, I’d like to finish the manuscript and illustrations completely. Also getting published by one of the ‘big’ publishing houses has always been my dream and I’m still working towards this goal.


And this Q&A draws to a close

My sincere thanks, Katrin, for your personal insights into the world of picture book illustrating.  I am sure you will reach your goal and I look forward to reading all about Anton!

Hey, is anyone else left wondering who that 'certain someone' is and why Katrin would be a black pencil...

Gretchen Bernet-Ward

Katrin Dreiling World's Worst Pirate 05Information:
Katrin Dreiling Illustrations https://www.katrindreiling.com/
Instagram https://www.instagram.com/katrinartworks/
Facebook https://www.facebook.com/katrinartworks/
Twitter https://twitter.com/dreiling_katrin

‘Behind the Sun’ Convict Girl Series by Deborah Challinor

In a dread-laden atmosphere of shocking sights and smells, the transportation of four convicts to the women’s gaol Parramatta Female Factory is as grim as their backstory.  Although hiding a terrible secret between them, these young women are resilient and struggle against the harsh conditions.

The Convict Girls four-book series written by Deborah Challinor follows four bonded female convicts Friday Woolfe, Rachel Winter, Sarah Morgan and Harriet Clarke who are shipped from London’s infamous Newgate Prison to the penal colony of Sydney Town, New South Wales, to work off their sentences.  The penalties for petty crime, like the strange new land, are unforgiving.

Set in 1832, the travails of Friday, Rachel, Sarah and Harrie jump off the page as each book tells the story from each woman’s perspective while moving the narrative forward.  Titles are Behind the Sun, Girl of Shadows, The Silk Thief, A Tattooed Heart.  As they work through their bond in different forms of servitude, the reader follows their friendship, the physical and mental strain, and their all-important futures.

Author Deborah Challinor skilfully expands and elaborates on their new lives (the homebody, the thief, the seamstress, the prostitute) while keeping the voice true.  She gets the more risqué messages across without unnecessary crudeness.  Her well researched, well written plots and strong supporting characters, like cruel Bella Jackson and handsome Dr James Downey, blend together to spin a gripping yarn, spiced with highs, lows, loves, laughs, drama and murder.

I love good historical fiction, this quartet is superb (look beyond the chick-lit cover art) and Deborah Challinor knows how to lure her readers.  The outstanding imagery, ripe for screen adaptation, kept me reading long after I should have turned off the light.  I strongly recommend this 5-star series and suggest reading the stories in sequence so they unfold in all their splendour.

Gretchen Bernet-Ward


AUTHOR BIODeborah Challinor Author PhotoDeborah Challinor is a writer and PhD historian from Waikato in New Zealand.  She lived in Australia while researching the stories for her Convict Girls series.  The books follow four young woman transported to New South Wales for petty crimes. The character of Friday Woolfe is loosely based on her great-great-great-great-great-grandmother Mary Ann Anstey who was caught stealing a silk handkerchief and sent out to Sydney Town on Lady Juliana, a convict ship dispatched in 1789 from England to Australia.  Deborah Challinor has written over 16 books, historical fiction and non-fiction titles. Website https://www.read-nz.org/writer/challinor-deborah/

XXI Commonwealth Games – Gold Coast

Find out interesting things like events, history, medal tally, for the Commonwealth Games . . .

First, browsing through my Australian Stamp Bulletin, I saw that commemorative issue postage stamps will coincide with the start of XXI Commonwealth Games on the Gold Coast, Queensland, Australia.  The Games sporting competitions commence 4 April 2018 and continue over 12 days until closing ceremony 15 April 2018.

I am more into literature than sporting pursuits but it’s going to be quite an event!  It appears that the blue surfing koala mascot Borobi (which means ‘koala’ in the indigenous language) is on postcards but not included on the stamps so I’ve added him further down the page.

Commonwealth Games Stamp Issue 2018 01 (1)

Game on!  This is the second time Queensland has hosted The Games.  The 1982 Commonwealth Games were held in Brisbane City from 30 September to 9 October 1982 and I actually attended.  Below, I have written a little bit of Games history to bore you with facts and figures.

A brief history of the Commonwealth Games

In 1891, John Astley Cooper first wrote about a sporting competition that would bring together members of the British Empire, but it wasn’t until 1911, at the coronation of King George V, that an ‘Inter-Empire Championships’ was held.  This event included teams from Australasia, Canada, South Africa and the United Kingdom.

Commonwealth Games Gold Coast 2018 Logo

The first official Commonwealth Games (called the British Empire Games) were held in 1930 in Hamilton, Canada.  Four hundred athletes from 11 countries competed in 59 events across 6 Core sports.  The Core sports have increased: athletics, boxing, lawn bowls, rowing, hockey, badminton, squash, weightlifting, rugby, aquatics (swimming and diving) and wrestling.  In the past women only competed in swimming events.  That’s all changed and now there’s something for everyone.  Gold Coast 21st Commonwealth Games will include 18 events.

In addition to the 10 Core sports there will be:

  • Basketball
  • Beach volleyball
  • Cycling (road, mountain bike and track)
  • Gymnastics (rhythmic and artistic)
  • Para power lifting
  • Shooting
  • Table tennis
  • Triathlon

Commonwealth Games Stats Graphics Medals

Since 1930, the Games have taken place every four years, except in 1942 and 1946 (due to World War II), and had a few name changes.  Although there are 53 members of the Commonwealth of Nations, 71 teams participate in the Commonwealth Games, as a number of dependent territories compete under their own flags.  The four Home Nations of the United Kingdom—England, Scotland, Wales, and Northern Ireland—also send separate teams.

Australia is the overall champion of the Commonwealth, having won 2218 medals in total, 852 in Gold.  England is second with 2008 and Canada is third with 1473.
(See below for new figures 2018)

Commonwealth Games Australia Map

The 2018 host city – Gold Coast

The host city for the 2018 Commonwealth Games is Gold Coast, Queensland, located just north of the Queensland/New South Wales border, and about 66 kilometres south of Brisbane.  The Gold Coast is a coastal city on the Pacific Ocean with a population of around 640,000 people.  It is the sixth-largest city in Australia (the largest non-capital city) and the second largest in Queensland (after Brisbane).

The Gold Coast is one of Australia’s major tourist destinations with its sunny sub-tropical climate, beautiful surfing beaches, theme parks and rainforest hinterland.  More than 10 million people visit the Gold Coast every year, including around one million international visitors.  It is also a film production hub with movies such as Pirates of the Caribbean: Dead Men Tell No Tales and Thor: Ragnarok being filmed there.

The official XXI Commonwealth Games stamps have yet to be issued but, in the meantime, collectors may be interested in visiting superb WordPress stamp blogger The Snail Mail:
https://thesnailmail.wordpress.com/2018/03/02/my-favorite-is-the-fruity-stamp-from-malaysia-received-from-china-england-india-indonesia-malaysia-taiwan-the-u-s/

Here’s Borobi and souvenir merchandise https://shop.gc2018.com/collections/mascot-1

IMG_20180409_165348
Original 50cent coin from XII Commonwealth Games 1982 Brisbane Australia.
Commonwealth Games Stats 2018
XXI Commonwealth Games Medal Tally 2018

Gretchen Bernet-Ward

Burning Cauldron of Summer

Maud Fitch 05
Maud Fitch lives in a subtropical climate and 2018 summer has been extremely hot.

Hot nights, boiling days
Anger bites, temper frays.

Clothes stick, sweat drips
Fans click, weekend trips.

Seaside splashes, kids squeal
Sand rashes, sunburn peel.

Straw hats, ice-cream soothes
Cricket bats, sluggish moves.

Lush green, drooping leaves
Magpies preen, beetle weaves.

Shimmering heat, mown grass
Barbecued meat, chilled glass.

Family spats, neighbour snoops
Buzzing gnats, endless loops.

Afternoon heat, swaying palm
Tired feet, wanting calm.

Soft breeze, cooler places
Air-con freeze, calmer faces.

Car toots, dog greets
Unlace boots, cotton sheets.

Dissolving day, warm rain
Moonlight ray, night again.

Maud Fitch – Guest blogger